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47 pages 1 hour read

Albert Camus

The Myth of Sisyphus

Nonfiction | Essay / Speech | Adult | Published in 1942

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Preface-Part 1Chapter Summaries & Analyses

Part 1: “An Absurd Reasoning”

Preface Summary

The Preface, written by Camus, introduces the 1955 edition.

Camus declares that The Myth of Sisyphus presents the idea that suicide may be a legitimate response to the absurdity of life. In a later work, The Rebel, he considers whether murder is a legitimate response to the absurdities of social and political oppression. Camus asserts that whether or not someone believes in God, suicide isn’t a good answer, and that there are better, more creative ways to face meaninglessness.

Foreword Summary

The book presents the “absurd sensitivity” that torments modern people. This condition isn’t to be diagnosed and cured by some philosophy; it must first be described, and then later dealt with.

Part 1, Section 1 Summary: “Absurdity and Suicide”

The first question of philosophy should be whether life is worth living. All other philosophical problems are less important. Two main methods of thought can help: the factual, epitomized by Jacques de La Palisse, and the emotional, represented by Don Quixote.

Suicide “is prepared within the silence of the heart, as is a great work of art” (4). Suicides can happen suddenly when a random act sets off an avalanche of accumulated regrets. It amounts to a confession that life has become too much of a burden.

Occasionally, people discover for themselves a meaning to life and express it through suicide—perhaps as a protest or as a way to publicize something they perceive as important—but this is uncommon. Still, it’s unwise to treat any suicide lightly.

The body doesn’t want to die, and people don’t want to face philosophical torment, so they “elude” the problem by focusing on false hope or by arguing against meaninglessness because it impels one to suicide. But the question that must be followed to its conclusion is, “Does the Absurd dictate death?” (9).

That search, though, can lead to “waterless deserts” of thought from which many have escaped through death or by shutting down their powers of reason. The dedicated investigator will persist, following the trail to its conclusion, observing and learning the dark truths of that arid place.

Part 1, Section 2 Summary: “Absurd Walls”

Deep feelings affect us more than we know. They contain their own “universe,” their own “metaphysic,” and their own attitude. This applies as much to feelings aroused by beauty, for example, as by absurdity. We can come to know others through their behaviors and beliefs, yet deep within them are truths we can never fathom. Analyzing them won’t uncover their deepest selves but can only hint at that elusive quality.

Daily life can cause a deep weariness until we can’t take it anymore. This becomes a “definitive awakening,” which leads to “suicide or recovery” (13). At first traveling along a hopeful path, we pause when we realize that all paths lead to death. The beauties of our surroundings evaporate when we understand that nature ultimately will kill us. We are flooded with a sense of absurdity. Watching others go through the empty motions of their day also seems absurd.

We make up platitudes about death to cover up our complete ignorance of it. Yet death gets under our skin with its absurdity. This is well known; it forms the starting place of the investigation.

Firstly, the mind wants to know what is true. As Aristotle puts it, to say that something is true requires that we ask whether it’s true that it’s true; if we say yes, then we must check that assertion in turn, and so on to infinity. Likewise, “if one says that all is false, that assertion is itself false” (16). The mind reels. Humans search for certainty, but the more certain we are, the more doubt creeps in. We can never be sure that we’re sure.

Another problem is that people can’t help but see the world in human terms, when in fact there are any number of ways to understand it: “The cat’s universe is not the universe of the anthill” (17). All our answers are limited by the human mind; we’re forever prevented from truly understanding the world in a nonhuman way; thus, our understanding must always be incomplete.

What’s absurd isn’t the world itself but our longing to understand it fully. We must know the answers, and yet we can’t. Great minds have long since realized this conundrum; most have tried to solve the absurdity rather than bear it. The real question, then, is “if thought can live in those deserts” (22).

Several philosophers have pointed out features of absurdity’s terrain. Martin Heidegger says that the basic condition of humanity is anxiety; if resisted, it changes to boredom; if accepted, it becomes terror in the face of death. Karl Jaspers sees that all attempts at true understanding have failed, yet he forges ahead, searching for a pathway out of emptiness. Lev Chestov notes all the ways in which reason fails, and all the ways by which the human mind rebels against uncertainty.

Søren Kierkegaard denies all attempts at using reason to decipher life; instead, he revels in the absurdity and welcomes the pain of chaos. For Edmund Husserl, “Thinking is learning all over again to see” (26), a process that entails casting out preconceptions and freshly exploring the deepest aspects of reality.

These explorers of reality manage to prove only that fundamental beliefs are nonsense, and that the mind is forever hemmed in by walls of absurdity: “This must not be forgotten” (28).

