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91 pages 3 hours read

Richard Powers

The Overstory

Fiction | Novel | Adult | Published in 2018

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Chapters 11-12

Chapter 11 Summary: “Crown”

At dawn, a man lays on his back in the forest. He worries that “nothing will be the same” (325), but the sound of the plants reassures him that his presence makes a difference. The man must get to work.

Olivia’s body is placed into the fire, “sending it into forever” (327). Her companions get in the van and drive away; Nick and Adam threaten each other, Mimi drives, and Douggie advocates surrender. They go their separate ways: Nick camps in the devastated redwood forest and will not sleep well for 20 years; Mimi and Douggie get rid of the van and she insists they split up to avoid detection; Olivia’s death is blamed on a deranged killer; Adam finishes his thesis and becomes a respected figure in his field. Nick is haunted by Olivia’s death and stays in a cabin near the devastated forest. Rains cause a landslide, and Nick saves his neighbors as their cabins are destroyed. Douggie cannot leave Mimi alone as he is desperate to tell her about a dream in which Olivia tells him to wait and see. Mimi tells him to stay away from her forever. She sells her house and, using the huge profits from the sale of her father’s treasures, takes on a new identity. Douggie drives west, past the site of their bombing, and finds himself in an abandoned town that nature has taken back.

Dorothy brings the bedbound Ray his breakfast. In his eyes, she can read his thoughts, which say “you’re the last bearable thing left to me, aside from death” (338). She has struggled to deal with the aftermath of her husband’s stroke for weeks but now acts out the role of loving wife. She reads the crossword aloud and tries to interpret his gargled answers. In the evening, she visits her lover. When she returns to Ray at night, he surprises her by grabbing her wrist and asking for pen and paper. She stares at the confusing scratches until she realizes that it is an answer to the crossword puzzle.

Twenty years pass, in which Patty documents the disappearing species around her, Nick hides and works, and Adam continues his research.

Neelay plays the latest version of Mastery when he should be in business meetings. He meets another player who complains that the game has become too much like work, too much like real life. The game has a Midas problem, the player tells Neelay, in that “everything’s dying a gold-plated death” (344).

Adam receives a promotion and, while enduring his busy life, watches a report on an eco-terrorist attack. The use of the old slogans makes him worry that his old friends have returned to the fight. Mimi reads about the same attack and, like Adam, worries she will be incriminated. Nick does not hear about the attacks; he works as a stock boy and, at night, paints environmentalist murals around the city.

Ray tries to tell Dorothy to leave him, but she cannot understand his attempts at speaking. He knows that she wanted to leave, but he cannot help being pleased to see her each day. He learns to love the fiction she reads to him.

As the year 2000 approaches, Douggie lives in a cabin in the abandoned town he discovered. He works for the Bureau of Land Management, a caretaker for “the Friendliest Ghost Town in the West” (351). He is writing a book about his failures as an environmental activist. Later, he walks around the snow-covered town. He slips and falls; grabbing hold of a tree saves his life. Injured and in pain, the memory of Olivia gives him the strength to climb out of danger.

Patty continues to work long past her retirement age. Her least favorite task is raising money through lectures and presentations. She much prefers travelling the world’s forests, collecting samples for her seed bank. For a short amount of time, she even has the attention of the media. She visits the rainforests of Brazil to capture seeds, including seeds they cannot identify. They need armed protection from poachers and bandits. The local rubber tappers blame the Americans for creating the black-market demand. Dennis waits for Patty to return, maintaining the seed bank itself. At night, Patty wonders who will do replant all the seeds she has collected. One day, they come across a bandit camp. After chasing away the bandits, they burn the camp to the ground. As they delve deeper into the jungle, Patty sees wonderous plants and a face made from the bark of a tree. It reminds her of the myths her father taught her. She shows Dennis a picture when she returns, and he recommends turning it into a poster to raise funds. That night, he dies in bed beside her.

Dorothy’s lover demands that she choose between him and the incapacitated Ray as he is “tired of sharing” (361). Dorothy tells him that it is share or nothing, and he chooses nothing. One day, Ray screams for her, and together, they watch planes hit the World Trade Center towers on the television.

Now a therapist and living under the name Judith Hanson, Mimi waits for her final client of the day. Most of her prospective clients suffer from “nothing worse than too much money” (362). She only sees those who are actually in pain. When her client arrives, she sits opposite Mimi, and they look one another in the eye, staring for a prolonged period in silence. As they sit and stare, the client’s mind races. After hours, she breaks down into tears. She hugs Mimi and then leaves, still feeling the devastating effects of the session as she walks down the street.

