56 pages • 1 hour read
Elissa SussmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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In her article, Chani describes waking up hungover to a text from Gabe Parker checking on her. He invites her to his house party. There’s a heated pool and a game called Running Pyramid. She gets drunk and falls asleep in Gabe’s dog bed, and he carries her to the guest room. When she wakes up, she finds the party over and Gabe watching Star Trek. They watch a few episodes before they go back to bed, him in his bedroom, Chani in the guest room.
Chani wakes up the night after dancing to find Gabe texting her repeatedly. He invites her to his house party and says she can bring her tape recorder. That reminds her that this is all about the interview. She is nervous when she arrives and feels alone at the party, but the dog greets her with enthusiasm, and Gabe acts happy to see her. She notices that he’s been drinking.
A gossip column talks about a photo of Gabe on the red carpet with his mother and how he refuses to discuss his father. The article reveals that Gabe’s father died of a brain tumor when Gabe was 10.
Chani sits alone at Gabe’s party eating jellybeans. Gabe divides the party into teams for a game and makes sure Chani is on his team. She can tell he’s drunk.
They all write down a list of 10 items. Chani doesn’t know what to do, so Oliver writes her list. She realizes the game is to read a name off the list, then make the team members guess the name by offering clues. Once Chani gets the hang of it, she and Gabe make a great team, emphasizing their intangible connection and interest in each other as people.
Chani describes her perfect day. She would be walking a street in a small town wearing a cozy jacket. The street is decorated with twinkly lights. She walks into a bookstore and sees a cart of hot cider near the door with a sign that says “help yourself.” She’ll wander the bookstore and see a shelf with her books, and the staff will ask her to sign them.
Chani wakes up in Gabe’s bed, fully clothed and alone. She remembers the game and lying down in the dog bed by the puppy. She remembers Gabe carrying her to his bed. The house is quiet, and she’s embarrassed; she’s living up to the stereotype about female reporters who behave inappropriately with their interview subjects. She finds Gabe watching TV. He invites her to watch Star Trek with him. He tells her about his dad and how he doesn’t talk about him because he doesn’t want to share that memory with the public. He doesn’t want his dad to turn into a talking point about Gabe Parker’s life. Gabe says that for him, he feels fulfilled by acting when he can give something to others. In front of the camera, he knows who he is.
Gabe has a copy of the literary journal that published Chani’s short story. He likes the dragons in it. The piece is a peek into her mind, and she’s embarrassed. Gabe puts a hand on her knee, and though she is startled, Chani kisses him. They lie on the couch. Chani doesn’t want to be “just another starstruck fangirl who slept with her favorite movie star” (245) but kissing Gabe is amazing. He calls her “baby,” and Chani wonders if he forgot her name. She tells him to stop. They untangle, and Chani wonders why she didn’t go through with having sex with him. It’s not journalistic integrity that stopped her. They go to separate rooms for the night.
A critical review of the third Bond film notes the rift between actor and director and says it’s hard to believe this is the same man in rehab a few months later, heavy and bearded. It’s come to light that Oliver Matthias was offered the part and the offer was rescinded when the team learned he was gay.
Chani wakes in Gabe’s guest room and remembers that he’d smelled the whiskey on her breath and hadn’t kissed her. She admits that she is attracted to Gabe and realizes he is attracted to her, but she also admits she’s terrified of what might be beginning. He says he’s taking her out and as she pulls on boots, she sees the issue of Broad Sheets with the article. He explains that he’d forgotten, on Sunday, that she was writing an article about him. He’d thought that night had been just the two of them, not journalist and subject. He says she’s a good writer but he felt angry that she shared their time together with the world. He says he only half-remembers going to Vegas, and that he wanted to prove something. He made a deal with Jacinda to get married to help both of their careers. It had felt easier to be with someone who understands what it means to be famous. Chani apologizes that she hurt him.
Reviews of Chani’s second book are mostly flattering, but a Goodreads reviewer wants to know what really happened with Gabe Parker that weekend.
Gabe takes Chani out to show her Cooper, Montana. He tells her he bought the house in LA because he doesn’t want to live in a small town where everyone knows him all the time. Gabe shows Chani the theater he’s just bought. Chani thinks it’s perfect.
Gabe, out of rehab for the second time, says he doesn’t regret what he did because it pushed him to get help. He’s nearly 40 and not sure if he’ll ever have work again.
Chani and Gabe picnic on the stage of the theater. He asks about her writing, and she admits she’d like to try writing fiction but knows her agent and editor want her to keep doing what they know sells. Chani admits it’s scary to try something new. She recalls the night she and Jeremy were at a party when the host approached Chani, saying she was a fan of Chani’s work. Jeremy was struggling to finish his second novel and had been feeling resentful of Chani, saying she could just “churn out words” while his writing is “carefully crafted” (271). The host said Chani’s piece on Gabe Parker was her favorite celebrity profile ever, and Jeremy said everyone knows Chani slept with him. Chani was mortified, the host was embarrassed, and Chani knew her marriage was over. Jeremy apologized, but Chani knew he had meant what he said.
A review notes that the new Philadelphia Story updates the storyline and nails the casting. Parker as C. K. Dexter Haven is “droll, debonair, and pitch-perfect,” and he steals the show (274).
