53 pages • 1 hour read
Neal ShustermanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Alexandra “Allie” Johnson, one of the novel’s primary protagonists, is 14 years old and has blond hair. She lives in Cape May, New Jersey, and has a father, a mother, and one sister. When she dies in the car accident with Nick, she doesn’t know what happens to her father, but she knows that her mom and sister are safe, as they stayed home. Allie knows that she is not unattractive, but she does not consider herself to be beautiful. However, she is very smart and intuitive and views situations practically and rationally. Allie’s pragmatic mind makes it difficult for her to adjust to Everlost, but her goal-oriented nature helps her rescue her friends against seemingly insurmountable odds. Allie can also be very blunt in her communications, but she doesn’t intentionally try to offend others. She just calls things as she sees them. Finally, Allie has a strong will, allowing her to skinjack: to take control of a living person’s mind and body because she can overcome their resistance to her intrusion.
As a protagonist, one of Allie’s main roles in the novel is to challenge Mary’s authority and power. She does so almost immediately upon meeting Mary by asking numerous questions about both the information and the omissions in Mary’s writings about Everlost. By challenging Mary’s authority, Allie creates tension right from the start and demonstrates that there is more to Everlost than Mary wants the Afterlights to know. Allie’s drive to find the truth thus serves the practical purpose of driving the plot forward, and this dynamic is also apparent throughout Allie’s battle of wills against the McGill. Demonstrating her practicality and shrewdness, she uses what she knows about him to manipulate him into a false but lengthy process of learning to skinjack, attempting to buy enough time to rescue her friends and her brother. However, in the process, she comes to care for the McGill and he for her. This shows that Allie has clear focus and purpose, yet she can’t always predict what will happen no matter how much she plans and prepares. So, while Allie starts the novel very rigidly as she orients herself to her new life, she learns to become more flexible and to allow others to influence her goals.
Nick is another 14-year-old protagonist in the novel. He is half-Japanese—his father is Japanese, his mother is white—and has reddish-brown hair and brown eyes. Nick’s father was an alcoholic who found God and became a better man. Nick’s mother, on the other hand, prefers alternative visions of Death and the Afterlife, such as the concept of reincarnation. Because of his parents’ diverse religious beliefs, Nick feels he falls somewhere between them. While riding in the car just before the fateful accident, Nick eats a half-melted chocolate bar that, due to his siblings’ shenanigans, ends up coating his mouth—permanently, as it turns out. Thus, the chocolate on Nick’s face represents the last time he was with his siblings before his death and exemplifies the typical behavior often associated with siblings.
Initially, Nick serves as a foil to Allie when they arrive in Everlost, for while Allie is pragmatic and immediately seeks to solve problems, Nick is much more gloomy and pessimistic and less concerned with trying to understand how Everlost works. Over time, however, Nick makes some significant changes to his character. He begins his transformation during his time in the pickle barrel, for although his friend Lief is resigned to his situation, Nick becomes angry with Allie for leaving him there. In time, Nick realizes that he worries too much and wills himself to become fearless. The other pivotal moment of Nick’s change occurs when he’s hanging upside down in the chiming chamber on the Sulphur Queen. As during his time in the barrel, he reflects upon his situation and resolves to stop being a follower and become a leader: proactive instead of passive. Nick demonstrates this change by using the other imprisoned Afterlights to help him get through the grate at the top of the chamber. Nick’s newfound courage and boldness lead him to discover the purpose of coins and allow him to free numerous souls from Afterlight. Thus, he proves himself a dynamic character by changing and becoming more assertive.
Lief is a dynamic secondary protagonist who plays a significant role in helping Nick and Allie navigate Everlost. He is 11 years old, has a lot of freckles across his face, and wears old-fashioned clothes, implying that he has spent a great deal of time in this half-existence. Despite being stuck in an Everlost forest for over 100 years, Lief is happy, optimistic, and kind, and he has learned much from his own experience instead of from the misinformation in Mary’s books. Lief stays in the Dead Forest because the entire area is solid and prevents him from sinking. Despite his happy nature, Lief is also lonely and has seen numerous Afterlights walk through his forest as they move on to other places. This explains why he becomes upset when he knows Allie and Nick intend to leave. Lief has been alone for so long that he wants friends and company. He wants them so badly, in fact, that he ultimately leaves his forest and follows Nick and Allie. This is a significant choice for Lief, as the forest is all he remembers of Everlost, and he feels safe and secure there. Thus, he demonstrates genuine kindness and friendship when he shows he’s willing to give up safety and security for the sake of his friends.
