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Jonathan RosenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 1973, 10-year-old Jonathan Rosen and his family move to Mereland Road in New Rochelle, New York. Jonathan’s parents choose the area for its good schools and thriving middle-class Jewish community. Robert Rosen is a professor of German literature, while his wife, Norma, is a novelist.
Jonathan becomes best friends with his neighbor, Michael Laudor. The same age as Jonathan, Michael is also the son of a professor. Both boys are bookish and want to be writers. However, Michael is precociously confident, while Jonathan is shy and anxious.
On Biography Day in fifth grade, Jonathan dresses as Nathaniel Hawthorne and is overcome with anxiety. Meanwhile, Michael gives a confident performance as Franklin D. Roosevelt. Jonathan is a slow reader, and his factual recall is poor. By contrast, Michael has a photographic memory and can read several books simultaneously. He describes plots so engagingly that Jonathan feels as if he has read the books himself. Michael describes how the character Piggy is killed by a boulder in William Golding’s Lord of the Flies. He explains that after his death, “the red stuff” left on the rock is Piggy’s brains.
One day a teenager on a dirt bike drives directly at Jonathan and his friends. Jonathan freezes and the bike throws him into the air. His leg is badly injured, and Michael runs for help.
The author explains that in the 1970s, many Americans were paranoid after political scandals such as Watergate. Mind-altering drugs had also been introduced into American society. Psychiatric hospitals used antipsychotics to treat mental illness. LSD (tested initially on prisoners and psychiatric patients by the CIA) became a common recreational drug.
Jonathan is on crutches when he starts junior high school. Michael has a girlfriend and is in honors classes for all subjects. Jonathan’s academic achievement is patchy, with a weakness in math.
Jonathan is expected to memorize a reading from the Torah for his bar mitzvah. He feels that if he fails, he is letting down his father and also his grandparents, who were murdered in the Holocaust. Facing the congregation, his mind goes blank, and he runs to the men’s room to be sick. By contrast, Michael’s bar mitzvah is a triumph. Jonathan begins to dread class presentations and fakes various medical conditions to avoid them.
Jonathan opts out when Michael begins smoking marijuana with other boys, afraid it may harm his brain. In the news, the “Son of Sam” murders cause alarm in New York, as several couples are killed. When David Berkowitz is arrested for the crimes, Jonathan’s father is horrified to discover the murderer is Jewish and briefly lived in New Rochelle. Berkowitz had a high IQ but suffered paranoid delusions, believing a black Labrador urged him to commit the crimes.
Michael tells Jonathan about the film One Flew Over the Cuckoo’s Nest (1976). A rebellious character named McMurphy is committed to a psychiatric hospital as he refuses to conform to “a crazy culture” (51). McMurphy is drugged, given electrotherapy, and finally lobotomized. He is eventually smothered to death in a mercy killing by Chief Bromden, an Indigenous American, who escapes the institution.
The author suggests that One Flew Over the Cuckoo’s Nest summed up many Americans’ attitudes toward mental illness in the 1970s. Psychiatric hospitals were viewed in largely negative terms, and the word “crazy” was liberally used to indicate a positive, non-conformist state of mind. At the same time, a strong cultural interest in the devil emerged. The movies The Exorcist and The Omen were released, and fears of devil worship became prevalent. Coverage of David Berkowitz’s capture fed into these concerns as the killer made several allusions to the devil.
One day, walking home from New Rochelle High School, Jonathan and Michael are targeted by a group of Black teenagers. Jonathan is punched to the ground and kicked. When the ordeal is over, Jonathan sees Michael watching from a distance, uninjured.
Jonathan’s ribs are broken, and his nose needs reconstruction. Michael’s father, Chuck, suggests finding the perpetrators and beating them with lead pipes. After his surgery, Jonathan stays off school as he has an embarrassing cast on his nose. Michael claims that he managed to push Jonathan’s attackers away and escape. He only realized that Jonathan was hurt afterward. Jonathan does not challenge the story.
