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55 pages 1 hour read

Andre Dubus III

House of Sand and Fog

Fiction | Novel | Adult | Published in 1999

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Character Analysis

Massoud Behrani

Massoud Behrani is a retired Iranian air force colonel who, after the Iranian Revolution, was forced to flee his home country and live in America as an exile. In Iran he was considered “pooldar”—meaning he was a wealthy elite. Behrani is an incredibly proud man who is accustomed to commanding the utmost respect. Even though his inability to land a high-paying job in America forces him to work as a trash picker, he holds himself in higher esteem than his coworkers. This attitude makes him very comfortable demanding what he feels entitled to, including the house in Corona that the county mistakenly took from Kathy. His pride is a double-edged sword that allows him to endure the degrading nature of his work in America but also makes him unwilling to compromise, which escalates the conflict with Kathy that results in the death of his son.

At the same time, Behrani is extremely self-sacrificing when it comes to his family and their well-being. This devotion motivates the hard work he undertakes to make his family appear wealthy to attract the best possible match for his daughter. Similarly, his concern about his son’s education inspires him to risk his family’s savings by investing in the bungalow. Behrani does whatever he believes is in his family’s best interest, even if it means enduring humiliation or discomfort. Combined with his pride, this leads to several situations where he decides a course of action for his family without taking their desires into consideration. This is first apparent when he forces them to move from their expensive apartment, saying, “I am prepared to give all the orders necessary until we are out of that pooldar apartment” (33). It is this same impulse that leads Behrani to suffocate his wife, believing “it is only a small suffering she must endure before she is free to join [their] son” (336). This fluctuation between absolute familial devotion and overconfidence in the correctness of his actions is Behrani’s key trait and the root of much of the novel’s conflict.

Kathy Nicolo

Kathy is a recovering addict, whose primary addictions are cocaine and alcohol. At the start of the novel she is living in the Corona beach house that she inherited from her estranged father. She was recently abandoned by her husband Nick, following a series of disagreements in which Kathy asked him to have children. Although it is understated in the narrative, the depth of Kathy’s desire for children is apparent in her indulgent fantasies of becoming a stepmother to Lester’s children. Kathy is very aware of her recovery’s precariousness, and she maintains this awareness even as she breaks her sobriety and becomes disastrously entangled in the conflict over the house. Kathy is often her own harshest critic, which makes her feel powerless over her circumstances. This characteristic proves to be a self-fulfilling prophecy that pulls her deeper into emotional turmoil and personal ruin. This impulse is first signaled through her rejection of the Rational Recovery program, which teaches that “we’re not powerless, and thinking this just makes it easier to fail” (65). This approach leaves Kathy “cold,” and her rejection of RR’s model signals a broader reluctance to take control over anything that happens to her.

Lester Burdon

Lester is a deputy sheriff and field training officer for San Mateo County. He is married with two young children. He becomes infatuated with Kathy Nicolo, which leads him to leave his family and risk everything for a future with Kathy. Lester could be described as an idealist, although the ideals he aspires to are motivated by personal feelings that he finds shameful or embarrassing. Lester’s pursued police work to “not only clean up everybody else’s act, but to make the world safe again by doing so, to make it right once and for all” (235). His aspirations toward nobility and justice are tempered by deep-seated insecurity that people can see through his professional bluster and recognize him as a man “who has never been in a fight and come out ahead” (233). Lester’s need to prove his bravery sometimes leads to cruelty, to validate his authority to himself and others. This first manifests as minor escalations of policing situations, in which he finds “himself coming down harder on some arrestees than others” (232). This impulse toward cruelty in the service of justice culminates in Lester’s imprisonment of the Behranis and, ultimately, in Esmail Behrani’s death.

Lester is ruled by fear and regret. These two feelings work in tandem to control him, in many ways. This is exemplified in Lester’s feelings around the memory of his father leaving his family when Lester was young. This abandonment comes up several times in the narrative, first in the context of a fear that he will enact the same trauma on his own family that his father inflicted on him, having once vowed he “would take such good care of [his son] he’d never have to get […] desperate” (179). This fear calcifies into regret as Lester lies on his bunk in jail, imagining telling Carol and his children about his imprisonment. Even though Lester abhorred the very thought of abandoning his children, his decisions throughout the novel, which are almost all rooted in fear of one kind or another, tear him from their lives anyway.

Nadereh and Esmail Behrani

Nadereh (Nadi for short) is Massoud Behrani’s wife. Nadi is primarily characterized by her love for her children and her pity for those less fortunate than herself, which borders on a kind of superstition. Although naturally quiet and reserved, “[h]er confidence grew as an officer’s wife” (26), and she became accustomed to the high standard of living Massoud’s military career provided. After coming to America she fell into a severe depression that created a rift between herself and her husband, which only begins to improve after Massoud relocates the family to Corona. Nadi demonstrates tremendous empathy toward Kathy, saying she “could be the twin of our Soraya”—a sentiment that suggests the central conflict could be resolved without violence or malice. However, Massoud views his wife’s compassion as weakness and ignores her pleas to take pity on Kathy.

Massoud’s teenaged son Esmail loves video games and works a paper route to help support his family. Highly empathetic and considerate of others, Esmail is the novel’s most deeply innocent character, and Behrani mistakes Esmail’s soft nature for naivety. He is unselfishly devoted to his family, eventually acquiring a second paper route to make things easier for his father. Unlike Lester’s sense of justice, which is tied to his feelings of failure, Esmail has a strong moral core that shapes his underlying belief in fairness, even when it isn’t in his own self-interest. When he discovers that the house in Corona was taken from Kathy unfairly, Esmail questions his father’s decision to keep the bungalow: “we should return it, shouldn’t we? Why don’t we give it back to her?” (171). Esmail’s trusting nature is his downfall, as he is caught in the crossfire of the conflict between his father and Lester, whose respective decisions to escalate the situation lead to Esmail’s death.

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By Andre Dubus III