69 pages • 2 hours read
Clare MackintoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ray gets up early to work on Saturday morning, and after he finishes some emails, Tom and Lucy fight. Mags comes down and defuses it instantly. He asks how she does it, and she says, it’s called parenting: “You should try it sometime” (109). They are at odds lately. She reminds him, after he gets another email, that he has promised not to work the weekend. Mags is thinking of domestic duties, but his mind is on his work.
Later, Mags thanks him for putting work aside for once, allowing them to have a fun family day at the end of the school year. He doesn’t tell Mags he still kept his Blackberry on throughout the day but says now that the kids are in bed he’s going to work. Mags is unhappy about it. He promises he’ll be done in an hour. He doesn’t keep to that.
Later, she brings him some tea and sees he is working on the Jacob Jordan case. He admits the case was filed but he and “the team” are still looking at it anyway. He doesn’t want to mention Kate. Mags says, “It’s not like Annabelle, you know” (114). This reminds him of the Annabelle Snowden case, his first job as Detective Inspector. She had gone missing after school, and eventually they had charged her father with murder. Ray blames himself for not arresting him immediately, despite the lack of evidence. Mags reminds him Jacob is already dead: “You can work all the hours God sends and you still won’t change that. Let it go” (115).
Ray texts Kate after Mags leaves. They are both working on the case together, but apart, despite no progress.
On a cool morning in August, Jenna struggles with her lock and takes Beau, the dog, outside. She relates that she is afraid to get close to him, despite his crying at night because he wants to sleep with her. She is busy these days, taking orders for postcards and pictures through her homemade website. Her new business is called Written in the Sand, and she goes out early to take her pictures before the beachgoers come.
As she is working, she sees a man who makes a familiar movement and thinks she knows him. She panics, and then he calls her name. It is Patrick Mathews. She apologizes for not recognizing him: “Patrick’s smile is warm, but I’ve been taken in by a warm smile once before” (121). She is reassured by Beau’s relaxed manner, and Patrick seems at home on the beach.
He asks about what she’s working on. She tells him that people send her messages they want written on the sand. She lays the words out, takes a picture of them and sends it to her customers. She says they are mostly love letters and marriage proposals, but it’s different every time. He is amazed by her job. He is there himself because he had to release a bird; after they are injured and rehabilitated, he brings them back to the same spot they were found so they have a better chance of survival.
He remembers her saying she is new to the area and asks where she lived before. Though she has a story prepared, his phone rings and he has to take it. He’s on call and must go.
Back at her cottage, Jenna continues her work and finds her box of memories. It is full of photographs, and she looks at one in which she is pregnant. She puts it away but feels full of sorrow. When Beau ignores her command to go downstairs, she screams at him, but he drops and crawls to her: “The fight leaves me as fast as it arrives” (126). She strokes him, crying.
After he gives Kate a big job, Ray asks her out for a drink after work—this is now a common occurrence, so they can work on Jacob’s case after hours. But lately, they are talking more about their personal lives rather than the case. It turns out they are both Bristol City fans, and he is now enjoying the time before he has to go home.
They talk about cases, including one involving a drug dealer’s girlfriend. There is a moment in which their eyes meet and he feels her skin on his, and it is awkward. They have found nothing new about Jacob’s case, but Ray is glad they keep working on it because now they feel they have done everything they could do. Kate says, “I guess you’re not the chief’s yes-man after all” (130).
She asks how things are at home, and Ray says it’s the same. Six weeks into the new school year, Tom is skipping classes. He and Mags met with teachers again, and Ray worried so much about missing the appointment that he worked from home. Ray doesn’t think the teachers are doing enough. The teacher, he says, believes Tom is “subversive” and a bad influence on the rest of the class. Kate wonders where Tom got that from; Ray teases her back. He offers to give her a lift home to Clifton.
Once there, Kate offers to let him up to see the place. He says he’d like that, so he follows her up to her top-floor apartment. They kiss.
After this year, Jenna’s grief has changed. Beau has helped her through her nightmares and now sleeps in her bed. They go to the beach so she can write. A man comes toward them, and she realizes again it is Patrick. “I can’t hide my smile, and although my heart is racing, it isn’t through fear” (135).
He asks if she’d like an apprentice. She is uncertain if he is making fun of her, but he wants to help. They joke about the meaning behind the messages her customers want, and he accidentally falls into the writing. He writes a message in the sand: “Drink?” (137). She agrees, but that evening Jenna is so anxious, she is shaking. She thinks back to less complicated times.
They meet at the caravan park and talk as they walk toward the Cross Oak, where Dave Bishop is the landlord. Everyone knows Patrick, and the conversation makes Jenna anxious again. Patrick introduces her to some others, saying that she has been building a business and hasn’t had time to meet many people. Patrick tells her many stories and local history tidbits, and tells her about his childhood. She is interested, because she can’t imagine having a close relationship with her parents: “Perhaps if my father had stayed, things might have been different” (141). Also, she is afraid the conversation will turn to her if she stops asking him questions.
