69 pages • 2 hours read
Clare MackintoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jenna, handcuffed in the courtroom, is frightened, both of being free and being in prison. She digs her nails into her skin and draws blood. The people coming into the public gallery have hatred on their faces. She puts her hand around the picture of Jacob. Anya Jordan enters. The proceedings begin. Jenna pleads guilty. As a barrister talks, she relives the events of that night. She suddenly wants Ruth to fight her case, but before her defense barrister can say anything the door bangs open and Patrick is there. Ray is with him. They speak to the CPS barrister and the barrister passes a note to Ruth, who asks for a recess.
Jenna is taken to meet with Ruth and Ray. He drops a passport on the table, telling her she does not have to protect “him” anymore. They won’t let Ian hurt her. He shows Jenna the file they have on the two of them. She never called the police, but neighbors, doctors, and passersby did. She says it was because he would have killed her. She explains that it started the night they were married, but she never actually went to the refuge on Grantham Street. She tried to leave, but she knew he would have found her.
Ray wants to know why she finally left after the accident. Jenna reveals that after that night. Ian threatened her after beating her so badly she couldn’t stand, then poured boiling water over her hand and broke everything she had ever made. Then he went away, and she left.
Jenna tells Ray and Ruth that she couldn’t see the road properly, so Ian made her pull over, hit her, and took the keys, even though he was drunk. He sped up and hit the boy. Then he started reversing. He would not allow her to go back. “’Ian killed Jacob,’ I say. ‘But I felt as though I had’” (405).
Patrick drives Jenna home. In response to his question, she says she wanted to go to prison because someone had to pay for what happened. Then he asks about a baby’s toy in her wooden box. She tells him it belonged to her son, Ben. She finally explains part of her side of the story, regarding the pregnancy and death of her son.
At this point, Patrick pulls over and stops the car. Jenna continues the tale: Labor was induced at the hospital. Later, as she was seeking comfort, Ian told her that the baby never existed. She notes, “Ben might not have taken a breath, but he lived” (408). She and Patrick cry together.
They arrived at the caravan park. Jenna doesn’t want to face Iestyn, but Patrick says he has explained everything. She asks him to get Beau. He makes her tea and leaves. She turns off the light.
Area Intelligence has found Ian Peterson’s address. Ray reminds Stumpy that Ian’s arrest is critical for the Jordan case and for Jenna’s safety. His team goes for the arrest at his home on Albercombe Terrace. He and Kate have weapons and body armor on as they go to the front of the house and knock. But the place is empty. Ray tells Kate to call Jenna’s phone, but it’s switched off. He also gets someone to visit Eve Mannings. He thinks they will need someone local and thinks of the caravan park. When Kate calls, Bethan answers.
Bethan wants to know what happened at court, but Ray and Kate are in a hurry. Bethan says she hasn’t seen Patrick or Jenna, but knows Jenna is back because she went to the beach. When asked how she knows, Bethan says she saw writing in the sand, which she assumes is Jenna’s. The word says “Betrayed.”
Jenna is awakened by a knock, but then door is slammed open. She awaits Ian’s fist. As he rubs her neck, he accuses her of giving his name to the police. He grabs her hair, telling her not to lie. He has seen his name all over the Bristol Post. She promises to tell them it’s not true, and he slaps her and forces her upstairs. In the bathroom, he makes her undress while he draws a cold bath. He claims that “I let you go” (420), that if she had only kept her mouth shut she could have lived out her life.
He forces her into the icy tub water and puts bleach on a washcloth, telling her to scrub her body and face with it. She thinks, “This pain, this humiliation, this is worse than death. The end cannot come soon enough” (421). He tells her how easy she was to find and rails on the duplicity of women while she feels herself slipping under the water. He talks about how he was tricked into having a son, and Jenna thinks he is not making sense. And then Ian reveals he is not talking about her and Ben. He is speaking of Anya and Jacob.
Ian forces her out of the tub and into a dressing gown, while Jenna realizes the implications of what Ian has said. Ian killed his own son.
This flashback from Ian’s point of view begins when he demands that Jenna stop the car. She does but won’t look at him. He punches her, and her head hits the roof of the car. She slides into the road. Unlike before, his rage doesn’t dissipate with the violence and his chest remains tight. He orders his wife into the car and drives home. She says he is going too fast. They approach the street where Anya lives. He sees a woman and child, and realizes it is Anya, whom he had fired after having sex with her. He knows she will ruin everything. He pushes the accelerator to the floor.
Within these chapters, the author finally reveals the entire story of Jacob’s accident and Jenna’s overwhelming distress in an action-packed and dramatic section in which the police present knew evidence to the judge. They also learn Jenna’s complete motivations for keeping silent, a clear result of abuse. When asked why they never let others help her, she says, “Because he would have killed me” (402). She would have been safe in prison. Her character is further illuminated as benevolent and compassionate when she explains another reason she was willing to go to prison: “Someone had to go to court so that Jacob’s mother could sleep at night knowing that someone had paid for her son’s life” (406). She is not simply going through her own recovery process; she is attempting to help someone else do the same.
After all this cathartic confession, Jenna feels safe in her cottage for the first time, but it is a false sense of security that is about to be brutally broken as Ian attacks her one last time. Readers are shown a raid on Ian’s home, but he isn’t there. The sense of security Jenna expresses makes the upcoming and final encounter with Ian even more devastating—but also sets the stage for Jenna’s victory. With something to live for, she fights harder. This is the final step in her recovery process, proving that she is becoming whole and strong again.
The author has one more revelation to surprise readers with in these chapters: that of Jacob’s parentage. In a flashback, readers are taken back to that night and Ian’s twisted reasoning for all his actions, including the death of Jacob—his son. “I was already losing you, and if you found out about the boy I would never get you back” (428). Jenna’s shock upon learning about this new development soon turns to a new grief, as she reflects upon how she could have loved this boy as her own, too. This is the final family relationship revealed in the book—an unexpected one with many implications for those involved. It also highlights how terrible Ian is; he didn’t simply kill one son, he killed them both—all in order to save a relationship with a woman who he hurt over and over again in order to control and dominate her.
Along with the plot twists, readers may here come to realize how tautly written much of the story is, given the deviation from formula, the descent into thrilling action and violence, and the shifting within points of view that finally reveal the bleak truth in the second part of the book.