69 pages • 2 hours read
Clare MackintoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Another flashback. Jenna has taken to staying in her studio, away from Ian, all day. He tells her one night that he has bought a DVD to watch. She has a mark on the side of her face. She asks if he wants coffee, and when he asks if she’ll join him she says she’s not feeling well. He promises to look after her. She pulls away, which he doesn’t like. He raises his arm, sees her flinch, and removes a “money spider” from her forehead.
Jenna remains ill. He reminds her to see a doctor on Monday but can’t reach her that morning. He goes home at lunch to see if she is okay. He pulls her to her feet. She screams as he holds her against the wall, then pleads with him not to hurt her. She is pregnant.
Ian is happy. He thinks, “This would change everything” (359). He promises to look after them, tells Jennifer he loves her. He wants to say he is sorry, but instead asks her to never tell anyone about their arguments. She agrees.
Ian comes to the first scan. Jenna has become obsessed with the pregnancy, and things aren’t happening as Ian expected. Jenna wants to keep working, doesn’t seem grateful enough for tea and massages, and pays more attention to the unborn baby than the husband. Ian remembers the kitten. They get a picture of the fetus, and then have an appointment with the midwife.
The midwife asks Jenna to roll up her sleeve and sees a bruise on Jenna’s arm. She asks to chat with Jenna privately, saying it is standard practice. Ian goes back into the waiting room and sees no other man on his own, so he goes back into the consulting room without knocking. He sees his wife slipping a pale blue card into her pregnancy notes. At home, he asks what the midwife wanted. Later, he looks through her notes, but does not see the card.
As the pregnancy progresses, Ian believes he is losing Jenna to the baby. One day, she scorches one of his shirts while ironing. He goes to cuddle her, but she draws an arm to protect the baby. This enrages him again: “And you had only yourself to blame” (365).
Olivia Rippon wants Ray to bring the Op Falcon briefing forward, so they can launch a “tough on drugs” stance. Ray says he can’t, he has a meeting at the school, but Olivia says she’ll have someone else lead—and get credit for—the meeting if he’s not there. He calls home to explain that he will miss the meeting.
The launch of Operation Falcon is successful. Once Ray is done, he calls Kate for an update. She asks to meet in the cafeteria, where she shows him a card like the one Jenna Gray had. It was in one of the houses raided during the operation, from a woman named Dominica Letts (she is first mentioned in Chapter 13, as a girlfriend of a drug dealer and victim of abuse). He puts it in a plastic bag in his pocket.
At home, Mags is crying. She tells him that things with Tom have been going on for a year, but the school never had evidence before. She says she spent an hour and a half yelling at their son, and Ray is confused. It turns out Tom is a bully, the ringleader of a gang, beating up students in the special education program and skipping school. The stuff under the bed was stolen by others for him. Mags says they have to apologize to those Tom has hurt, return the stolen items, and find out why he’s doing what he’s doing. Ray blames himself for not spending enough time at home. He says he just needs to become a superintendent so that things will level out, but Mags wonders why if he loves his DI job. She tells him she wants to go back to work, which surprises him because he never realized. They talk.
The next morning, Mags tells Tom it is fine if he wants to go to Jenna’s sentencing. He realizes it’s been a long time since he prioritized his family over work: “He had to change that. Had to start putting Mags and the kids first” (374). He can’t believe he was so blind to her needs, and blushes to remember how he tried to address the dullness in his life.
Mags picks up his suit jacket and sees the card in the plastic bag. She understands the logo immediately—a person with arms around someone else. Ray realizes he’s gotten everything wrong, both at home and with Jenna’s case.
Jenna arrives at Bristol Crown Court. There are protesters and a photographer taking her picture, plus the Post reporter wanting a word. One woman stands in front of Jenna. It is Anya, who tells Jenna that Jacob was a good baby. Anya explains that Jacob’s father didn’t want her to keep him, but Jacob was all she had. The bereaved mother hands Jenna a picture of Jacob in his school uniform, aged three or four. Jenna apologizes, says she does not have children. Anya tells her, “You must remember that he was a boy. That he had a mother. And that her heart is breaking” (380).
