39 pages • 1 hour read
Sy MontgomeryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The opening chapter describes Montgomery’s first encounter with Athena, the first of several octopuses she writes about in the book. It begins with her visit to Athena’s home at the New England Aquarium in Boston, Massachusetts. Montgomery is accompanied by aquarist Scott Dowd, who introduces her to the two-and-a-half-year-old giant Pacific octopus.
Early in the chapter, Montgomery addresses the image of octopuses in Western culture—that of monsters. From Icelandic folklore of the 13th century to Hollywood horror films of the 20th century, octopuses have been portrayed as demonic and destructive sea creatures. Countering such concepts, Montgomery describes Athena as “beautiful and benign as an angel” (7), though she admits few creatures are as different from humans as an octopus. It has no backbone and its head is between its body and limbs; it can instantly change shape, color, and texture; and 60% of its neurons are in its arms rather than its brain.
Octopuses, we learn, have rather varied personalities, setting themselves apart as individuals. Likewise, they discern different people and show their like or dislike of them, altering their behavior accordingly. Although research has proven this, it remains somewhat controversial, as many scientists are reluctant to allow for animals even having personalities, let alone thoughts or feelings. This is especially true for fish and invertebrates. As a scientist, Montgomery is aware of this and careful not to anthropomorphize animals, but she writes that Athena was leading her to a new way of thinking about this.
Montgomery visits again, this time meeting Athena’s main keeper, Bill, and a longtime volunteer, Wilson Menashi. Wilson is a retired engineer and at the aquarium is tasked with making toys for Athena. Because octopuses are highly inquisitive and easily bored, they need creative and challenging toys. Athena exhibits a relaxed posture and color (white) with Wilson as he feeds her. After the visit, the three, along with Scott Dowd, go out to eat, and the men discuss various octopuses they have known. Shortly after a third visit, several weeks later, Montgomery receives an e-mail with the news that Athena has died. It was sudden—faster than the death of most octopuses—and Montgomery feels a loss for a budding relationship that could not develop. After Athena dies, a new octopus is on the way to the aquarium. Montgomery writes, “At Scott’s invitation, I set out to cross a chasm of half a billion years of evolution. I set out to make an octopus my friend” (29).
Using her visits with Athena as a jumping-off point, Montgomery fills the reader in on octopuses and their world. She immediately raises the possibility of consciousness in octopuses, and what that might be like: “More than half a billion years ago, the lineage that would lead to octopuses and the one leading to humans separated. Was it possible, I wondered, to reach another mind on the other side of that divide?” (2). She also acknowledges octopuses as “the Other,” providing an overview of how the creature is perceived in Western culture. These are two of the book’s main themes.
It is significant that Montgomery provides this information in the context of her visits with Athena. She describes these experiences in detail, what it’s like touching and being touched by an octopus, and an octopus’s unique way of exploring the world with the suckers on its arms. Little by little, the reader sees Athena as a curious individual with a charm of her own. By personifying octopuses and describing her rewarding interactions with them, Montgomery tackles their “Otherness” without the accompanying stereotypes and myths. Athena portrays a creature much different from humans that can still be friendly, gentle, and graceful. Montgomery focuses on similarities, rather than differences, between humans and octopuses: “I don’t know what it’s like to change color or shoot ink, but I do know the joys of gentle touch and of eating food when hungry. I know what it feels like to be happy. Athena was happy” (28).
Montgomery’s review of research showing that octopuses have individual personalities and her subsequent noting of the longstanding taboo in the research community against acknowledging this indicates her willingness to challenge past views. In fact, she is eager to jettison them in favor of new research that is much more expansive in its acceptance of other creatures’ consciousness. Athena is changing how Montgomery perceives other minds and what thinking involves.
By Sy Montgomery