Part 1, Section 3 Summary: “Philosophical Suicide”

Absurdity lies in the distance between what we want and what is possible. In that confrontation the feeling of absurdity appears. If a man must attack a machine gun nest with a sword, the act is absurd; if the facts show innocence but a jury finds a person guilty, this is absurd. An absurd distance between intention and result can apply to “marriages, challenges, rancors, silences, wars, and even peace treaties” (30). In every case, the struggle against absurdity is unceasing. This struggle involves absence of hope (but not despair), rejection (but not repudiation), and dissatisfaction (but not “immature unrest”).

The existentialists instead take refuge in the absurd: “they deify what crushes them” (32). Jaspers, for example, finds in intellectual failure a type of transcendence. Chestov, in the moment of existential crisis, finds God. These approaches dissolve the conflict, and the insight of absurdity is lost. Even Kierkegaard wants to be relieved of the affliction of irrationality; he attributes absurdity to God and worships it through him.

Thus, existentialists effectively commit “philosophical suicide.” This isn’t a wrong decision in itself, but the reasoning by which they reach that stance is flawed. It’s one thing to reject the rationalism of those who believe the universe is orderly and reasonable, but then the existentialists leap to a notion of something eternal, a notion that resolves absurdity for them.

Husserl’s phenomenology treats consciousness not as an arbiter of reality but simply as that which focuses on things, apprehending them one at a time. Everything the mind perceives has equal importance because no one perception can explain reality. This modest approach is compatible with the view that the irrational universe cannot be clarified.

Husserl asserts, however, that every perception contains an immutable truth and that “truth is one, identical with itself, however different the creatures who perceive it, men, monsters, angels or gods” (46). This suggests that there are eternal verities that transcend life’s absurdities; it becomes a belief system that imposes rationality on an irrational universe, a way of consoling oneself. Husserl reintroduces Plato’s world of forms, a set of ideals that exist eternally and control the phenomena of the world. This is simply another kind of “heaven,” where philosophers can take refuge from absurdity and indulge in nostalgia for lost certainties.

Part 1, Section 4 Summary: “Absurd Freedom”

Once it’s clear that humans can never know the meaning of life, or even whether there is any such meaning, all that’s left to cling to is the simple truth of that conflict. All one can do is keep that conflict in mind during daily life, to sustain oneself on “the wine of the absurd and the bread of indifference” (52).

The old religions insist that the denial of hope is a sin, yet a sense of the absurd contains a quality of innocence; it inspires a person to live boldly and “without appeal.” Suicide, meanwhile, is simply another way of giving in to absurdity by accepting its verdict. The absurdist rebels against that, like the condemned man who, on his way to the gallows, continues to lives fully and defiantly in the moment, turning to notice something as simple as a shoelace. A life daily lived in that spirit of rebellion contains its own nobility.

If God is all-powerful, then he creates the evil in the world, but if we can do evil, then God isn’t fully in charge. The absurdity of the universe takes away our hope for eternity, but it leaves instead an increased freedom of choice while we live. Our beliefs, on the other hand, reduce our freedoms; they compel us to take certain paths.

Life becomes valuable in whatever form it takes; it’s better to have a long life with a variety of experiences than a short one that conforms to a certain standard of quality. Awareness itself becomes the value.

Preface-Part 1 Analysis

Many people believe that the meaning of life comes from religion; others argue that meaning comes from supporting our communities and pursuing the things that matter to us. For a few, however, meaning and purpose are arbitrary conditions that exist only in the human mind; for them, the universe is cold, arbitrary, and empty of meaning. They believe that the ultimate challenge is to come to terms with meaninglessness. These are the existentialists.

The first major Western philosopher to struggle with these issues was Søren Kierkegaard, who in the 1840s resolved them by taking a “leap of faith” and believing in the Christian God. In the late 1800s Friedrich Nietzsche declared instead that modern science had refuted humanity’s social and religious beliefs and asserted that “God is dead.”

The 1940s were a time of devastation from war and the beginnings of recovery. Into this decade stepped two existentialist philosophers, Jean-Paul Sartre and Albert Camus. They captivated Europe, especially their home country of France, with writings on the arbitrary nature of the human experience, including its conflicts, disasters, and social oppression. Camus in particular pondered how people might confront life’s absurdity. His book The Myth of Sisyphus is an extended essay on that topic.

The first of the essay’s four parts, “An Absurd Reasoning,” takes up nearly half the book. In it, Camus asks whether suicide is the right response to the meaningless absurdity of life. He concludes that the proper response isn’t to die or to run away from absurdity but to confront it directly.

Camus believes there are two main approaches to the question, the rational and the emotional. He mentions La Palisse as an example of cool logic in analyzing life and death. La Palisse was a French military commander who died in battle and whose epitaph can be translated as “If he weren’t dead, he would still be alive.” The term for something amusingly obvious—for example, “It’s not over till it’s over”—is lapalissade, named for La Palisse. (“Une vérité de La Palice / Une lapalissade.” Encyclopédie des Expressions, WebArchive.org, web.archive.org/web/20090303234315/http://www.mon-expression.info/une-verite-de-la-palice. Accessed 12 Feb 2021.)