Jonathan and Michael both work for the school’s newspaper, the Herald. Jonathan applies for the Telluride program—an elite summer camp. He does not tell Michael, as he fears competing against his friend in the challenging application process. When Jonathan is accepted, he feels guilty until Michael reveals he also has a place on the program.
Jonathan and Michael both want to become the Herald’s editor in chief. When Jonathan is interviewed, he says he is happy to share the role or take the less- senior job of managing editor. However, Michael insists he will only accept the top job. Jonathan is astonished when he is given the role. He is disappointed when Michael quits, as he envisioned running the paper together. Jonathan’s father is furious after an encounter with Chuck Laudor: Chuck argued that Michael deserved to be editor in chief and insisted that Jonathan stand down.
Jonathan and Michael go to separate campuses for the Telluride program. Jonathan is at Johns Hopkins University in Baltimore, Maryland, while Michael is based at Telluride House on the Cornell campus in Ithaca, New York. When they return, Michael takes a summer job at a gift shop whose owners love him. Meanwhile, after mislabeling the beer, Jonathan loses his job at a grocery store.
When school starts, Michael continues to spend breaks in the Herald’s office despite no longer having a role there. Although the room is noisy, he often falls asleep. Michael often stays at his friend Josh Ferber’s turreted mansion, which he calls “the Gatsby House.” Josh’s mother, Jane, and father, Andy, are psychiatrists. However, Andy has left his family to follow Guru Bhagwan Shree Rajneesh in India and now goes by the name “Bodhicitta.” Michael talks excitedly about listening to music and taking drugs with friends at the Gatsby House but never invites Jonathan.
Michael is infatuated with a girl named Jo-Ann. He does not go to the prom as Jo-Ann has agreed to partner with someone else. Jonathan and Michael get into Yale, but Michael suggests they should keep to different social circles as Jonathan is “simply too slow” (89). At around the same time, a failed assassination attempt takes place on Ronald Reagan, and John Lennon is murdered. It emerges that the men responsible are both mentally ill, unmedicated, and influenced by J. D. Salinger’s novel The Catcher in the Rye.
At Yale, Jonathan lives on Old Campus, while Michael is based in a residential college. Michael confidently challenges and debates with professors, quickly establishing a reputation for eccentricity and brilliance.
Michael is involved in numerous social activities at Yale and excels in his studies despite spending entire days asleep. Jonathan majors in literature. He hates his part-time job in the dining hall and fears he may not be intelligent enough to avoid similar work in the future. Jonathan begins dating and feels he is finally experiencing the youth he missed out on at high school. Michael has a brief, intense fling with Robin, an African American student. Robin’s roommate is a shy young woman named Caroline Costello.
A circle of academics at Yale is known as “the Hermeneutic Mafia.” These literature professors are followers of the critic Jacques Derrida, focusing on deconstructing literature and demonstrating the limitations of language. However, Jonathan prefers to be taught by the more traditional professor, Harold Bloom.
Michael completes his studies after only three years at Yale. He reveals he intends to be rich and has been recruited by a Boston management consulting firm, Bain & Company. Bain’s employees receive impressive salaries in exchange for working 100-hour weeks. Michael plans to stay at Bain for 10 years and then become a writer. Jonathan notes Michael’s envy when a friend gains a scholarship to the Iowa Writers’ Workshop. He realizes Michael also applied for the course and was rejected for the first time.
In the first part of the memoir, the author conveys Michael’s distinctive energy, mannerisms, and personality. He observes that, even as a 10-year-old, Michael is an imposing physical presence “through some subtle combination of height, intelligence, posture and willpower” (6). Rosen also introduces a key theme—The Dynamics of Friendship. The author’s assertion that he was “destined to meet” (5) Michael suggests that the intensity of childhood friendships is comparable to love at first sight. Jonathan and Michael are presented as foils in their similarities and contrasting character traits. Both are the intelligent sons of Jewish professors who dream of becoming writers. However, Michael is precociously self-confident, while Jonathan is shy. Rosen suggests that their opposing characteristics make them compatible as friends, creating the unity of yin and yang.
