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53 pages 1 hour read

Maria Padian

Out Of Nowhere

Fiction | Novel | YA | Published in 2013

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Themes

Cultural Diversity and Integration

As Out of Nowhere opens, the fictional town of Enniston, Maine, is facing significant changes as a result of an influx of Somali refugees, who alter the demographics of the town and the school. The novel portrays the challenges of integration in its first pages, as Tom says, “I saw this Somali girl on all fours on the staircase landing… I heard one guy say ‘Dude, what is she doing?’ ‘Facing Mecca,’ someone replied” (9). The reactions of Tom’s classmates to the girl’s prayer posture range from confusion to insensitivity; they feature a lack of awareness about Islamic practices, revealing a superficial understanding of Muslim rituals at best, and at worst a willingness to ostracize those they deem different from themselves. The Somali girl’s visible adherence to her religion epitomizes the struggle of refugees to maintain identity in a new environment and mirrors the broader narrative of the novel, where cultural differences are at the forefront of the town’s collective consciousness.

As in many young adult novels that center high-school life, the school itself is a site of highly specific and elaborated cultural practices to which newcomers must acclimate. For the Somalis, navigating a new country as well as a new school, these challenges are even more acute: “Every single day they had to show new kids how to do totally simple things, like move through the cafeteria line to buy lunch, or open a locker, or change classes when the bell rang” (42). The phrase “totally simple things” illustrates the difference in perspective between the American-born students, who have been doing these things since childhood, and their new Somali classmates, for whom these seemingly simple daily practices are new and sometimes opaque.

The novel points to the myriad forms that cultural diversity takes within specific communities, illustrating the various phases of integration. Maria Padian portrays this complexity through Myla’s college friend Jackie, who embodies a less strict Islamic practice. Unlike the Somali students, Jackie doesn’t wear a hijab and embraces makeup and jewelry, showcasing the spectrum of religious adherence within a single faith. Myla explains, “Jackie says a lot of stuff that some Muslims say is part of the religion is actually just cultural and not in the Koran” (194). Jackie’s lifestyle, contrasting with the traditional practices of the Somalis, points to the cultural influences on religious observance. This becomes relevant when a soccer game against Maquoit High School coincides with Ramadan, raising concerns about the performance of Somali players who are fasting for the holiday. Myla explains to Tom, “American Muslims like Jackie might feel comfortable breaking the fast for a soccer game, guys like Saeed might not” (194). Myla’s statement explores the spectrum of religious observance and the process of assimilation. The distinction she makes between American Muslims like Jackie and Somali refugees like Saeed reflects the complex interaction between religious beliefs and other aspects of cultural context.

The story climaxes when Tom’s misunderstanding of cultural practices leads to unintended consequences for Samira and her family. Tom’s innocent gesture of kindness, hugging Samira in the hospital, clashes with the expectations of the Somali Muslim community. This moment, foreshadowed earlier in the novel, underlines the complexities of navigating cultural differences. Tom must accept that his actions have different meanings within Samira’s community than among his non-Somali friends: “I realized: I’d crossed the line. Somali girls is different, I heard in my head. I hadn’t known what Saeed meant when he said that, but just then, at that moment, I stepped closer to understanding” (267). Tom’s realization that he breached a cultural boundary, “crossed the line,” through a well-intentioned gesture, illustrates a critical moment of learning. Initially unaware of what Saeed meant about the differences in interacting with Somali girls, Tom’s mistake reflects a common cultural misunderstanding. Tom unknowingly violated a cultural norm related to gender interactions in Islamic culture. By realizing and acknowledging his mistake, Tom demonstrates his developing respect for the Somali community. Padian thus situates cultural diversity and integration as a journey that involves not just coexistence but also a deep respect for and adaptation to the nuances of diverse cultures.

Tom’s experiences contrast with those of Alex, who remains insulated from these diverse narratives. Tom’s father tells him, “It’s hard to fear someone or be cruel to them when you know somebody’s story. And aren’t you lucky? Knowing all these stories Alex never hears?” (254). Tom’s father’s statement illuminates the transformative power of understanding in bridging cultural divides. The novel demonstrates how Tom’s connections with his Somali classmates break down barriers of prejudice, emphasizing the value of transcending surface-level differences to uncover shared human experiences. Through his relationships, Tom surpasses mere coexistence and enters a realm of understanding. The novel suggests that such understanding can serve as the antidote to the cruelty born from ignorance. As Tom becomes privy to the stories from the Somali community, he becomes a bridge between cultures, challenging the misconceptions that can thrive in a homogenous environment like Alex’s. This aspect of the story calls attention to the implications of cultural integration—it is not just about coexisting in a shared space, but about actively engaging with and embracing the diversity within that space.