Gabe takes Chani to the bookstore, and his mother welcomes her. There’s a beverage cart with hot cider and a sign that says “help yourself.” There’s a bookshelf of staff recommendations, and Gabe wrote a note recommending Chani’s books. He says sometimes he fulfills the online orders and Chani guesses he knows how often she orders from this store. She agrees to sign the books, and Gabe reminds her she’s a great writer. She signs the book, but can still hear Jeremy’s voice in her head saying she only has a career because of the profile on Gabe and because everyone assumes she slept with him. Even now, sitting in a bookstore Gabe bought, signing books he’s promoting, she feels like she’s relying on him for her career. Chani meets Gabe’s sister, Lauren, and her daughter, Lena. Lauren’s husband died a few years previously and it’s been difficult for the family. They have a family dinner that ends in tension when Lena withdraws.
Chani reflects on her marriage and the routines they established. She mentions how her husband would sometimes work things she told him into his fiction. She thinks their marriage was simply founded on unsteady ground.
As they drive back to Gabe’s apartment, Chani asks him about the call he made to her the night before he entered rehab. He’d been very drunk and feeling sorry for himself, as it was right after he stormed off the set of Bond. He asked her to call him back. Chani tells him she did call back the next morning, and Jacinda answered his phone. She told Chani not to call again, but called her Tracy. Gabe admits that, all those years ago, he entered her in his phone as Tracy Lord, the female lead from The Philadelphia Story. They laugh and Chani feels like all of her questions have been answered, the last of her resentment laid to rest.
An interview with Chani about her debut collection, Tell Me Something I Don’t Know, mentions how her profile of Gabe Parker went viral. The interviewer asks about it, and she says, “Nothing happened. […] Don’t I wish, though?” (299).
Chani and Gabe go back to his apartment and have sex, and she realizes she is in love with him.
A gossip magazine reports that Chani and Gabe met for lunch. Their representatives confirm that she is writing a follow-up to the famous article from 10 years ago. The reporter says fans still want to know what happened that night.
In terms of dramatic structure, this part of the novel moves both storylines toward the climax, the point of highest intensity—in this case the moment the romantic leads finally declare their love and embrace their undeniable connection. In the early storyline, Gabe invites Chani further into his life when he invites her to his home and then puts her in his bed (While she puts herself into the dog bed, he takes her to his bedroom). The late-night discussion they share in private, on his couch, brings them closer. Gabe shows his interest in Chani by revealing that he’s read her short story and through it understands how her mind works. He demonstrates trust in her through his vulnerability, sharing private parts of himself—how he feels about acting and how he wants to keep the story of his relationship with his dad out of the press. He doesn’t want to have the most precious parts of his life open for public discussion and debate, but he shares them with Chani.
Structurally, Sussman builds toward the climax in the present by revisiting Chani and Gabe’s previous, interrupted sexual encounter in the past, completing the circle of the second-chance-romance trope in which the romantic leads have completed their own journeys, moved through different Versions of Romantic Attachment, and resolved the problems that kept them apart the first time. Their first encounter on the couch in Gabe’s Laurel Canyon home sees them crossing the line of reporter and interview subject and entering into more intimate territory. However, the connection isn’t realized because Chani isn’t convinced Gabe is truly attracted to her, despite his confessions. Her insecurities still have a tight hold on her—as indicated by her concern that a literary short story shouldn’t have dragons in it. Within this structure, the interrupted sexual experience signals that Chani and Gabe will continue to experience acute longing for each other, even after they’ve both moved on to other partners.
In the present, each of the factors that previously kept them apart become instead points of connection. Chani gains a new perspective on their original encounter when Gabe explains that he was hurt that she wrote about their time on the couch, even if she didn’t reveal the whole story. He felt that the time they shared was private and didn’t expect her to expose it. This confession allows Chani to see Gabe as a person with feelings, not simply someone defined by his celebrity.
The love story advances in the present moment as Gabe woos Chani by bringing her deeper into his life and sharing his “real” self—his Montana self—with her. He shows her the theater he bought with Oliver, which he is hoping will allow him to continue acting in case his Hollywood career is over. The theater provides the stage where Chani reckons with her own public image and the public assumption that she slept with Gabe on that weekend 10 years ago. Even her own husband believed the gossip, instead of believing her, and that betrayal is what, for Chani, ended their marriage.
Gabe, in contrast to Jeremey, supports Chani’s writing and encourages her to write fiction if that’s what she wants. He goes on to stage the perfect day she wrote about in her blog by taking her to his mother’s bookstore, where there is hot cider for free, and asking her to sign her books, which he has prominently displayed as a recommended title. While Chani enjoys this, the moment stirs her doubts about whether her career is due to her own writing ability or simply because of people’s interest in Gabe. The family dinner is similarly fraught as Chani isn’t quite accepted since Gabe’s sister and niece have their own issues they are dealing with.
The motif of The Philadelphia Story catalyzes the novel’s climax. Sussman prefaces the climactic moment of connection between Chani and Gabe with an excerpt from a movie review of Gabe’s remake of the classic film, drawing a direct comparison between Chani and Gabe and the characters in the movie. The review notes that Gabe nailed the part of C. K. Dexter Haven, the smooth, attractive ex-husband who has overcome his alcohol addiction and returns to woo the woman he still loves, foreshadowing Gabe and Chani’s own happy ending. In the present, when Chani learns that Gabe programmed her into his phone at Tracy Lord, the movie’s main character, she realizes that Gabe—this Gabe here in the present—is her C. K. Dexter Haven: now-sober, still insanely attractive, and somehow still in love with her. Looking at this Gabe, Chani is finally able to let down her last defenses, and their satisfying sexual encounter demonstrates that they’ve resolved the problems of the past. Chani’s sense that Montana feels like home to her is further evidence that her true home is with Gabe. The dog, Teddy, who adores Chani, is further confirmation of their bond.
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