Plot Summary
The Well and the Mine
Gin Phillips
The Well and the Mine
Fiction | Novel | Adult | Published in 2007
Plot Summary
Referred to as a “luminous debut” by The Oregonian, The Well and the Mine is a 2008 novel by Gin Phillips set in Alabama during the Great Depression. It concerns the impoverished residents of Carbon Hill, Alabama, and the mystery surrounding a baby dropped into a well in the dead of night and the lone girl who witnesses it.
The book hooks readers with its central mystery early on as Tess, the daughter of the Moore family, sits by her family’s well after supper one evening as she is wont to do. But this evening isn’t like the rest. Suddenly, she witnesses the silhouette of an unidentifiable woman approach the well and drop a baby into it. This shocking crime sets off a chain of events that illuminate the racial and societal pressures of small-town Southern life during the 1930s.
After introducing this mystery, the author introduces readers to the rest of the Moore family. The Moores, like most of their neighbors, are very poor. The family’s patriarch, Albert, works in a coal mine for little pay while destroying his body. At night, while he sleeps, his wife, Leta, kneads the muscles in his back vigorously to ease some of the daily pain of his backbreaking work. Albert and Leta have three kids to support. There’s Jack, who lives in daily fear that his father will die in the coalmines; Virgie, a young small-town beauty oblivious to her own charms; and Tess, the young girl who witnessed the horrific scene of a woman throwing a baby down a well.
As hard as life is for the white Moores, however, the author takes pains to show that life is even harder for the black families in the area who, unlike white families like the Moores, do not own their own land. These racial divides are illuminated most dramatically through Tess and Virgie’s committed quest to discover the identity of the woman who threw the baby down the well. As they interrogate the townspeople, they witness the strife faced by black families, realizing that the Moores are fortunate to have what they do have. This process of maturity is as central to the novel’s narrative as the unraveling of who threw the baby down the well.
After some time, authorities recover the baby from the well, but the baby is dead. Tess and Virgie’s investigation leads them to strongly suspect a local woman named Aunt Lou. But far from what the pair initially suspect, it turns out that the baby was already dead when it was dropped in the well. Aunt Lou’s intent, it appears, was to baptize the baby and prevent it from eternal damnation because it was never baptized. Aunt Lou confesses as much to Tess and Virgie.
The pair feels intense pressure to tell the authorities what they’ve learned about the culprit. However, they decide to keep the secret to themselves, because they are touched by the abject poverty they witness that affects Aunt Lou’s family, which includes the mother of the child. In the end, they learn two very important lessons: One is that not every tragedy has an easy culprit to blame, sometimes tragedies just happen and there’s nothing anyone can do about it. The second lesson is that, as bad as life is for the Moores, they possess a level of privilege being white—they own their own land, and therefore, are better-equipped to survive, even though the black families in town work just as hard, if not harder than Albert. For Albert’s part, he learns to quell his own well-intentioned but problematic prejudices by connecting with a black patriarch in town named Jonah.
In many ways, Phillips’s novel resembles that classic of twentieth-century literature, To Kill a Mockingbird by Harper Lee. Both include young protagonists that investigate a crime, only to discover that life is far more complicated than some Hardy Boys mystery story. Also, both novels examine racial strife through the eyes of youngsters and both benefit from this perspective, as children are often less prejudiced than adults because they have not had their perspectives so dominated by societal assumptions and biases.
​
While not quite the classic that To Kill a Mockingbird is, The Well and the Mine, nevertheless, explores many of the same conflicts with poignancy, humor, and wonder.
The book hooks readers with its central mystery early on as Tess, the daughter of the Moore family, sits by her family’s well after supper one evening as she is wont to do. But this evening isn’t like the rest. Suddenly, she witnesses the silhouette of an unidentifiable woman approach the well and drop a baby into it. This shocking crime sets off a chain of events that illuminate the racial and societal pressures of small-town Southern life during the 1930s.
After introducing this mystery, the author introduces readers to the rest of the Moore family. The Moores, like most of their neighbors, are very poor. The family’s patriarch, Albert, works in a coal mine for little pay while destroying his body. At night, while he sleeps, his wife, Leta, kneads the muscles in his back vigorously to ease some of the daily pain of his backbreaking work. Albert and Leta have three kids to support. There’s Jack, who lives in daily fear that his father will die in the coalmines; Virgie, a young small-town beauty oblivious to her own charms; and Tess, the young girl who witnessed the horrific scene of a woman throwing a baby down a well.
As hard as life is for the white Moores, however, the author takes pains to show that life is even harder for the black families in the area who, unlike white families like the Moores, do not own their own land. These racial divides are illuminated most dramatically through Tess and Virgie’s committed quest to discover the identity of the woman who threw the baby down the well. As they interrogate the townspeople, they witness the strife faced by black families, realizing that the Moores are fortunate to have what they do have. This process of maturity is as central to the novel’s narrative as the unraveling of who threw the baby down the well.
After some time, authorities recover the baby from the well, but the baby is dead. Tess and Virgie’s investigation leads them to strongly suspect a local woman named Aunt Lou. But far from what the pair initially suspect, it turns out that the baby was already dead when it was dropped in the well. Aunt Lou’s intent, it appears, was to baptize the baby and prevent it from eternal damnation because it was never baptized. Aunt Lou confesses as much to Tess and Virgie.
The pair feels intense pressure to tell the authorities what they’ve learned about the culprit. However, they decide to keep the secret to themselves, because they are touched by the abject poverty they witness that affects Aunt Lou’s family, which includes the mother of the child. In the end, they learn two very important lessons: One is that not every tragedy has an easy culprit to blame, sometimes tragedies just happen and there’s nothing anyone can do about it. The second lesson is that, as bad as life is for the Moores, they possess a level of privilege being white—they own their own land, and therefore, are better-equipped to survive, even though the black families in town work just as hard, if not harder than Albert. For Albert’s part, he learns to quell his own well-intentioned but problematic prejudices by connecting with a black patriarch in town named Jonah.
In many ways, Phillips’s novel resembles that classic of twentieth-century literature, To Kill a Mockingbird by Harper Lee. Both include young protagonists that investigate a crime, only to discover that life is far more complicated than some Hardy Boys mystery story. Also, both novels examine racial strife through the eyes of youngsters and both benefit from this perspective, as children are often less prejudiced than adults because they have not had their perspectives so dominated by societal assumptions and biases.
​
While not quite the classic that To Kill a Mockingbird is, The Well and the Mine, nevertheless, explores many of the same conflicts with poignancy, humor, and wonder.
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