Nick visits his old family farm. The chestnut tree has been cut down, but dozens of chestnuts shoots appear around the dead stump. Nick knows these new trees will live just long enough to be infected by the blight and keep the disease alive. There is no one in the house, so he waits. When no one arrives, he digs up the buried art and remembers how he met Olivia. He finds the collection of photographs of the chestnut tree. The police arrive but, after a cursory check, allow him to leave. No one cares about his art.

Neelay discusses his Midas problem with the game’s project managers. All the proposed solutions merely postpone the issue. Neelay wants to change how the game functions, introducing permadeath, environmentalism, and real-life issues. The players have so much invested in the game, they will have to find solutions and their aim will be to grow the world, rather than themselves. The project managers all vote against it, and Neelay learns what it feels like “to be eaten alive by his own insatiable offspring” (377).

In the ghost town, Douggie meets a young woman who feigns interest in his stories. When he finishes, she asks where she can camp. He invites her into his cabin, and she tries to seduce him. Douggie refuses but offers her his bed for the night. Later, he sees a light under the door and wonders what she is reading. She leaves the next morning and, two months later, the police arrive to arrest Douggie. The woman read his memoirs and told the police about his crimes. The police want to know the real names of those involved.

Ray asks Dorothy about a tree outside the window. Together, they spend an afternoon determining its species. They find out that it is an eastern white pine and, that night, she reads to him the history of the tree, which involves wars, colonialism, and the slave trade.

Patty thinks of Dennis as she works on her latest book. It concerns her travels and work at the seed bank, as well as her warnings of the future. She sends the handwritten pages to be typed up, reads in bed, and says goodnight to Dennis.

Adam is now a professor at NYU. Walking around New York, he passes by the Occupy Wall Street protest and the space where the Twin Towers once stood. Adam now has a five-year-old son and the attacks feel younger than the boy. He runs into Douggie and the two talk, discussing old times. Douggie seems nervous as Adam asks whether he is in touch with the others; Adam has seen art reminiscent of Nick’s style around the country. Adam worries that their destruction accomplished nothing, but Douggie insists that Olivia would have done it all again. They discuss Olivia and then part ways, knowing they will likely never see one another again.

Neelay returns to the Stanford garden that first inspired him, but the trees are quiet this time. He checks his phone, a device that he resents. His personal AI has something to show him. It has been trained to search for anything of interest to him, including Patty’s book. Neelay watches a 20-second video of a chestnut tree passing through a century of images, followed by a short poem. Neelay wonders whether he has just seen the handiwork of God.

Patty examines an invitation to speak at a conference regarding sustainability and trees. She deplores the tone of the conference, worrying that the attendees simply want a technological solution to the world’s problems. But looking through the guest list, she wonders whether she might actually be able to convert the important people to her cause. She takes a nighttime walk through the forest and notes its suffering. She looks to the memory of Dennis to guide her.

Adam is giving a lecture when he spies FBI agents at the back of the room; he has been dreading this day. As he lectures, he understands that the meeting with Douggie was not a chance encounter and his old friend had been wearing a wire. The lecture ends, and Adam goes to meet the agents. They lead him away in handcuffs, and as he is driven away, he examines the trees, taking in as much as he can while he still has a view of the outside world.

Ray and Dorothy play a new game, in which they identify the species of tree from samples she collects outside. Each time they discover a new species, they pause to learn everything they can. One day, much to Dorothy’s bafflement, they find a supposedly extinct American chestnut. Dorothy discovers Patty’s book, and they read it together. Ray suggests that the chestnut tree planted in their garden is the daughter they always wanted.

Patty passes through airport security. They ask her about her sample collection kit and a tub of liquid that she describes as vegetable broth. The security guard confiscates both. She flies to the location of the conference, but there is no driver to meet her. She waits in the airport, feeding a sparrow that lives in the rafters. Finally, her driver arrives. At the campus in Pennsylvania, she wanders the local forests.

Adam is placed in a cell. When he phones his wife, Lori, she is surprised to hear from him. At first, she does not believe what has happened. She visits the next day and says she knows that he did not commit the crimes; she has already begun to search for a lawyer.

In his dreams, Douggie continues to search for Mimi. He has been sentenced to seven years in prison but wants to explain what happened to the woman who turned him into a radical. He spent two days in jail, not talking, before the FBI made him an offer: name one name and his sentence will be greatly reduced, and all other charges against the other perpetrators will be dropped. He chose to name Adam, who always seemed “like an infiltrator” (409).

