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31 pages 1 hour read

Robert Louis Stevenson

The Bottle Imp

Fiction | Short Story | Adult | Published in 1891

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Literary Devices

Irony

Irony occurs when there is a contrast between expectation and reality. Stevenson employs dramatic irony in “The Bottle Imp,” which happens when the reader is aware of information that the characters are not. A key example of dramatic irony occurs when Kokua convinces the old man to take the bottle from Keawe. Keawe is unaware of his wife’s plan, so he maligns the old man and is angry when Kokua defends the man. Due to the interference of the boatswain, who counsels him against trusting women, he even goes as far as to suspect her of infidelity. Readers know that Kokua is actually making a great sacrifice for her husband and this irony builds tension throughout the last act of the story until the truth is revealed to all the characters.

The story’s ending could be read as an example of situational irony, where an expected outcome is changed or subverted. Knowing that the bottle will certainly send someone to hell, readers do not expect any of the characters to willingly purchase it at the lowest possible price of one centime. However, the boatswain eagerly buys it, claiming that he is going to hell anyway.

Parable

A parable is a didactic story that is meant to impart a moral or a lesson, often used in religious texts or in oral tradition. Since parables are primarily intended to teach, they are less concerned with realism or verisimilitude than other genres.

Like several other of Stevenson’s “South Sea Tales,” “The Bottle Imp” is a parable in the fairy tale tradition. It builds on the trope of the “deal with the devil” where the protagonist makes a bargain with an evil spirit that will end badly unless the main character can outwit the evil forces. In “The Bottle Imp,” Stevenson’s protagonist and his beloved prevail not through trickery, equating to malintent or sin, but because of their purity of heart and willingness to sacrifice everything, including their salvation, for one another.

Foreshadowing

Authors use foreshadowing to build suspense and hint at future events in the story. Throughout “The Bottle Imp,” Stevenson foreshadows the tragic and dangerous effects of owning the bottle. When Keawe meets the wealthy old man who owns the bottle, he remarks on the old man’s repeated sighs and sorrowful demeanor, as well as the fact that he is selling the bottle so cheap. This, coupled with the description of the bottle as containing shadows and its origin in hell, should be enough to alert readers to the fact that the owner of the bottle will probably regret the purchase. Adding to this is another layer of foreshadowing in that the narrator would not be reporting the story and the specifics of the bottle if it was not going to become a conflict. Shortly after gaining the bottle, Keawe receives word that his uncle and family members have perished, leaving him a rich man at the expense of his family. This is the first of many dangerous incidents the bottle leaves in its wake. The linearity of the narrative and the foreshadowing that the readers experience regularly throughout the story help deliver the moral of the parable in clear terms.

Allusions

Allusions are references to historical events or other works of literature. “The Bottle Imp” employs several references to real and legendary characters early in the story who have supposedly encountered the bottle. These references add a sense of verisimilitude to a fictitious tale and also foreshadow the dangers of using (and losing) the bottle. The old man who initially sells the bottle to Keawe claims that it belonged to both Napoleon and Captain Cook. These characters are significant because they are both associated with hubris and tyranny; this seems to be a hint that the bottle’s former associates are not the highly moral and selfless type. Given Stevenson’s distaste for imperialism, it is notable that these past owners of the bottle are framed as “crooked” and malevolent. The old man also claims that the bottle was sold to Prester John, who is a character from medieval Christian legends and has a long history of association with magic.

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