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57 pages 1 hour read

M. L. Rio

If We Were Villains

Fiction | Novel | Adult | Published in 2017

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Act III Scenes 9-18Act Summaries & Analyses

Act III, Scene 9 Summary

Content Warning: These Chapter Summaries and Analyses sections contain references to drug use and suicide.

Oliver calls up the Dellecher office to discuss his new monetary situation. The teachers assure him that between loans, work-study, and scholarship applications, they will work something out. Oliver retires to his book-lined room and broods. Leah visits him and asks him if he doesn’t like her. Oliver tells his sister she’s “the only one in this house worth a damn” (230). Later, James shows up at Oliver’s home unexpectedly. He says he couldn’t bear to be at his own house. Oliver welcomes him and settles him in his room. They lie down beside each other and discuss Richard’s death; Oliver once again mentions Hamlet and the sparrow. James says the only way to deal with his guilt is to “absolve [himself]. Blame it on fate” (237).

Act III, Scene 10 Summary

Oliver notes that James being in his bed feels natural. He cannot decipher his feelings towards James. Caroline and Leah sneak up into Oliver’s room and goggle at the two men, calling James Oliver’s boyfriend. James doesn’t mind the teasing and tells them Oliver is hooking up with the hottest girl in their year. Leah and Caroline know this is Meredith and can’t believe she would date Oliver. Everyone goes off for breakfast; Oliver reflects that he had planned to join Meredith in Manhattan for the weekend. He now has to cancel on her, James appearing “like some kind of divine interference” (241). Oliver calls Meredith and tells her he won’t be able to come to New York.

Act III, Scene 11 Summary

The new term begins at the start of December. As part of Oliver’s work-study scholarship, he has to take over the cleaning and maintenance of the castle. As the others settle in, Oliver begins with scrubbing the kitchen. He sees Colborne and a junior police officer, Walton, enter the castle. He can hear them discuss Richard’s death. Colborne says this is not the first time a Dellecher student has died tragically; 10 years ago, a dancer died by suicide. According to the media, she was unable to cope with the school’s demand for perfection. However, Richard was the star of the show and it is unlikely he killed himself. Though the investigation has ruled Richard’s death an accident, Colborne suspects foul play. He knows Richard’s friends are hiding something. Oliver hears his name come up in connection with Meredith. Colborne also cannot piece together what happened to Richard after he headed into the woods with alcohol. Apparently, Richard met James and Wren in the courtyard. When Wren tried to stop him, he threw her across the yard and marched off. The Medical examiner has ruled that though Richard received a hard blow to the head, the cause of death was drowning. Something doesn’t add up. The detectives suspect Wren may have had something to do with Richard’s death. Oliver is overcome with panic.

Act III, Scene 12 Summary

Filipa, James, Alexander, and Oliver are studying quietly in the library. Wren and Meredith are yet to start classes. Wren appears, much to everyone’s delight. The friends surround her in a group hug. They are soon joined by Meredith. After the friends break apart, Oliver and Meredith are left alone. They have an awkward conversation before Oliver asks her if she would rather sleep alone. Meredith asks Oliver if he would rather sleep with her or James; Oliver doesn’t answer, and Meredith leaves. Oliver, unsure of how to proceed, walks outside and meets Alexander. Oliver tells him about the conversation between Colborne and Walton. Alexander says they should all just stick to their story and let the investigation blow over. They wonder what happened to Richard after he left the castle. Alexander discovered his body when he went out for a smoke. Strangely, while there was blood in the water, there was none on the dock. This pokes a hole in the theory that Richard hit his head on the dock and fell in the water.

Act III, Scene 13 Summary

In the wake of Richard’s death, most of the Dellecher students avoid the fourth-years. Oliver and his friends feel like they are in exile. The exile is broken when Colin brings the news that for this year’s Christmas masque, they will be performing “R and J” (261), shorthand for Romeo and Juliet. The Christmas masque—an annual tradition like the Halloween performance—is to go forward “as usual, in defiance of recent events” (260). Meredith goes off to grab their assignments. Oliver, angry at the way people stare at her, follows her to the mailboxes. Meredith hands him his envelope and Oliver asks her out for a drink. He is not sure about the nature of his relationship with Meredith but wants to explore it all the same. Meredith agrees. In private, Oliver sees he has been cast as Benvolio, Romeo Montague’s cousin and close friend. It is a relatively important part.