Patty delivers her lecture. She moves from Noah (who saved the animals but not the plants) to Rockefeller (whose “just a little more” (410) ideology has help plundered America’s forests). Her criticism of the capitalist sacking of the world’s natural resources leads people to walk out. She talks about interconnected ecosystems that are unravelling due to human activity. She knows her audience are not pleased with what she is saying. She believes that the answer to the planet’s problems lays with the trees.

Adam is released into home detention. He wears a tracking bracelet on his ankle. The sight of the device traumatizes his son, so the child is sent to stay with his grandparents. Outside, Adam sees environmentalists painting a giant picture of a tree over parked cars and pavement. He goes downstairs, but as soon as he exits his building, the tracking bracelet begins to shriek, and he retreats. His tracking clerk chides him. When Lori arrives home, she finally accepts the truth about what Adam has done.

Dorothy and Ray watch the trees in their garden from inside Ray’s bedroom. They can almost see their makeshift daughter in the movement of the trees. They decide to let the garden grow wild as a gift to the tree.

Adam and Lori argue. She wants him to give the police information about Nick or Mimi to reduce his prison sentence. He is a father, she tells him, and his son needs him. But Adam feels distant from his child and is reluctant. Lori storms out. Left alone, Adam trips and falls. He bites through his lip and, badly injured, looks out of the window and imagines America as a giant forest. He begins to go and get help from outside but remembers the ankle bracelet. Adam returns home, “the only habitat allowed him, his lone biome for a long time to come” (420).

Mimi attends Patty’s lecture and is transfixed. Patty places a plant into a glass of water and holds it up. Mimi catches Patty’s eye and begins to understand everything.

Patty raises the glass to her audience, and the stunned crowd is quiet. Commotion breaks out to the side of the stage, and a man in a wheelchair tries to stand to stop her. Patty drinks, toasting “to unsuicide” (423). She dies on the stage.

Adam attends court. Lori is present, but his son is not. The judge asks Adam how he pleads.

The Brinkman Woodlands Restoration Project has made a lot of people angry, but Dorothy does not care. Now almost 70, she loves her overgrown, tangled garden. She ignores the government’s demands to clean it up, and Ray has slowly prepared a thorough defense of their property rights. There is an angry knock at her door. Dorothy opens it to find a landscaper, sent by the city. Pitying the young man, Dorothy sends him away. She knows that this is not the end, but she relishes the fight.

In court, the prosecution demands an “extraordinary sentence” (426) for Adam. Despite his lawyers’ best efforts, Adam is demonstrably guilty. When he is offered the opportunity for his thoughts, Adam says that “soon we’ll know if we were right or wrong” (427). He is sentenced to two consecutive terms of 70 years. This is nothing, he thinks, compared to the life of a tree. 

Chapter 12 Summary: “Seeds”

Nick wakes up outside. He makes himself a meagre breakfast and is ready for the day. He is done with cameras and is working on a new piece of art. Using natural materials, he begins to build. He works for hours, stopping only to eat his dwindling supplies. A Native American man stops to watch Nick work, then begins to help. They do not trade names but work long and hard together, executing each other’s ideas without a word. Nick hears Olivia’s voice talking to him, guiding him.

The next day, the man returns. He brings two younger men and a giant man with a chain saw. They work all day and, finally, stand back to admire their creation: the word STILL, created from natural objects and readable from space. The Native American men begin to chant as Nick leans on a stick and stares off into the distant woods.

Mimi reads her phone in a park in San Francisco, reading about Adam. She feels guilty that she was not sentenced for the same crimes. Her online searches are logged by the government’s mindless computers. She has been Judith Hanson for so long, she is shocked by the idea of her true identity. She searches for the nearest police station. The more Mimi searches on the internet for her past life, the more her searches are recorded by the government surveillance agencies. She watches video clips and sees Nick’s handiwork. She gets the urge to “bomb something” (437) and, as she searches more, she feels an urge to surrender. Examining her hands, she realizes that she has become an old woman.

She understands that Adam allowed himself to be sent to prison for so long, martyring himself to alert the world to its problems. She stares into her own soul, interrogating herself as she does her patients. If she turns herself in, then Adam’s sacrifice will mean nothing. The darkness falls on the park, and Mimi is still sitting in the grass. With some effort, she removes the jade ring from her finger—the gift from her father. She is struck by a moment of enlightenment, voice speaking to her. She sits in the park all night, imagining how the natural world might grow back after the fires and floods have come. A police officer approaches her, asking whether she is okay. Mimi tries to move and speak but cannot.

