28 pages • 56 minutes read
Oscar WildeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story’s protagonist is the titular Giant—a fantastical being appropriate to a fairy tale. He lives in a castle in the country with a beautiful garden where children play when he is away. At first, the Giant is selfish and cold toward the children. He wants to keep his garden for himself and believes that “any one [should] understand that” (58). In banishing the children from his garden, the Giant plays the role of God in the biblical story of Adam and Eve. However, it is the Giant himself who is in the wrong, and he suffers physical consequences similar to those that accompanied humanity’s fall from paradise: Nature turns against him as endless winter settles on his garden.
The Giant, however, is a dynamic character and learns selflessness during the story’s climax. He helps a little boy climb into a tree and begins to love the boy and all the children in his garden, even joining them in their games. Toward the end of the story, the Giant grows old and feeble and can only watch the children as they play. When he finally reunites with the little boy, The Journey of Contrition, Penance, and Redemption is complete, as he learns to recognize the boy’s “wounds of Love” for what they are (67)—a testament to God’s mercy and compassion for humanity. His sins forgiven, the Giant dies and enters paradise at the invitation of the Christ-like figure of the little boy.
Shortly after the children all return to the garden, the Giant discovers one particularly small boy who cannot climb into a tree. The child is so sad that winter remains in his corner of the garden, where spring has returned everywhere else. It is this child’s acceptance of the Giant’s kindness that leads to the other children’s return, as he shows the others that they do not need to fear the Giant. To the Giant’s dismay, the boy disappears after this, and the neighborhood children do not know where he went or where he can be found.
Though he at first appears to be an ordinary child, the little boy represents the story’s clearest biblical allusion and underscores its Christian allegory. After many years, the little boy returns to the garden—unaged, but with wounds on each of his hands and feet. These wounds evoke the stigmata, or the wounds Jesus received on being nailed to the cross. Victorian readers would likely also recognize the symbolic significance of the tree the boy appears beneath, which is a term often used to refer to the cross. Additionally, the boy’s disappearance and reappearance in the same form recall Christ’s resurrection, or perhaps the second coming. These symbols of Christ’s sacrifice to redeem humankind illuminate the invitation the boy extends to the Giant: to join him in the garden of “Paradise.” With these biblical allusions, Wilde suggests that Christian charity brings not only earthly but eternal rewards.
Various neighborhood children besides the little boy play in the Giant’s garden, enjoying it during his absence. They are frightened away by the Giant’s return, and the spring vanishes with them. One morning, the children climb through a hole in the garden wall and return to playing among the trees, warm weather again following them into the garden. Their return sparks the Giant’s change of heart, and they continue to play in the garden for the remainder of the Giant’s life; the story ends with their discovery of the Giant’s body underneath a blossoming tree.
Though the children are nondescript, they are symbolically significant to the story. In Victorian times, children were seen as inherently good and pure. Their association with spring, a time that symbolizes youth and innocence, underscores the children’s goodness. Most importantly, the children are the neighbors of the Giant, as they live nearby. This recalls the Christian proverb about the necessity of loving your neighbor, which is one of the main morals the story highlights.
By Oscar Wilde