He tells her to be careful swimming at the Penfach beach, because “the undercurrent is fierce” (142). In conversation, she reveals that she doesn’t get along with her mum because she threw her dad out when Jenna was fifteen, and she never saw her “amazing” father again. She also says she had a falling out with her mother, and then her mother died. She thinks now the evening will now get more awkward as Patrick learns more unsavory things about her. She tells Patrick she should be getting back home.
He says he will walk her home, but this sets off warning bells. She refuses his offer and runs home.
Ray awakens, wondering why he is feeling so much guilt. Then he remembers. Mags wakes slightly, so he tells her he is going in to work early, and she goes back to bed. He does paperwork and has lunch with Stumpy, but fights nausea all day. Kate joins them in the cafeteria just as Stumpy leaves him. He starts out: “About last night…” (148). Kate apologizes and admits embarrassment, then adds, “But it was just a kiss” (148). He thinks it will be all right; they are adults. They agree to forget about it.
They talk about Jacob’s case. Kate wants to know if they can do an anniversary appeal, now that it has almost been a year. He agrees it’s a good idea. Ray has trouble forgetting about the kiss, though.
Later, Kate comes into the office as Ray is talking with Olivia about the anniversary appeal. The chief shows some initial resistance and mentions that the chief inspector boards are coming up. If he’d rather focus on an old case, she says, maybe he shouldn’t take on the bigger job she was going to offer him. He says he can do both. Olivia agrees, but only to one article and a few roadside appeal banners, to be up for less than a week. He tells Kate; they banter a bit about politics and promotion.
He has already spoken to the Post about running the story; they will talk to the teacher at Jacob’s school instead of the mother. This is their last-ditch effort to solve the case, “but at least it was something” (153).
The theme of recovery is covered in depth in these chapters. Jenna says, “I am slowly beginning to think that perhaps I am not as useless as I once believed” (119). The process is sped along by her new Welsh friends, such as Bethan, but she still harbors an aversion to strangers caused by her previous experience of trusting someone who turned out to be villainous in many ways. About Patrick, she says, “Patrick’s smile is warm, but I’ve been taken in by a warm smile once before” (121). Such statements also illustrate the effects Jenna continues to feel regarding her domestic abuse experience.
One source of symbolism within the story is the presence of animals and children as creatures that both need care and provide a source of love and therapy for humans. Such feelings become a strong force for Jenna’s progress in these chapters while also highlighting the obstacles she must overcome in order to live a more normal life. In one scene, she indulges in thinking about her past when looking at a picture of herself, pregnant: “I thought it would be a new beginning for us” (125).
Patience on the part of Beau is a first, large step toward recovery. The once-discarded dog has figured her out, even when she overreacts to his not obeying her command to go downstairs. “I scream and I can’t stop, even though it’s not Beau I’m seeing, but the man who took my baby from me; the man who ended my life when he ended my son’s” (126). The dog drops to a submissive posture and comes to her; although readers may worry here that she will hurt Beau, she instead reacts by stroking him and crying. In a later chapter, she clearly knows how instrumental Beau is now to her recovery when she says, “I know now that I need Beau as much as he needs me. I’m the lucky one” (161). This scene leads to increased closeness between Jenna and Beau, who now openly confesses that Beau helps reassure her after her nightmares. Now, a year after the accident in which Jacob dies, her grief “has changed shape” (135), but in actuality her grief has actually lasted much longer than this implies, considering that she is truly mourning her own child, symbolized by Jacob—a boy she never knew.
But it is one step forward, two steps back for Jenna, who then agrees to a date with Patrick, only to shy away once he starts asking personal questions and then offers to walk her home. Such a casual statement from a man on a date might seem normal to most, but to Jenna it sets off warning bells that cause her to escape him as quickly as she can. “I don’t trust my instincts anymore—they’ve been wrong so many times before—and so the safest thing to do is to stay well away” (145). Once again this spotlights the effects of abuse.
Readers can note here that the quote above has a double meaning—while it could very well refer to someone who killed her son with a car (although nowhere has it been stated that the driver was assumed to be a man), to those who have figured out the twist, it actually refers to her husband, who hit her and killed her unborn child. Such double meanings in many of her statements are among the strategies that author Mackintosh uses to confuse readers prior to the twist.
In Bristol, meanwhile, the author develops Ray’s personality further as well as his connection to Kate over his family. Mackintosh also gives Mags, Ray’s wife, a bit more depth as she portrays Mags as being a good sport about Ray spending so much time at work; after all, she was once a police officer and understands both the rigors and the intimacies that develop in such workplaces. Ray’s unrepentant desire to keep working and to keep in touch with Kate, though, leads to his ignoring his wife in favor of doing good work: ”But he was in too deep now—he couldn’t stop even if he wanted to” (117). However, the increased closeness that such actions breed between him and Kate, while widening the divide between Ray and his wife, leads to a kiss between the two co-workers in Chapter 13. The aftermath of the kiss is more worrisome for married supervisor Ray than single (though dating) subordinate Kate. Readers thus see the effects of Ray’s priorities on the relationships within his family. Additionally, the exploration of another split-second decision begins here. That kiss was not just the result of a spontaneous action, but promises to presage others, as Ray and Kate continue to work together and have other opportunities to get closer.