Douggie sits in his cell, the “nicest accommodation he’s had for two decades” (432). He listens to lectures on tape and wonders how he can make Mimi proud. The window in his cell is too high, and he cannot see out. He is desperate to see a tree. Slowly, he begins to remember what a tree looks like. Laying in his cell hour after hour, he worries that he achieved nothing. He blames himself for what happened to Adam.

Adam awaits his transfer to the cell that will be home for the remainder of his life, thinking about whether he was right to do what he did. He told Lori that, if he saves himself, he loses something else. He does not know whether his decision was the right one. He is taken to his new home, where the other inmates remind him of his older brother, the bully. As he is taken inside, he notices a burr caught on his sleeve. In that moment, he notices “the quiet torture worse than anything the state can inflict” (447).

Ray and Dorothy lay in bed, thinking about Adam’s sentence. They know the landscapers will return soon. Ray, despite his disadvantages, feels compelled to take over Adam’s defense. He wants to argue that it was an act of self-defense, but he cannot make Dorothy understand his garbled words. The vessels in his brain give way, and Ray dies. Dorothy panics and then accepts the situation, but she is distraught at all the books they were planning to read together. She promises to be with Ray eventually.

Neelay works on a new project, which costs him several hundred million dollars. He collects data on anything and everything he can. The goal is to “find out how big life is, how connected, and what it would take for people to unsuicide” (435). As proud as he is of all his accomplishments, he knows that he will not live long enough to see the finale of his story. However, he knows that he is “launching the start of the rehabilitation” (440). 

Chapters 11-12 Analysis

The final two chapters of the novel bring the characters’ stories to a close. Following the death of Olivia, the characters must learn to navigate a different world. The way they deal with the aftermath—and the speed with which the narrative switches back and forth between characters and places—functions as a coda to the rest of the book. To that end, the structure of the novel becomes very important.

In a narrative sense, the novel is structured to represent a tree. Throughout the text, the chapter titles have been words commonly associated with trees. “Roots” guided readers through the characters’ formative years, establishing the backstory to each narrative strand. “Trunk” formed the main bulk of the novel; like a tree itself, the trunk of the story is the main body containing the greatest weight and most valuable resources. “Crown,” representing the top of the tree, its leaves, and its branches, is the aftermath of Olivia’s death. The characters begin to spread out on their own, breaking up the previously united groups. “Seeds” expounds on that separation, as the eponymous objects are individual by nature. Not necessarily part of the tree itself, seeds are the next generation. They are the continuation of the tree in another time and place. In a narrative sense, the seeds are the small inklings of happiness and redemption found in the final chapter: Nick creates his masterpiece; Adam accepts his jail sentence; Neelay searches for a technological solution to the earth’s problem; Mimi comes to terms with her guilt; and Douggie is sent to jail for real, an ironic echo of the fake jail stint that defined his early life.

It is these seeds that provide a possibility of hope at the end of the novel, which contrasts its constant pessimism. Over the course of the chapters, characters struggle with the impossibility of inaction and humanity’s failure to do anything about the rising ecological crisis. Patty’s solution is to kill herself in front of the world’s most powerful people. Adam’s solution is to accept his imprisonment, willingly separating himself from the world so he will not have to worry about the environment. Ray and Dorothy allow their garden to grow rough and natural, though they face constant pressure from the government and their neighbors to return it to a clean, organized state.

Those solutions are notably negative—involving death, surrender, or battling against unbeatable forces respectively—but they are not the only option. Nick reacts to Olivia’s death by becoming a drifter; without her guiding voice, he does not know what to do with his life. He seeks solace in his art and produces murals and installations wherever he can. Other characters, such as Adam, note these pieces of art, or imitations of them, and regard them as a sign that there is a growing awareness of the environmental issues. There are signs of encouragement that the art pieces are inspiring others. Nick’s final piece is his greatest work yet; he is helped by a group of nameless men who do not ask what he is doing because they understand its importance on a fundamental level. Nick’s ideas are spreading through his art. Likewise, Neelay is deeply affected by Patty’s public suicide. He knows that his time on the planet is limited, and he has forsaken any idea of finding love. His ideas for his company are rejected by those who work for him, and market forces mean he cannot steer the world he has created in the direction he feels is most important. Instead, Neelay uses his vast fortune to launch another project. He searches for a technological solution, scouring the internet for any and all available data. He hopes a solution will emerge from this. Rather than the protests and actions undertaken by individuals, Neelay’s project is a large-scale endeavor. It represents the necessity of capital and resources when combating such an important issue. If people like Neelay are waking up to the problem, then perhaps Patty’s death was not in vain. 

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