Lief’s ability to leave Everlost so quickly also reflects the peace, serenity, and patience that he has found during his time in Everlost. This odd equanimity with his surroundings is most powerfully demonstrated by his lack of concern at being trapped in a pickle barrel, for once there, Lief simply accepts his new reality and waits for whatever comes next. When the McGill’s pirates trap Lief on the Sulphur Queen, he likewise makes peace with his situation and is content merely to exist. Thus, Lief symbolizes the purpose of Everlost, which is to prepare Afterlights for the afterlife. When Lief takes the coin from Nick and almost immediately goes into the light, he demonstrates his readiness to move on and reminds readers that Everlost is merely a stopping point on the larger journey to a final, unknown destination.
Mary Hightower is 15 and wears an emerald green velvet dress with lace cuffs and a tight lace collar. She sees herself as a mother figure to hundreds of Afterlights in New York and wants to extend her reach to other cities. Mary is beautiful, elegant, and graceful, and she controls her emotions except when she talks to Allie, who is the first Afterlight to challenge her authority. Mary has been in Everlost for over 100 years and sees herself as “the very first who dared to ascend” (36). With this idea firmly in place as her own “origin story,” Mary feels she is a natural leader to the Afterlights simply because she chose to climb and live in one of the Twin Towers. She then fills the Towers with the Afterlights who follow her, building her own world where she is in control and has all the power. Mary justifies that power by writing numerous books about Everlost under the guise of teaching and helping Afterlights. However, she intentionally distorts or omits information to manipulate the Afterlights into trusting her and not discovering that they have the innate power to leave Everlost whenever they choose.
Mary Hightower’s real name is Megan McGill, and she is Mikey McGill’s sister. Together, they constitute the two antagonists in the story. Mary is the primary antagonist because Mikey ultimately changes his behavior and redeems himself, but Mary does not and continues to hold Afterlights in Everlost. Ironically, she shows genuine care and concern for her Afterlights who go astray and can sometimes seem patient and kind, and this kind side of her character makes it difficult to see her as genuinely evil. While she keeps Afterlights in Everlost and hides the truth from them, she appears to do so out of concern for them. However, Mary’s own inability to move into the afterlife makes her want to protect others from doing the same, which hurts them more than helps them. Thus, Mary is misguided in her assumptions about Everlost being a final destination, and she allows these assumptions and her own weaknesses to hold many others back from their own spiritual paths.
The McGill is actually 14-year-old Mikey McGill, Mary Hightower’s brother. When Mikey came to Everlost with Mary after a train accident, he saw his family moving on in the living world without him and immediately sank to the middle of the Earth. The trauma of seeing his father with a new family gives Mikey the power to escape the center of the Earth by imagining himself as a monster, yet when he surfaces, instead of changing back to his boy form, Mikey stays a grotesque monster and changes his name to the McGill. From that point, the McGill only cares about his reputation and collecting Afterlights to fulfill the words of a fortune: that he can exchange 1,000 Afterlights in order to return to the living world.
The McGill captains the Sulphur Queen, which he has converted into a pirate ship. His skin is lobster red and pockmarked, and he has a tuft of spidery hair atop his head. The McGill also has a chin resembling a potato and claws instead of hands with three talons at the end. One of his eyes is the size of a grapefruit with large, squiggly veins, and the other eye is normal-looking but hangs from its socket; both eyes rarely look in the same direction. The McGill’s repulsive appearance is a conscious choice, and he constantly tries to find new ways to become even more grotesque. The fact that Allie doesn’t seem afraid of him bothers the McGill, as he cares about his reputation and wants others to fear him. The fact that Allie doesn’t fear him helps the McGill to initiate the change that eventually allows him to return to his human form and renounce his role as the most notorious monster in Everlost.
The McGill is the novel’s secondary antagonist, and he serves as a foil to his sister. Like Mary, the McGill hordes information and trinkets, knowing that these items give him power over others. Unlike Mary, the McGill learns from his experience and eventually changes back into his human form. The biggest demonstration of the McGill’s transformation is when he forgives Allie for deceiving him and rides away with her at the novel’s conclusion. This forgiveness demonstrates that the McGill has changed for the better, is willing to move on from his evil ways, and now cares about others more than himself. Further, Mikey’s monster form symbolizes the trauma of his death and seeing his father’s new family, yet once he heals from that trauma, he can return to his human form and cease being an antagonist. Although Mary also has the opportunity to move on as Mikey does, she doesn’t take it. Thus, she remains the novel’s primary antagonist, whereas Mikey will be a protagonist for the remainder of the trilogy.
By Neal Shusterman