For Camus, the alternative to La Palisse is Don Quixote, who resolves his feelings of meaninglessness by imagining worthy opponents where there are none, to the point that he picks fights with windmills. This reflects a belief of one of Camus’s favorite philosophers, Nietzsche, who declared that the only way to resolve the dilemma of life is in madness.

Even our logic fails to give us certainty. Camus quotes the ancient Greek philosopher Aristotle, who points out the limits of knowledge. Aristotle cites a famous philosophical example, which in modern terms can be expressed as, “This statement is false.” If the sentence is true, then it’s false, but if it’s false, then it’s true.

Mathematician Kurt Gödel proved in 1931 that every logical system contains such contradictions. At the bottom of our search for truth is a fundamental uncertainty that can never be overcome. Philosopher and mathematician Bertrand Russell made a similar observation in Russell’s Paradox: “Does the set of all sets contain itself?” Aristotle would smile and nod.

Camus defines absurdity as the gulf between our desire to know the absolute and the complete lack of an absolute. Absurdity only exists because we cannot let go of our struggle for metaphysical certainty when no such result is possible. Strained marriages, wartime stalemates, obsessions of all sorts: These conflicts hurl us into dilemmas from which we can’t escape. The harder we try to fix the problem, the worse it gets.

In the section “Philosophical Suicide,” Camus asserts that the confrontation with absurdity involves a lack of hope “which has nothing to do with despair,” an ongoing rejection “which must not be confused with renunciation,” and a dissatisfaction “which must not be compared to immature unrest” (31). He means that we mustn’t slump helplessly, mustn’t give up or pretend the problem doesn’t exist, and mustn’t pout or stamp our feet in frustration. Those are ways of giving up, and Camus prefers to engage with absurdity directly and unblinkingly.

Most existentialists seem to agree on the nature of the problem—that life is meaningless—but they disagree on the solution. Camus refused the  label; he goes to great lengths to separate himself from them, arguing that those philosophers were trying to transcend or renounce absurdity, while his approach, absurdism, defiantly confronts the absurd. The existentialists, he believes, worship the absurdity of life instead of shaking their fists at it as he does.

It’s as if existentialists suffer from a kind of philosophical Stockholm syndrome, a name first given to a group of bank-robbery hostages who, in 1973, bonded with their captors. The existentialists, trapped by absurdity, resolve their anxiety by becoming devoted to the one thing that appears to hold ultimate power over them.

For Camus, this is akin to the arbitrary devotion of religious worship. He criticizes philosopher Karl Jaspers’s inability to state a reason for his belief in the transcendent as evidence that such beliefs are irrational and therefore invalid. This issue has been addressed by a major religion, Buddhism, which teaches that the impossibility of human transcendence ironically becomes a doorway to a transcendent realization. It’s a nonrational insight that’s difficult to articulate; Buddhist Alan Watts calls it the struggle to “eff the ineffable,” to describe the indescribable. (Watts, Alan. In My Own Way. New World Library, 1972, pp. xiii.) Jaspers thus might be on to something after all, in a way Camus might respect.

Camus asserts that once you see the terrible contradiction between your ache for an ultimate truth and the impossibility of obtaining that knowledge, you can’t unsee it. You can only either cover it over with denial or face it every day in every moment and live accordingly.

Camus wrote and published The Myth of Sisyphus while France suffered under Nazi German occupation. Much of the country, having lost the brief Battle of France against Germany in 1940, capitulated and collaborated with the Nazis. A French puppet regime, ruling from the town of Vichy, went so far as to round up Jews for export to German death camps. Camus hated the Vichy government and supported an underground resistance movement against the Germans; later in the war, he edited the French Resistance newspaper Combat. Meanwhile, his public writings had to get past Vichy censors; he had to be careful. The Myth of Sisyphus appears to have almost nothing to do with the war, but a reading that considers historical context suggests otherwise.

In the long tradition of philosophers who must hide their true beliefs from unsympathetic regimes, Sisyphus can be read in two ways, both as a groundbreaking philosophical essay and as a political tract of wartime resistance. Camus’s description of the existentialists, who capitulate in the face of the absurd unfairness of life, serves as a symbolic condemnation of French collaborationists who gave in to the Nazis; his recommendation that thoughtful people stand up to the absurdity of life can double as a cryptic call for the French to resist the Vichy regime.

After the war, Sisyphus took its place as a trailblazing commentary on life’s absurdities. Though Camus and the existentialists walk different paths, they both pass through the same philosophical territory and must answer the question of how to be fully human in a meaningless universe. Because of that similarity, most historians now place Camus and his absurdist philosophy firmly in the camp of the existentialists.

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