Nevertheless, the book’s portrayal of friendship is nuanced, conveying the darker undercurrents of the boys’ relationship. Michael’s brilliance contributes to Jonathan’s insecurities, as he outperforms his friend academically and socially. The boys are rivals as well as friends, and their relationship is marked by moments of resentment and disloyalty. Michael’s role as a passive observer when Jonathan is beaten up causes a distrust that is never fully resolved. Meanwhile, the decision of both boys to apply for the Telluride program without telling the other highlights their unspoken competitiveness. Their lives continue to mirror one another as Jonathan and Michael accept places at Yale. However, at Michael’s instigation, they increasingly go their separate ways.
Jonathan and Michael represent the “best minds” of the book’s title, as they anticipate that their intelligence will be the key to their success. The emphasis on the potential of their brains at this stage of their lives preempts the text’s later focus on The Nature and Impact of Mental Illness. During childhood and adolescence, Michael’s intellectual potential seems boundless, while Jonathan is often frustrated by the limits of his mind. His cognitive processing is slower than Michael’s, and he also has anxiety disorder. While Jonathan’s experience of mental illness is relatively minor, it has a negative impact on both his academic and social life. Meanwhile, signs that Michael may have a propensity for mental illness, such as his unusual sleep patterns, intense concentration, and fixation with a female classmate, are interpreted as eccentricities.
In the early chapters of the memoir, Rosen conveys the innocence and promise of childhood. The largely idyllic nature of Jonathan and Michael’s upbringing is illustrated in the high school that looks “like a French chateau” (58) and the fact that the artist Normal Rockwell immortalized their neighborhood. At the same time, the author ominously foreshadows “disasters yet to come whose seeds were already planted” (31). For example, the description of Robert Rosen’s response to the capture of serial killer David Berkowitz is invested with an irony that only emerges later in the text. Horrified to learn the murderer was Jewish with local connections, he has no idea that his son’s best friend will also prove to be a killer. Meanwhile, the demonization of Berkowitz by the press echoes how Michael will be portrayed in newspaper headlines years later.
Rosen’s literary style is established in Part 1 of the memoir. While based on factual events, the author’s background as a novelist shapes the book’s narrative and tone. The sections recounting Michael and Jonathan’s experiences include details and anecdotes that read like a coming-of-age novel. Rosen’s passion for literature also emerges through the many intertextual references throughout the book. In describing Michael’s attraction to “the Gatsby House,” he draws further parallels between F. Scott Fitzgerald’s novel and his subject matter. Like the narrator of The Great Gatsby, Nick Carraway, Jonathan increasingly feels like a “spectator” of events rather than a participant. Meanwhile, Michael’s charismatic presence resembles Fitzgerald’s enigmatic character, Jay Gatsby.
Another significant literary allusion is Michael and Jonathan’s discussion of Piggy’s brain in Lord of the Flies. A key symbol in Rosen’s text, Piggy’s brain, comes to symbolize Michael’s decline into mental illness (See: Symbols & Motifs). In Golding’s novel, Piggy’s character represents logic and reason—characteristics Michael initially shares. Michael’s horrified fixation with the image of Piggy’s brain dashed on the rocks reflects his fear of losing his rational faculties. Jonathan shares this dread of losing his intellectual powers. Thus, his aversion to taking drugs is described as a fear of “breaking my brain, like Piggy landing on the rock” (85-86).
Throughout the memoir, the author shifts from describing personal events to providing sociohistorical context. Underlining the theme of Attitudes Toward Mental Illness, these sections offer valuable context to Michael’s looming mental health crisis. Rosen outlines the 1960s backlash against state psychiatric hospitals, associated by their detractors with indefinite confinement and outdated treatments such as lobotomy. Introducing the One Flew Over the Cuckoo’s Nest motif (See: Symbols & Motifs), the author reflects on how the 1975 movie (based on Ken Kesey’s novel) encapsulated attitudes to mental healthcare by the 1970s. Psychiatric hospitals were perceived as oppressive institutions, while mental illness was increasingly associated with non-conformity and liberation.
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