60 pages • 2 hours read
Karen HesseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Doctors in Antwerp certify that Rifka’s ringworm has cleared up, but she still has no hair. She worries, thinking to herself, “My hair was the only nice thing about me” (72). She has begun learning English and continues to have help from HIAS. She gets a ticket for a small ship instead of a large one, so that she will not have to make the transatlantic voyage in the crowded steerage accommodations. She feels very optimistic and looks forward to when “we will all be together again,” including Tovah (74).
Rifka writes to Tovah of how nice the ship is. She has a pleasant room but spends most of her time on the deck and in the ship’s lounge. She befriends a sailor named Pieter. The weather has been good, but Pieter tells her that sometimes “[T]here are storms so fierce I think the ship will break apart” (76). Pieter dotes on Rifka, who writes to Tovah that he “treats me like a little czarina” (76). They talk about family, and Pieter tells Rifka, “You are a treasure to your mama and papa. And to your brothers” because she is their only girl (77). He also compliments her ability to learn languages, and her bravery for making the voyage alone. Rifka responds that her Jewish family and friends in Berdichev are brave for staying there, because there, “[Y]ou must be clever simply to stay alive” (78). Pieter shyly kisses Rifka, and then she goes to her room and reads Pushkin, looking for a poem that describes her feelings. She also writes to Tovah that in “America, maybe, I will write poems” (80).
The ship runs into a terrible storm, and the passengers are ordered to go below deck. Rifka is at the edge of the deck because she feels sick. A giant wave hits the deck and nearly washes her away, but Pieter pulls her away just in time. Rifka writes, “If he had not been there, Tovah, the ocean would have claimed me. He saved my life” (84). Down in the ship’s hold, everyone feels sick and scared. When the storm is over, the deck has been ripped apart and several sailors are injured. Pieter has died in the storm, and Rifka is distraught. As the ship waits for another ship to come and tow them to New York, Rifka writes, “Tovah, suddenly I feel how defenseless we are—not just Jews, all of us” (87). She knows she will not be there on the day she was scheduled to arrive in New York, and wonders how her family will find out what happened.
Rifka arrives on Ellis Island, and can see the Statue of Liberty. She looks forward to seeing her family but knows there will be another screening where she will be asked many questions before she can enter the United States. “Until I cross that line,” she writes, “I am still homeless, still an immigrant” (90). Rifka is anxious for the interrogation on Ellis Island, but she is overall hopeful about her chances of entering America. She looks forward to the moment in which she can depart from Ellis Island and “truly be in America” (90).
Rifka is crushed to learn she cannot leave Ellis Island because there are concerns that her ringworm is still contagious despite the clearance she received in Antwerp. She is held in a hospital for contagious diseases and cannot see her family. A woman from HIAS explains that the immigration officials are concerned because Rifka still has no hair, and they want to ensure that she is really cured. “It’s not just the ringworm that concerns them,” the woman says, “It’s your hair” (95). The woman tells Rifka that the officials are concerned she will be a social liability if allowed to enter the United States, because they think she will never find a husband if she does not have hair. Rifka protests the decision but is resigned to it.
Rifka discovers that conditions in the hospital are not so bad. Saul tries to visit her but cannot find her because she transferred rooms. A nurse named Bowen takes an interest in Rifka, who begins helping at the hospital, writing to Tovah that “I have been able, even, to interpret a little for the Polish and Russian patients” (98). She also takes care of a Polish baby whose mother died of typhus, and she looks after a Russian peasant, Ilya, who is on hunger strike because he wants to return home. As a Russian peasant—a member of the group who persecuted Jews like her family in Russia—Ilya first seems to Rifka an enemy of sorts, “[t]he reason Uncle Zeb was dead” (100). Rifka also thinks it is ironic that Ilya wants to go back to Russia when he is permitted to stay in the US—and she will be killed if she returns but is not allowed to enter the US. Nevertheless, Rifka convinces Ilya to eat a little by saying that if he doesn’t, the officials will never send him back, or he will die before he gets home if they do permit him to leave. Ilya begins following Rifka around.
Even as Rifka is finally able to depart for America, the situation in Letters from Rifka is simultaneously hopeful and challenging. The news that Rifka’s ringworm has officially cleared up contributes to a mood of optimism as she prepares to leave Antwerp and rejoin her family in the United States. However, the fact that Rifka’s hair has not grown back creates a sense that all is not well. Rifka’s transatlantic voyage on a small ship begins pleasantly. Just as when that life in Antwerp was surprisingly comfortable, the ship has nice accommodations—a large room on an attractive ship with a “player piano and polished wooden counters,” as well as “dances at night” (75, 76).
Pieter is even more significant than the pleasant accommodations. He showers her with attention and praise that she has not had before. Watching Pieter put “brushes on his feet,” and dance “all alone, polishing and waxing” while telling Rifka jokes brings her some fun after some harrowing months (76).
Pieter also shows romantic affection for Rifka. After he kisses her, she is emotionally overwhelmed and seeks release through Pushkin’s poetry. Unable to find her experience reflected in the verse, she fancies writing her own poetry someday (a skill that will later help her reunite with her family). In addition, Pieter connects with her on a personal level, encouraging her to see her family in a new way, such as through his remark that she is “a treasure to [her] mama and papa. And to [her] brothers” (77). Rifka’s bashful but pleased reaction to this comment shows her need for encouragement after being on her own for so long.
Given the affectionate relationship between Pieter and Rifka, the death of Pieter is a particularly devastating link in the chain of setbacks that Rifka faces over the course of the novel. His comment that sometimes “[T]here are storms so fierce I think the ship will break apart” seems out of place when he and Rifka are chatting on the sunny deck (76). In hindsight, however, the comment foreshadows Pieter’s death in just such a storm. Metaphorically speaking, it is also a reminder that challenges will continue to come even if happier moments are interspersed between.
Rifka not only must immediately recover and prepare for arrival in America, but she also must face another devastating blow upon arrival on Ellis Island, when she is not permitted to enter the United States. The decision seems particularly painful to Rifka because she is so close to her destination and family, after enduring danger, isolation, and tragedy. Her bitterness is evident in her reaction to Ilya’s homesickness, as when she exclaims, in a letter, that he is a “[c]razy Russian peasant! […] He could stay here in America” (101).
Still, in another sign of her growing maturity and independence, Rifka does not quietly accept the immigration officials’ decision to detain her for medical scrutiny. Instead, she takes action and speaks up. Once more, she makes the best of her hardship, using her painful circumstance to cultivate inner strength. Rather than wallow in misery and bitterness, she volunteers to help around the detention hospital, earning the respect of its staff, who “seem pleased to have [her] help them” (98). Rifka even takes Ilya under her wing. She stops viewing him as an example of the “enemy” Russia; once more exercising her characteristic empathy, she instead shows Ilya understanding, encouraging him to end his hunger strike. This magnanimous transformation is an outward sign of Rifka’s inner growth. Rifka also shows her independence by rejecting the idea that she will become a burden to the US if she enters the country with no hair. She is still distraught that her hair has not grown back despite the Belgian doctor’s assurances, but she refuses to be reduced to her appearance or her marital eligibility, instead asserting her dignity and self-worth as an individual.
By Karen Hesse