Act III, Scene 14 Summary

Meredith and Oliver go to the Bore’s Head for drinks. The crowd stares at the two of them. The friend group’s usual table has been usurped by other students. Oliver and Meredith joke about claiming it back. Meredith is tired of people staring at her and thinking of her as “the dead guy’s girlfriend” (267). She had been on the verge of breaking up with Richard when he died because he was “a bastard and a bully to me” (267). Oliver commiserates but cannot understand why the beautiful Meredith would want him. Meredith tells Oliver she likes him not because he is nice, but because he is genuinely good. Unlike the others, Oliver is not always playing a part. Oliver and Meredith hold hands. As they leave, Oliver can hear a student call them “shameless” (269).

Act III, Scene 15 Summary

It is extremely cold at Dellecher as Christmas approaches. The students are busy preparing for the Christmas masque and their upcoming tests. For midterm speeches (a kind of midterm exam), Oliver performs a monologue from King John. Gwendolyn and Frederick are very pleased with his performance. Wren follows Oliver, performing a monologue from Richard III. As Oliver watches her deliver her lines, Wren faints.

Act III, Scene 16 Summary

Oliver gathers Wren in his arms and rushes her to the infirmary. Once Wren opens her eyes, the nurses ask him to leave. Oliver returns to the castle and tells the friends about Wren’s fainting episode. James rushes off to see her. He returns late at night and tells them Wren is still in the infirmary. He wasn’t allowed to meet her. Colborne and Walton were there as well. The friends are alarmed the police is involved, but Alexander tells them all to do nothing and stay quiet. Meredith asks everyone to stop feeling guilty as no one actually killed Richard. But Alexander reminds her that “[they] just let him die” (276). He goes out for a smoke.

Act III, Scene 17 Summary

It is the night of the Christmas masque. The art department has painted elaborate, ornate masks for the performers of Romeo and Juliet. Oliver gets dressed for the performance and hurries down the stairs. He spots Alexander in the library, snorting cocaine. Oliver demands to know how long Alexander has been taking drugs. Alexander asks Oliver not to scold him and promises he’ll stop after exams. Furious, Oliver leaves the library and walks to the Hall, Alexander pursuing him. Alexander is surprised by Oliver’s aggressive reaction, and Oliver reminds Alexander that if Colborne finds the drugs in the castle, he will reopen the investigation.

Act III, Scene 18 Summary

The audience at the Hall are dressed in their finest with the boys all in white masks, and the girls in black. The Hall is beautifully, opulently decorated. Oliver still doesn’t know who amongst his friends is playing which part. He awaits his cue, and then rushes in to break up a fight onstage between two Montague servants. Tybalt Capulet—an enemy of the Montagues, played by Colin—enters to fight Benvolio. The squabbling group are interrupted by Prince Escalus. The part is played by Meredith, looking regal and imperious.

In the next sequence, Romeo appears, “a mythical figure […] caught beautifully between man and boy” (285). The part is played by James and Oliver is filled with possessive pride to see how wonderful James looks. Benvolio and Romeo begin to banter and affirm their close friendship. Through the lines, Oliver speaks both as his character and himself, lost in intense feelings for James. Alexander appears as Mercutio, Romeo’s witty, wicked best friend, and teases him over his love for Juliet Capulet. Romeo, Benvolio, and Mercutio gate-crash a ball at Juliet’s house. Romeo spots Juliet, played by an ethereal-looking Wren, and the two profess their love to each other. James kisses Wren passionately and Oliver realizes that James is in love with Wren. The fact makes him “blindly, savagely jealous” (292).

