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Emily DickinsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Birds in Dickinson’s poems represent everything from artistic voice to spiritual transcendence to physical freedom. In “If I Can Stop One Heart from Breaking,” the robin, in its moment of need, provides the speaker with evidence of grace necessary for her salvation. Whether that salvation is spiritual or secular is not specified by the speaker. Dickinson’s love for and understanding of nature makes the gesture of restoring a bird to its nest a worthwhile effort on a practical, physical level. But reading the bird as a symbol of a fallen person, strayed from their personal path or from faith, endows the speaker with a bigger task and responsibility. Nests are also featured in other Dickinson poems such as “For Every Bird a Nest,” where a wren may be aspiring beyond her scope by seeking too high a bough, signifying “aristocracy.” The lark, meanwhile, builds her house on the ground without shame. If the robin in “If I Can Stop One Heart from Breaking” has fallen, perhaps its nest had been too high, and the speaker of the poem can ease its heartbreak and help restore its faith.
Kinds of pain in this short poem range from explicit in “aching” (Line 3) and “pain” (Line 4), to the implied pain of the potential heartbreak in Line 1. The “fainting” (Line 5) robin may be in pain as well, but the distress isn’t as specifically identified. If each type of pain in the poem resembles the pain of a broken heart, as the first line might suggest, the poet may be referring to emotional or psychological impairment. The verbs “ease” (Line 3) and “cool” (Line 4) either physicalize the pain or extend the metaphor. Another unusual diction choice occurs when Dickinson uses “the aching” (Line 3) rather than “the ache.” Use of the gerund here gives a sense of protracted suffering over time, an ongoing, possibly endless agony.
Dickinson uses imagery of pain not only to represent physical and psychological suffering, but also to represent trauma, disappointment, and disillusionment. “After Great Pain, a Formal Feeling Comes” depicts post-traumatic dissociation—a complete detachment from feeling. In “I Can Wade Grief,” Dickinson rates disappointment and dashed hopes as the cause of more suffering than grief, and acknowledges pain as a source of strength: “Power is only Pain— / Stranded, thro’ Discipline” (Lines 10-11). Dickinson finds it hard to trust the heights of happiness: Pain always returns, even in the form of the absence of happiness. In “Joy to Have Merited the Pain,” Dickinson explores how time moves faster in moments of ecstasy, but seems endless in loss. In “Pain – Has an Element of Blank,” pain does not know “Where it begun – or if there were / A time when it was not” (Lines 3-4).
Dickinson’s acceptance of pain as a place of stability and continuity isn’t as morbid as it might seem to modern readers. Having been educated in Calvinist Amherst, Dickinson would have been raised to believe that the human heart was naturally deformed and human will infected. Even as she moved away from church dogma, Dickinson still read Calvin, still interpreted nature as a Calvinist, and still examined the world for signs that redemption was possible.
In Dickinson’s poems, hearts represent the best in human virtue. Hearts in her work do not necessarily connote romantic love. More often, they indicate the good will, the love, the camaraderie, and the empathy one person can feel for another, whether or not outwardly expressed. In Dickinson’s work, hearts can be full of potential love, ennobling the bearer even if the love isn’t expressed. Hearts are proof that humans are worthy of salvation. A broken heart not only cuts people off from a beloved, but possibly shuts them away from themselves and from God. Preserving a heart, as the speaker of this poem proposes, has higher stakes than consoling the lovelorn. Saving a person from heartbreak keeps their identity intact.
In “It’s All I Have to Bring Today,” the phrase “and my heart” appears in three of the poem’s eight lines. The speaker brings something unnamed to the reader along with “my heart beside” (Line 2). Line 3 lists “This, and my heart, and all the fields,” then Line 7 promises “This, and my heart, and all the Bees.” In this short poem, the gift of the speaker’s heart is as great as fields, the whole countryside, and all the bees. In Dickinson’s cosmology, nature, God, and the heart are expansive—the infinite circumference she notes in many poems. Death, loss, and her fears of separation manifest in the images of confinement: tombs, narrow rooms, darkness. “If I Can Stop One Heart from Breaking” has a greater urgency in this context.
By Emily Dickinson