Out of Nowhere explores the complexities of cultural diversity and integration, stressing the importance of understanding and respecting diverse religious and cultural customs. The novel highlights the journey toward cultural integration, emphasizing that it requires deep appreciation and active engagement with the rich tapestry of human experiences. Padian’s narrative can be viewed as a form of advocacy for multiculturalism, promoting a world where cultural differences are embraced and valued rather than lost in assimilation.

Racism and Prejudice

Maria Padian addresses racism and prejudice as fundamental themes in Out of Nowhere. Enniston is depicted as a town grappling with the complexities of these issues, particularly as it transitions from a French American community to one influenced by the arrival of Somali refugees. This setting serves as a backdrop for exploring the themes of racism and prejudice through various characters who mirror the biases of the town.

Characters such as Uncle Paul embody Enniston’s attitudes toward the Somali community. He expresses alarm about the changing demographics of the town, saying, “Take a stroll down Main Street… It looks like freakin’ Little Mogadishu… We’ve got jihadists next door to a U.S. government office, and nobody seems to give a damn!” (145). His remarks, laden with fear and misconceptions about Somali immigrants, reveal xenophobia and stereotyping. Using Mogadishu as a metonym for all Somalis in Enniston oversimplifies the diverse backgrounds of the refugees. By labeling them as jihadists, Uncle Paul participates in a highly pernicious form of Islamophobic stereotyping. Uncle Paul’s character represents the town’s prevailing bigotries as he questions, “Did you not watch, along with the rest of the world, when those towers went down? Who do you think these people are?” (144). His sentiments demonstrate how fear can be manipulated to fuel racism, causing widespread mistrust and discrimination against communities based on ethnicity or religion.

Racism in Enniston is further amplified by the actions of the town’s Mayor, whose public statement in the newspaper declares that Enniston is “maxed out” on immigrants, notably asking the Somali community to “exercise some discipline” (136). This public stance of exclusion and discrimination suggests that newcomers are a burden, advocating a halt on immigration. The situation escalates when an external group, the United Church of the World, decides to intervene: “United Church of the World decided the whites in Enniston needed their help. They planned to rally here, which everyone assumed was code for starting a race war” (190-91). The mayor’s letter promoted a response from a white supremacist group, revealing how such public statements from influential community figures can incite and legitimize extremist views and actions, thereby worsening the situation. The perception among the residents that the rally could escalate into racial conflict stresses the community’s deep-seated racism toward the Somali refugees.

The most striking instance of racism and prejudice in the novel is presented through the character Cherisse. After Tom breaks up with her and she sees him hugging Samira, a Somali girl, at the hospital, Cherisse makes a racist remark, “You surprise me, Tom. I didn’t know you liked chocolate” (270). This comment not only reflects her personal hurt but also exposes racial prejudices, reducing Samira’s identity to her skin color. The situation escalates when Cherisse takes to Facebook to vent about the incident, igniting a chain of racist and sexist comments. Tom narrates the unfolding events: “What began as jokes…morphed into obscenity as some guys tried to get funny. Racism. Sexism. Then fighting and personal attacks as people called each other out for all the isms” (281). This social media frenzy features the ease with which prejudice can spread. Likewise, it reveals the insidious nature of racism, which can often be masked as humor. This incident reflects not only the individual prejudices of characters like Cherisse, but also the environment that permits and even encourages such attitudes.

By contrast, Tom’s father provides a thoughtful perspective on Enniston’s transformation. He chose for Tom to grow up in Enniston, believing that the town, with its evolving demographics, would nurture empathy and understanding. He says, “Things get a little more complicated when you know somebody’s story” (254). His statement reflects his conviction that personal connections and stories can bridge cultural divides and foster respect. However, he acknowledges that the qualities of empathy and understanding are not universally shared among Enniston’s residents: “People get mad when Somalis park outside the mosque and block their driveways. Folks get nervous when a bunch of black men gather to play soccer every evening on the fields near their houses. White supremacists show up trying to start a fight… it’s a mess” (254). Tom’s father’s remarks highlight the reality of racial tensions in small communities undergoing demographic shifts; these incidents, seemingly mundane, become flashpoints for broader cultural conflicts.

In Out of Nowhere, Maria Padian exposes the prejudices and fears driving discrimination in Enniston, from Uncle Paul’s xenophobic outbursts to the Mayor’s exclusionary letter to Cherisse’s social media outburst. Amidst this intolerance, figures like Tom’s father offer hope, suggesting that empathy and understanding can emerge amid change. Out of Nowhere reveals the brutal truths of racism and prejudice, while igniting a call for empathy and unity amid societal shifts.

