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50 pages 1 hour read

Jennifer A. Nielsen

Lines of Courage

Fiction | Novel | Middle Grade | Published in 2022

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Character Analysis

Felix Baum

Felix Baum begins the story as a 12-year-old boy from Austria-Hungary whose father, Sergeant Josef Baum, is a Jewish businessman in Lemberg. He is characterized as timid and sensitive, and he believes that he is not courageous. At the beginning of the story, Felix witnesses the assassination of Archduke Franz Ferdinand, the historical marking the beginning of WWI. This causes him to bear an outsized guilt, not just for his failure to warn the archduke, but for the cause of the whole war.

When Felix and his mother become trapped in Lemberg by the invading Russian army, they refuse to help Captain Garinov round up the city’s Jewish families to be sent to camps. Felix is able to stand up for his morals for the first time, but this puts him and his mother in danger. Later, when Felix comes of age, he enrolls in the army. He reappears in the story at 16 when he visits Elsa in Germany, having come full circle as the recipient of a medal of honor.

Nielsen likely begins her story with Felix because he experiences the most drastic personal change throughout the story. Felix’s emotional journey through the novel is initially motivated by his belief that he is not brave, which leads him to refuse his father’s Golden Cross of Merit. Over the course of the story, Felix confidence and his acts of heroism in the war earn him a medal. He tells his friend Elsa Dressler that witnessing the assassination has “haunted [him] all these years” (302), but that although saving a general’s life from a Russian attacker years later “doesn’t make up for what happened to the Archduke, [...] at least [he knows he’s] not the same boy that [he] was back then” (303). The final chapter of the novel also focuses on Felix’s perspective, finding him grateful for peace and hopeful for the future.

Kara Webb

Kara Webb begins the novel as a 14-year-old British girl who lives with her mother in a small fishing town. She admires her mother, who is a nurse, and wishes more than anything to become one: “In many ways, Kara felt that she had been waiting her entire life for an opportunity [to be a nurse]. While other girls knitted socks for the soldiers, Kara made bandages. They read Sketch magazine for fashion advice. She read her mother’s old medical books” (69). In addition, Kara is driven by her desire to honor her father’s memory, who died heroically the previous year while saving people from a ship that was hit by a German torpedo.

When her mother is offered a job on one of the Red Cross ambulance trains, Kara is elated. She convinces her mother to accept the position and take her along to work as an orderly, stating: “I’m not afraid of doing hard things. I’m afraid of a life where I do nothing!” (67). Though Kara soon realizes that the work is more difficult and gruesome than she imagined, she rises to the challenge and gradually gains more maturity and confidence.

Kara, initially portrayed as brave for her resolve in the face of catastrophe, exhibits further courage when she disobeys orders to save the wounded enemy Sergeant Baum. Her heroism is punished by the Red Cross, but rewarded when Sergeant Baum gives her his Golden Cross of Merit, the universal signifier of bravery in the text. Kara continues to be a savior in the book, first to Juliette and finally to Major Dressler. Nielsen also chooses her as the character to announce the end of the war, emphasizing her role as a healer in the text. At the end of the novel, after Kara successfully saves Major Dressler’s life, she is reinstated as a nurse-in-training and plans to become one of the first female doctors.

Juliette Caron

Juliette Caron, described as “a pretty girl with light brown hair who might’ve been only a year or two younger than Kara” (122), is a French girl from Lille who relocates to Verdun with her mother and brothers after her father is imprisoned by the Germans. Juliette is characterized as smart and resilient. She is a symbol of unity throughout the text; while trying to free her father and find her mother and brothers to unite her family, she unites several other disparate characters along the way. She does so in part by generously offering her Red Knitted Hat, originally gifted to her by her father.

Her generosity and willingness to cooperate with others eventually lead her to her family, though she must endure many setbacks. She represents the importance of not losing hope, and her perseverance is rewarded with the reunification of her family, and friendships with Kara and Dimitri along the way.

Dimitri Petrenko

Dimitri Petrenko is a 14-year-old Russian boy who is forced into the Russian army only to financially benefit his family. Dimitri represents the escapist spirit of freedom and the perspective of someone with little loyalty to any country in the war. He does not fight for patriotism, but for money to pay for his family’s freedom. When the Tsar is deposed, he switches sides to the French army before striking up a friendship with Elsa and Major Dressler, who are high-up in the German army. To him, even Lenin’s Red Star represents nothing more than his friendship with Igor and, later when he offers it to him, a symbol of goodwill and friendship toward Captain Garinov.

In the trenches, he dreams of freedom by looking up at the sky and contemplating the insignificance of the war from a great height, visualizing the trenches as insignificant given the vastness of the universe.

Dimitri is the last of the protagonists to be introduced, and through him, Nielsen is able to more immediately depict the horrors of a WWI battlefield. The violence and trauma Dimitri endures sets up the cathartic resolution brought by his freedom and eventual peace at the end of the novel.

Elsa Dressler

Elsa Dressler begins the novel as an 11-year-old German girl whose father, Major Dressler, is an important officer in the German army. She appears in the first section of the novel, and is described then as as a chatty, enthusiastic “girl with brown curls that bounced when she talked [and] wide, curious eyes” (15). Although Felix initially finds Elsa quite irritating, she leaves him one of her carrier pigeons and does not hesitate to come to his help when he is trapped in Lemberg. Their friendship continues behind the scenes and by the end of the novel the two are close.

At first, Elsa is naïve about the war. Although she understands the political situation quite well, as evidenced by her explanation using Houses of Cards, she believes in the superiority of the German empire and does not consider the human or material implications of a large-scale conflict. However, she gains awareness over the course of the novel as Germany’s situation becomes more and more dire, leaving her and her mother near starvation. She confesses to Dimitri: “I hate this war, Dimitri. I’ve never told anyone that, but I hate this war” (260). However, despite being ostracized because of her father’s role in the increasingly unpopular war, Elsa’s confidence and moral principles never waver. She works at a soup kitchen, defends a Jewish store owner from rioters, for instance, and takes care of her mother when she gets ill with the Spanish flu. Nielsen uses Elsa to show how the war also negatively impacted people in places of power and privilege.

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