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43 pages 1 hour read

Blake Crouch

Recursion

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Helena Smith

Helena is a brilliant neuroscientist who, at the beginning of the novel, considers it her life calling to find a way to capture memories for people with Alzheimer’s. Helena’s mother suffers from Alzheimer’s, making this work very personal. As a result, Helena is a workaholic who jumps at the chance to increase her funding and begin human trials. Helena also has a strong moral compass: she insists that she should be the first subject of human testing, and when she realizes how dangerous her invention is, she becomes firmly opposed to its use.

Although it’s painful for Helena, she accepts that the chair will never help her mother. Within a few years of escaping from the oil rig, Helena determines that she is willing to die to destroy the chair and to erase the multiple timelines. Eventually, she does just this, using the chair so heavily in her attempts to stop its invention that she loses all sense of herself and dies. By living multiple lives, Helena amasses a huge amount of scientific expertise and becomes self-assured and determined. In the Epilogue, when Barry sees her again, she is back to her first self: principled, consumed with work, messy, passionate, and a little distracted.

Barry Sutton

Barry is the first character the novel introduces, making him an early reader surrogate. He learns about FMS and alternate timelines along with the reader. Barry’s life changed forever when his daughter, Meghan, died by a hit and run. He divorced his wife, Julia, and threw himself into his work with the NYPD. At the beginning of the novel, Barry harbors some resentment toward Julia, privately feeling that she didn’t try hard enough to make their marriage work after Meghan’s death. Barry’s arc involves releasing this resentment, accepting that his marriage wasn’t meant to last forever, and falling in love with Helena.

In the latter sections of the book, Barry’s role is to support Helena, researching scientific theories he believes might be useful. Barry is aware that he only continues to be with Helena because she continues to seek him out, and she could easily restart a timeline that does not include him. Even though it might be easier to allow himself to forget about Helena and the memory chair, Barry is devoted to her and to the work.

Marcus Slade

Marcus Slade is the novel’s primary villain. The novel most commonly refers to him as “Slade,” although Helena sometimes also calls him Marcus. When Slade appears in the novel, he is a high-profile businessman and innovator. Helena knows him by name, and she is shocked to hear that he has been following her work. Eventually, however, Slade reveals his darker background.

In the original timeline, Slade was a junkie working under Helena, and he murdered her to grab control of the memory chair. Slade regretted that he hadn’t accomplished more in his life, and he interpreted Helena’s invention of the chair as his second chance. With his knowledge of upcoming inventions and technological advancements, Slade can represent himself as more brilliant than he is. When the team on the oil rig tests the chair to see if it can send a subject back in time, the test subject is a drug addict named Reed. Despite coming from similar circumstances, Slade is completely unsympathetic to Reed. He implies that Reed owes Slade his life, and he refuses to let him go even with Reed commits suicide.

Jee-woon Chercover

Jee-woon is Slade’s second in command and the only member of the team on the oil rig who remains fully loyal to Slade after he begins experimenting with killing subjects in the deprivation tank to send them back in time. Jee-woon is neat and friendly, but he can be brutal and cold when he carries out Slade’s orders. The novel doesn’t delve deeply into Jee-woon’s backstory, but he is likely interested in the project, like Slade, for its financial potential. Jee-woon does eventually realize the gravity of what they have done, and he asks Barry to fix things if he can find a way to do so.

John Smith

John Smith is Helena’s next employer after Slade, and he is, in some ways, Slade’s foil. Unlike Slade, John truly wants to use the chair to create a better world. Although he is naïve about the chair’s danger, he listens to Helena when she tells him that traveling years back in time could lead to uncontrollable consequences. John wants their team to feel democratic and fair, but he also has a difficult time letting go of the idea that the chair can be used for good. John’s arc serves as evidence that Helena was right, and no matter who uses the chair, its power is too dangerous to saddle. 

Julia

Julia is Barry’s ex-wife. She lived with Barry and their daughter Meghan in New Jersey, but the couple separated after Meghan’s death (in another timeline, they separate after Meghan leaves for college). After their divorce, Julia marries a man named Anthony. She and Barry remain in occasional contact, having lunch on Meghan’s birthday, but rarely seeing each other on other occasions. Although things are slightly awkward between them, they have a polite relationship and reminisce about being a family. Like Barry, Julia is rocked by grief after Meghan’s death. In the Epilogue, when Barry finally apologizes for holding onto anger and tells Julia that he wouldn’t change a thing, she is stunned and gratefully agrees. 

Meghan

Meghan is Barry and Julia’s daughter. In the original timeline, she is killed by a hit and run days before turning 16. In timelines in which Barry never marries Julia, Meghan doesn’t exist. She was a strong-willed child, and Barry and Julia speculate that she might have become a lawyer. In the timeline in which Barry saves Meghan’s life, she grows up to become a community organizer. She is kind, passionate about her work, and close with her parents. When she and Barry meet up after Barry and Julia separate, Meghan expresses concern that they only stayed together for her sake, and she reveals that she has recently broken up with her boyfriend because she’s too involved with her work. At the end of the novel, the original timeline is restored. Once again, Meghan died as a teenager, and her parents talk about how they continue to love and miss her.

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