Act III, Scenes 9-18 Analysis

At home, Oliver continues to show his insensitivity. When Caroline teases Oliver that he and his boyfriend (a visiting James) should go downstairs for breakfast, he snaps “Why don’t you eat it instead?” (239), alluding to her disordered eating. This shows Oliver is so consumed by his life at Dellecher that the struggles of others seem small to him. Oliver feels alienated from most of his family, except for his younger sister Leah. His father considers his love for books and theatre impractical. However, Oliver also tends to be a little snobbish; he notes that his is the only room in the house with books, which reflects both his isolation and his elitism. For Oliver, like the other Dellecher students, the world of books is a continuum of the real world. Words are extremely important to the fourth-years, and make them feel alive. Oliver notes that his “first fumbling encounter” with Shakespeare took place when he was 11 and “quickly blossomed into full-blown Bardolatry” (228). He describes his discovery of Shakespeare’s plays in quasi-sexual terms, indicating his passion for the written and performed word.

James’s sudden visit to Oliver’s home spurs Oliver’s rising self-awareness about his feelings for James. Not only does James being in his bed feel “natural, comfortable, comme il faut” (237)—comme il faut meaning correct in behavior or rightful—Oliver also realizes that he’s aware of James in a way he hasn’t felt of Meredith. When he has to cancel plans with Meredith because of the visit, it feels like “divine interference” (240). The choice of phrase shows that he views James’s visit as both destiny and a relief.

Oliver’s treatment of Meredith is complex and mired in his indecisiveness. While he obviously has feelings James, he is also attached to her, seeing her as a source of desire and comfort. Yet he never clarifies his feelings to her, nor does he approach James. Oliver’s indecision emerges as his major fault, a key element in Shakespeare’s “tragic hero” roles. Oliver specifically parallels Hamlet: His lack of action will play its part in heightening emotions between characters and driving James to extreme actions.

Once again, Oliver compares Richard to Hamlet’s sparrow. He wonders why Hamlet makes the sparrow speech in Shakespeare’s play, with its fatalist overtones. James reminds him the sparrow analogy helps Hamlet, whose entire world is collapsing around him, understand that nothing is in his control. Since he can’t control anything, the only thing to do is to absolve himself of guilt and responsibility and blame events on fate. During this discussion, James is also talking about the friends’ part in Richard’s death. Of course, absolving himself is especially important for James, since he’s the one who struck Richard. This conversation between James and Oliver illustrates the novel’s key theme of fate versus free will.

When the group return to Dellecher, Shakespearean devices such as overheard conversations return. Oliver being assigned the cleaning of the castle is an important narrative ploy, enabling him to catch important bits of conversation and discover critical bits of evidence. Real life continues to mimic art. The students perform Romeo and Juliet, and like the tragic love story, themes of blooming love, passion, and jealousy dominate. The plot of Romeo and Juliet covers the doomed story of the titular young lovers. Romeo is the teenage son of the Montague family, while Juliet is the daughter of their sworn enemy, the Capulets. Juliet’s cousin Tybalt kills Romeo’s best friend Mercutio, after which Romeo murders Tybalt. Romeo is banished for the crime. Juliet fakes her death so she can wait for Romeo undisturbed, but Romeo thinks she has really died and dies by suicide in grief. Juliet wakes up to find Romeo dead and dies by suicide beside him. This foreshadows James’s death by suicide, and on a lesser note, Andrew’s drug overdose.

Embodying the play’s passion and intensity, Oliver remains torn by his attraction to both Meredith and James. He begins to date Meredith on and off and is enchanted by the sight of her dressed as a prince during the performance of Romeo and Juliet. At the same time, the sight of James, as Romeo, passionately kissing Wren, as Juliet, fills him with uncontrollable jealousy. Continuing the theme of using acting to communicate hidden feelings, Oliver and James spar onstage. In Romeo and Juliet, when Romeo tells Benvolio he loves a woman, one of the things Benvolio says is, “Be ruled by me, forget to think of her” (Romeo and Juliet, Act I, Scene 1). Overcome by his love for James, Oliver says these lines a few cues too early to James during the Christmas performance.

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