Ruth Jefferson, Jenna’s barrister, tells her it is a simple process, but that Judge King is likely to be hard on her. This attorney, too, is disappointed that no mental illness is involved. Ruth asks about medical conditions and allergies. She tells Jenna she wants to present the event as an unfortunate accident. When Ruth mentions that Anya released the boy’s hand as they approached the road, Jenna says it wasn’t Anya’s fault, and informs the barrister that there were no extenuating circumstances.
Ray asks Kate about the card. When she tells him it’s from Dominica Letts, he replies that the house on Grantham Street is a women’s refuge for victims of domestic violence. He tells her that Dominica was a known victim of abuse, which jeopardized Operation Falcon, and he made the connection by driving past the address on the card she had. He believes that Jenna Gray, too, is a victim of abuse.
At that moment, he gets a visitor. It is a man named Patrick Mathews. Ray is busy, but Patrick is insistent. He says he wants to talk about Jenna Gray. Ray and Kate meet with Patrick, who says he has a feeling Jenna is not guilty. He admits that he went through the box under her bed. He found her passport, under the name Jennifer Petersen. Ray realizes she is married. He calls the court to find that the case has been delayed, and they have a half hour. Kate mentions the missing persons report from the other day. When Patrick sees the photo pieces, he asks permission and puts them together. Seeing the photo put together, they realize that Jenna Gray is the sister Eve Mannings is worried about.
Ray and Kate go to see a woman named Nat the Domestic Abuse Unit. Nat has located a man named Ian Francis Peterson, who has a restraining order out on him—by Marie Walker, Ian’s previous partner. The women’s refuge had supported Marie to leave him after six years of abuse. She pressed charges but he got off. He had also assaulted his mother. They have a file on Jennifer and Ian Peterson, and Nat says it is not pleasant.
Ian’s flashback: He finds Jenna’s exhibitions tedious. She is especially difficult before her November exhibition. She tells him he does not have to come, saying “we” can manage. There is another man involved—Philip, the curator. Ian believes she must be having sex with him. By then, he is no longer attracted to her.
On the day of the exhibition, he offers to put a necklace on her, telling her not to humiliate herself that day. He also makes her drive the Fiesta, since she won’t be drinking. At the opening, she introduces him to Philip, and he becomes more convinced they are having an affair. He watches her the whole time; by the end of the evening his rage is explosive. Outside, he accuses her of making a fool of him and twists her arm behind her. He forces her into the car to drive. Jenna tries to tell Ian that Philip is gay, but he says he can see she’s thinking about him. “As soon as we got home I would stop you thinking at all” (395).
The main revelations here explore Jenna’s pregnancy and miscarriage at the hands of Ian, and the fact that she was not the driver on that fateful night. Instead, she is protecting Ian—not out of any altruistic motive, but out of fear that he could re-enter her life and hurt her again. This gives the audience another glimpse of the complicated reasonings Jenna has been acting upon as a result of defending herself from abuse. Readers also learn of the significance of the blue business card and where Jenna obtained it in the first place. The card is so important because it is the clue by which Kate and Ray finally figure out the truth.
A revelation also takes place with regard to Ray’s personal life: his son is discovered to be a criminal ringleader, not a victim. This highlights questions about who is a hero, a victim, or a criminal—and why. Ian does not believe he is a bad person, and Tom’s parents don’t believe him capable of malicious acts. Both characters place blame on others for their actions rather than themselves. Ray questions whether his own actions may have caused Tom’s delinquency, again illustrating the theme of control over one’s own or others’ fates. Ray acknowledges his role in forming a wedge between himself and his family, especially Mags, and realizes that he can make some decisions to mend the situation.
Importantly, Anya and Jenna meet for the first time here. The meeting is poignant, full of subtext between these two women that have lost so much—especially since grieving Anya obviously does not realize the depth of Jenna’s guilt, fear, and sadness regarding both Jacob and her own son. Anya asks Jenna if she has children, and Jenna says she does not, but she thinks of her own dead boy: “I think that there should be a word for a mother with no children; for a woman bereft of the baby that would have made her whole” (380). It is a condition that both women share, but only Jenna knows this. These mothers’ commonalities are even more than either realizes, given the last surprise in the book—that Jacob, too, was a child of Ian’s, and was therefore threatening to Ian by his very existence. It is a family relationship that is not revealed until the final pages of the book, yet is as significant as any previously outlined relationship.