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52 pages 1 hour read

Percival Everett

James: A Novel

Fiction | Novel | Adult | Published in 2024

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Character Analysis

Jim

Jim, who ultimately chooses to go by his full name, James, is the novel’s narrator and protagonist. He is a learned, erudite man who enjoys reading and writing, and teaches the children on the property where he lives. He is a loving family man with a wife and daughter. He is an enslaved African American man, and through the complex, multi-faceted nature of his character, the novel explores issues related to race and racism in the United States.

Jim is based on the character Jim in Mark Twain’s Adventures of Huckleberry Finn. James reframes the story through Jim’s eyes to argue that the lives and experiences of enslaved people in pre-emancipation America merit as much interest and attention as those of their white counterparts. Whereas Twain’s novel foregrounds Huck’s experiences, coming of age, and interest in ethical development, James foregrounds Jim’s keen intellect, humanity, and insightful observations about the cognitive dissonance required to support the enslavement of an entire racial group of humans. An important part of the novel’s reframing is Jim’s interest in writing. He pens a manifesto of sorts to set his own story down on the page, and this is an important meta-commentary on the importance of marginalized people telling their own stories. No one can speak with as much authority on the experiences of others than on their own experiences, and much gets lost when individuals with privilege attempt to tell the stories of those without privilege. Although Mark Twain set out to write, in Adventures of Huckleberry Finn, a thoughtful book engaging with the ethics of enslavement, the way that he centered the experiences of a white boy in that story meant that the experiences of its main Black character were secondary. Everett not only centers the experiences of Jim, but shows Jim in the act of telling his own story, and this is an important revision.

Jim is characterized in part by his erudition. He makes clandestine forays into Judge Thatcher’s library to read, and his interest in philosophy and the “great” thinkers of the Enlightenment era informs his own perspective, as well as his ability to point out the flaws in their thinking. He recalls having to “hide” his love of books, but part of what draws him to books and ideas is his interest in the discrepancy between so-called humanism and the racist support that their authors give to the institution of enslavement. Huck comes to question the ethics of enslavement, but Jim is the primary interrogator of white supremacy in this novel. Through this aspect of his characterization, the novel suggests that Black people are best able to identify and analyze white supremacy. The novel also emphasizes the humanity of a people who have been silenced, marginalized, and dehumanized throughout American history.

Jim’s use of standard English and the way that he teaches code-switching to the children in his household is another important aspect of his characterization. Jim knows all too well how difficult white people can make life for him, so he and his fellow enslaved men and women use dialect to protect themselves when speaking to their enslavers: If the enslavers think that enslaved people are less intelligent and aware, then they will trust them enough to leave them alone, and feel comfortable in their power dynamics enough to refrain from violence as a tool of control.

Jim is also a loving family man and a good friend to those individuals whom he meets and deems worthy of friendship. He has a meaningful connection with Luke, Norman, and the group of enslaved men who help him procure a pencil, and he helps to free a young woman who reminds him of his daughter. He also watches out for Huck, his secret son, in a way that demonstrates empathy. He knows that Huck is trying to figure out his place in the world, that he suffered at the hands of his abusive father, and that he needs protection. Despite spending his entire life in a brutal system of bondage, Jim has retained his commitment to others. He is much more of a humanist than the Enlightenment thinkers whose support for enslavement belies their so-called commitment to humanistic values.

Huck

Although James reframes Adventures of Huckleberry Finn as Jim’s story, Huck remains the most important secondary character. He is defined by his resourceful, inquisitive, and impish nature, which places him squarely within the picaresque tradition. Huck perpetrates many schemes and small acts of deviance that test the limits of right and wrong. He steals, tells white lies to get out of slippery situations, and even fakes his own death. His actions provide moments of comic relief, but he also manages to put his scheming and antics to good use helping Jim. He is quick thinking, as in the scene when a group of white men notice Jim hidden under a tarp and he lies that his uncle is sick with smallpox. Fearing for their lives, the men immediately leave.

Huck is actively trying to figure out his place in the world and trying to understand the various systems that underpin American society. He is the sole white character to truly question the ethics of enslavement, and he repeatedly wonders about the separation between Black and white Americans. It strikes him as fundamentally wrong that one man should own another, and at one point he asks Jim: “Don’t every man got a right to be free?” (72). It is in part because of this interest in determining right from wrong that Jim takes an interest in Huck’s well-being, although it is also in part because Jim is secretly Huck’s father. Huck also shows himself to be a true friend to Jim.  Although Huck is initially confused and somewhat taken aback to find out that he has a Black father, he does ultimately want to remain with Jim, sure in the knowledge that Jim is a good man and his friend. Huck’s character speaks to the possibility of dismantling white supremacy, and the novel suggests through him that it is the future generation who will be able to move toward a space of equity and acceptance.

The Duke and the King

The Duke and the King are two “confidence men,” meaning swindlers or conmen, whom Jim and Huck encounter on their journey. They are based on characters who appear in Mark Twain’s Adventures of Huckleberry Finn, and their status as confidence men grounds this novel within the history of American literature: Such characters were common in American literature, particularly during the 19th century. Their purpose in literature was often to encourage readers to reflect on the ethics, morals, and the difference between right and wrong. Within James, they fulfill this function and additionally showcase the ignorance and brutality of enslavement and its supporters: They are perfectly willing to betray each other and Jim, and ultimately reveal themselves to be cruel and racist.

The man who would like to be called the Duke claims to be a member of the English aristocracy, the rightful Duke of Bridgewater. The “King,” on the other hand, purports to be the rightful monarch of France. These men are inveterate liars, and one of their first acts after meeting up with Jim and Huck is to swindle a Christian tent revival. They try to be charismatic showmen, and yet their lack of intellectual acumen renders them poor storytellers: Their lies become obvious to their listeners fairly quickly. In a novel dedicated to parsing out the difference between right and wrong, the Duke and the King exemplify the unethical and immoral.

In addition to their careers as swindlers and conmen, they reveal themselves to be deeply racist. They plan to take advantage of Jim in any way that they can by selling him repeatedly. They subject Jim to a brutal beating, further revealing their inhumanity, and their response to how badly he’s hurt is not remorse, but worry that he will be harder to sell: “We can’t get a dime for him if he’s torn all asunder” (132).

Norman

Norman is a Black, formerly enslaved man passing as white to perform in the minstrel show. Norman showcases the importance of friendship and humanity in the story and speaks to the deeply racist practice of minstrelsy in 19th- and 20th-century America. Minstrelsy was a widespread practice for many years in America and is now understood to be a shameful part of American history. The man who runs the minstrel show in this story claims not to be racist, and yet he is revealed to be just as racist as enslavers: He merely exploits Black people in another way. Norman, although he has found relative safety in this troupe, finds passing as white “exhausting,” and his experiences underline how difficult it was for Black Americans to live their entire lives under the shadow of one kind of racism or another. That he is such a good friend to Jim despite his personal struggles speaks to the interest that this novel has in showcasing the humanity and kindness that enslavement people managed to preserve in the face of racist oppression that sought to rob them of their humanity.

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