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43 pages 1 hour read

Colin Meloy

Wildwood

Fiction | Novel | Middle Grade | Published in 2011

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Chapters 1-5Chapter Summaries & Analyses

Chapter 1 Summary: “A Murder of Crows”

Twelve-year-old Prue lives in Portland, Oregon with her parents and baby brother Mac. Prue has taken Mac along while she does some errands. When she emerges from the local library, she sees a group of five crows lifting her brother out of his wagon and up into the air. Dozens of other crows have massed alongside as escorts. “Her baby brother, her responsibility, was being abducted by birds,” Meloy writes. “What did they plan on doing with him?” (1-2).

Prue frantically follows on her bicycle until she reaches a cliff at the edge of town: “Here at the eastern side of the Willamette River was a natural border between the tight-knit community of St. Johns and the riverbank, a three-mile length of cliff simply called the bluff” (11). On the other side of the river is a no-man’s land called the Industrial Wastes. Prue watches in horror as the crows continue their flight to the woods beyond. They have entered the Impassable Wilderness.

Chapter 2 Summary: “One City’s Impassable Wilderness”

Prue recalls asking her father why all the maps of Portland have an area marked “I.W.” for Impassable Wilderness. He explains:

There are places in the world where people just don’t end up living. Maybe it’s too cold or there are too many trees or the mountains are too steep to climb. But whatever the reason, no one has thought to build a road there and without roads, there are no houses and without houses, no cities. (14)

Her father warns Prue never to enter the Impassable Wilderness because it is much too dangerous. Prue recollects her schoolmates’ tall tales about people who entered the woods but never returned. Sometimes people hear coyotes screaming from the Wilderness, and now Prue must enter those woods to find her little brother. As she racks her brain, trying to think of a plan, she encounters one of her classmates named Curtis. Like Prue, Curtis is a sketch artist. He likes to draw pictures of superheroes while Prue draws images of plants or birds. When Curtis asks where Mac is, Prue warns him off and pedals her bike home.

Chapter 3 Summary: “To Cross a Bridge”

Prue believes she can slip inside the house without her parents realizing Mac is gone. She bundles Mac’s soggy blanket into a convincing imitation of a sleeping toddler and immediately puts the lumpy blanket upstairs in Mac’s crib to fool her parents. Waking at five the following morning, Prue gathers food, water, a flashlight, a Swiss Army knife, The Sibley Guide to Birds, an emergency first aid kit, and an air horn.

She attaches Mac’s Radio Flyer wagon to the back of her bicycle and pedals off toward the Railroad Bridge. Suddenly, she hears the sound of footsteps behind her. Curtis wants to tag along. Even though she throws rocks to discourage him, he follows Prue to the middle of the bridge:

“C’mon, Prue,” Curtis said, “let me help you! I’m a good helper’ […] He let his hands fall from his head. “I even brought my cousin’s bowie knife.” He patted the pocket of his coat and smiled sheepishly. (37)

Prue is about to pitch another rock at him when she feels the ground tremble beneath her feet. A train is coming.

Chapter 4 Summary: “The Crossing”

Curtis throws himself into the wagon and Prue pedals for her life. With seconds to spare, they reach the other side of the bridge and dive into a patch of scrub brush beside the tracks. Prue’s bicycle wheel is bent, so she abandons it, and the two proceed on foot. When they reach the border of the Impassable Wilderness, Curtis hesitates until Prue tells him that her brother was carried into the Wilderness by crows.

Curtis then decides to help her despite the danger. The children step into the Wilderness and are immediately struck by the beauty of the place. Meloy writes: “Prue stopped and leaned against a fir tree, taking in her verdant surroundings. As far as the eye could see, it was green. As many shades of green as Prue could imagine were draped across the landscape” (44-5).

The two pause to share a bag of trail mix and talk about how to find Mac. Curtis hears voices in the distance. As the children approach the sound, they see a pack of talking coyotes.

Chapter 5 Summary: “Denizens of the Wood”

Prue and Curtis sneak up on the pack and observe them from an overhang above a clearing. The coyotes are all dressed in military uniforms. Meloy describes: “Some of the animals had what appeared to be sheathed sabers attached to belts around their waists, while others stood leaning against tall, bayonet-topped rifles” (53). The pack’s commandant criticizes his troops for their hopeless attempt to build a campfire.

A breeze picks up, carrying the scent of the children to the coyote soldiers. Curtis is caught and dragged away, but Prue manages to escape. As she debates how to rescue both her brother and Curtis, Prue hears the sound of a car engine. She follows it to a road and flags down an ancient-looking red cargo van.

Richard, the driver, levels a shotgun at Prue until she convinces him to help her. He says that he’s the Postmaster General, and he’s never seen anyone from the Outside before. Prue wants his help to follow the coyotes, but Richard says it would be safer to report the problem to the authorities. They must seek help from Lars Svik, the governor of South Wood.

Richard explains the geography of the place. He says, “[Wildwood] stretches from the northernmost border of the Avian Principality all the way to the border of North Wood. I found you about halfway in the middle of nowhere’” (67). Richard’s job is “to deliver mail and supplies and whatnot from the folks in South Wood to the country folk in North Wood” (67). He says that Prue might be the area’s first pioneer from the outside world.

Chapters 1-5 Analysis

The first set of chapters in the novel introduce the main characters: Prue, Mac, Curtis, and Richard. While this section primarily describes Mac’s abduction, the chapters also touch on the theme of Curtis’s sense of alienation. Prue perceives him as an odd loner among their classmates. She tolerates him only because the two share a love of sketching, even though they favor different subjects.

Curtis projects timidity when he asks if he can join Prue on her quest. His hesitation may well stem from the rejection he is accustomed to receiving. Prue’s reaction is no different:

Prue threw the rock, and Curtis leapt out of the way, nearly tripping on the rail of the track. ‘What’d you do that for?’ he yelled, couching his head in his hands. “Cause you’re being stupid and you’re following me and I told you not to. That’s why.” (36-7)

This early cue to Curtis’s status as a loner will later explain his willingness to help Alexandra simply because she doesn’t reject him.

These chapters also introduce all three of the novel’s central motifs and symbols: birds, the wagon, and the Impassable Wilderness. The reader quickly learns about Prue’s fascination with birds both from her sketches and her unwillingness to part with The Sibley Guide to Birds. The bird motif is amplified by the flock of crows that abduct Mac from his wagon. The wagon becomes a prominent symbol from the moment that Prue first parks her brother in the Radio Flyer so that the two become fused as a single image. The Impassable Wilderness also receives immediate attention when Mac and the crows disappear within its boundaries, forcing Prue to follow.

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