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34 pages 1 hour read

Kenneth Lonergan

This Is Our Youth

Fiction | Play | Adult | Published in 1996

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Symbols & Motifs

Warren’s Collection

Content Warning: This section of the guide includes discussion of sexual content and substance use.

Warren’s toys, records, and other memorabilia represent youth and resistance against The Disillusionment of Adulthood that some experience when leaving childhood behind. With items like a recalled toaster that is known to explode, 30 first edition records, and Major Matt Mason toys, Warren’s collection is a tactile manifestation of a bygone era. It symbolizes a time and world that no longer exists, but which defined Warren’s childhood. The items are all from the 1950s and 1960s, and all in excellent condition for their age. 

Dennis hates Warren’s collection, as he doesn’t like to be reminded of the past. Jessica, who shares Warren’s longing for a simpler time, admires the items. Warren ends up having to sell his collection, even though he doesn’t want to, because of the mistakes he made in stealing and spending his father’s money. In doing so, he releases the past and accepts that he needs to mature if he wants to move into the next phase of his life. 

The collection also contains a baseball cap that belonged to Warren’s grandfather that he got from the opening day at Wrigley Field in 1914. The hat is a connection to not only his lost childhood but also his grandfather’s, and connects Warren to a part of himself that extends back generations. 

Looking at the collection together helps Jessica and Warren bond, and Warren even tries to give Jessica the baseball cap. She doesn’t accept it in the end, knowing how much it means to him and how little he really means to her.

Money

The young characters try to function autonomously without having to do any work. Dennis lets his parents pay his rent, Warren steals money from his father, and Jessica seeks a man who can provide her with a certain lifestyle. The play demonstrates how the characters’ unrealistic and immature view of money harms them and holds them back in their development as human beings. 

Dennis treats money like a game, the way a child would. For example, he panics when he learns that Warren stole so much money, but then begins thinking of ways that he can take advantage of the situation without bringing himself any harm. He invents a scheme to spend and then make the money back in two days, and Warren has no choice but to agree. 

Warren’s thievery reflects his sense of entitlement. He stole the money because he doesn’t respect his abusive father and because he felt he was owed something for having to leave the family home. Dennis ends up failing in his scheme, which forces Warren to sell his collection against his own desires. Doing so is a sacrifice and an act of Letting Go of the Past; he admits to himself that his choices have led him nowhere.

Drugs

Drugs define Dennis and Warren’s existence. They serve as a welcome distraction and escape from painful memories of the past, the challenge of coming to terms with adulthood, and the eventuality of death. Drugs also represent the indifference that the characters feel toward their own futures: “What’s gonna happen to anybody? Who cares?” (17). 

There is a brief moment of levity when pot takes effect on Dennis’s mind. His thoughts show the way that he views his privileged world and its pastimes as absurd: “Brunch. (Pause.) That’s a wild concept: It’s not breakfast and it’s not lunch. It’s brunch. (Rolls the words around in his mouth.) ‘Brunch.’ ‘Let’s serve brunch …’ It’s something you serve” (19). There is a thick tension in the air that has to be broken, so Dennis suggests getting cocaine. 



Drugs are used to break tension again when Warren and Jessica discuss Warren’s dead sister. When Warren knocks the cocaine on the floor, it symbolizes the futility of his and Dennis’s efforts to stay afloat on temporary solutions like selling drugs. This futility is further emphasized by Stuey’s death and Dennis’s monologue about his fear of wasting his life. Seeing someone die so young, without having accomplished anything, is startling. It makes Dennis reconsider his choices to use drugs and coast through life.

Sex

In the play, sex emphasizes The Pointless Pursuit of Materialism. It acts as a temporary pleasure rather than fulfilling a person’s heart and soul. 

Sex also shows the disconnect between the characters. Dennis mocks Warren for the fact that women never seem to be interested in him. If they are, Dennis always has something negative to say about them. This is actually Dennis’s way of saying that Warren deserves better, but Warren doesn’t understand this. 

When Jessica comes over, there is immediate and powerful sexual tension between her and Warren, but Jessica initially resists the temptation. She wakes up regretful after they spend the night together. She knows that her night with Warren could not have been anything more than a superficial pleasure because she simply doesn’t know him well enough yet. Warren feels differently, but it’s already too late and an awkwardness quickly builds up between them again. For these youth, sex does not provide a means to emotionally connect. It serves as a distraction amidst The Disillusionment of Adulthood and the painful reality that they are growing up.

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By Kenneth Lonergan