Friendship Across Cultural Divides

In Out of Nowhere, Maria Padian explores cross-cultural friendships, particularly through the evolving bond between soccer captain Tom Bouchard and Saeed, a Somali refugee he invites to join the team. This foundational friendship along with connections fostered at the K Street Center serve as central examples of friendship across cultural divides.

Early in the novel, Padian establishes the cultural and linguistic divide between Saeed and Tom. Tom, who is known for his popularity with girls, struggles to understand why Saeed’s sister, Samira, seems to dislike him. Tom’s confusion serves as a reminder of the divergence in their worldviews:

He didn’t have the English to bridge the gap between our respective understandings of girls any more than he had the English to explain how one slaughtered a goat according to the Koran. But he did have the body language to make one thing very clear: the gap between us was deep (117).

Tom recognizes that the language barrier represents more than difficulty conversing; it fundamentally impedes their ability to understand each other’s perspectives. References to cultural practices like goat slaughter emphasize the glaring disparities in their identities. These disparities transcend language, encompassing a broad spectrum of customs and beliefs, thus emphasizing the challenges of bridging cultural divides. The emphasis on body language as a communication tool foreshadows a connection between Tom and Saeed through sports; when verbal language falls short, non-verbal communication conveys intentions, thereby setting the stage for a friendship rooted in a mutual love of soccer. Soccer becomes a conduit for connection in the novel. Tom spots Saeed wearing a Manchester United Jersey and invites him and the other Somali boys to join the soccer team. Through their shared devotion to the team, camaraderie flourishes.

Saeed’s agency and leadership showcase the evolution of his friendship with Tom, despite not quite overcoming communication barriers. Saeed, despite his limited English, successfully rallies the team to support Tom during his punishment at Maquoit: “‘You know I am new customer’… he continued, ‘but I think, you know… we the team. And all go tomorrow. With Tom. Right?’” (99). Saeed’s linguistic inaccuracies do not hinder the clarity of his purpose; instead, they add a layer of sincerity and determination. Saeed reciprocates the camaraderie Tom has shown him, demonstrating that friendship need not be limited by linguistic or cultural background. Saeed’s actions are a strong statement of solidarity, demonstrating that deep connections can be formed across cultures.

Padian uses the K Street Center as microcosm for cultural exchange and understanding, to examine the theme of cross-cultural friendships. Within this shared space, Tom develops a closer relationship with Somali peers Samira and Abdi while working on the alphabet project. As they collaborate, Samira begins to open up, with Tom observing, “[A]s she started to relax around me, she started throwing out opinions” (180). This environment fosters a bond between Tom and Samira, and her growing ease in their interactions signifies a deepening trust between them. When Myla invites Samira to join her and Tom at a Somali restaurant, the gesture represents more than a shared meal; it symbolizes the genuine effort to embrace different cultural backgrounds. As they try Somali dishes like sambusas and goat curry, Samira, comparing it unfavorably to her mother’s cooking, extends an invitation to her home, saying, “You must both come to our home and I will make it for you, then you will see I am right” (184). This invitation is significant; Samira invites them into her personal space and cultural world, indicating a level of comfort and acceptance. Tom’s and Myla’s experiences enjoying the Somali cuisine are a metaphor for their journey of cultural immersion. Through these interactions, Padian explores how cross-cultural friendships can enrich one’s perspectives, foster empathy, and create a tapestry of shared experiences.

Likewise, Myla and Samira’s shared experiences draw them close as friends. When Saeed and Samira disappear, Myla and Tom are both deeply affected, reflecting the depth of the bonds that have formed between them. The letter Samira sends to Myla is a testament to this powerful connection. Samira writes:

My memories are my heart photographs. I have so many of you and they are all good…I remember when I taught you to make sambusas…I remember riding in your van and you played your CDs and made me sing American songs with you (328).

Samira’s letter encapsulates the essence of their friendship, highlighting the mutual exchange of cultural experiences, from cooking sambusas to sharing American music. These activities signify a willingness to embrace each other’s cultures. Samira refers to her memories with Myla as “heart photographs,” conveying the enduring emotional imprint of friendship.

Padian captures the essence of cross-cultural friendships in Out of Nowhere through the connections formed between American students and Somali refugees. The friendship between Tom and Saeed, transcending linguistic barriers, is fostered through their shared love for soccer. Similarly, the K Street Center becomes a hub where deep bonds evolve between Samira, Tom, and Myla as they share their cultures and experiences. The novel highlights the beauty and strength in embracing cultural differences, demonstrating how friendship enriches individual lives and contributes to a more diverse community.

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