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58 pages 1 hour read

Ashley Herring Blake

Delilah Green Doesn't Care

Fiction | Novel | Adult | Published in 2022

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary

Delilah Green wakes up in an unfamiliar apartment in New York City. She cannot remember the name of the woman in bed next to her, who also purchased one of her photographs after a gallery showing. Delilah is annoyed that she is being called by her estranged stepsister, Astrid Parker, who she has been ignoring for weeks. Delilah puts on a robe, reminding herself that “she ha[s] to prepare to talk to Astrid, like a boxer heading into a match. Gloves on, mouth guard in” (4).

The two exchange barbed greetings, and Delilah reflects that she has rarely returned to her hometown of Bright Falls, Oregon, where Astrid still lives. Delilah left for New York at 18, returning only sporadically. Astrid reminds Delilah that she is supposed to photograph her upcoming wedding. Delilah knows that she needs the money offered for the job. When she senses Delilah’s hesitation, Astrid reminds her that Astrid’s mother, Isabel, would be furious “if [she’s] about to cancel on her only daughter’s wedding on such short notice” (8). This hurts Delilah’s feelings, and Astrid seems regretful. Delilah’s father was only married to Isabel for two years before his untimely death from an aneurysm, and Isabel raised Delilah with little affection. Delilah reluctantly tells Astrid that she will come for the entire two weeks of wedding events, though she won’t be pleasant while there.

Chapter 2 Summary

This chapter opens in Bright Falls from Claire Sutherland’s point of view, as the perspectives will alternate between her and Delilah. Claire and her best friend, Iris Kelly, are waiting for Astrid to join them for drinks at a bar called Stella’s.

Claire is a single parent to her 11-year-old daughter, Ruby, and her ex-boyfriend, Josh Foster, has recently returned to Bright Falls. Josh’s history of inconsistent parenting makes leaving Ruby with him concerning. Josh and Claire separated when Ruby was a toddler, and Claire’s last attempt at dating ended in disaster when the woman balked at meeting Ruby.

Iris is dismayed when Claire tells her that it has been months since her last date and even longer since her last relationship. When Claire admits that she would welcome meeting someone new, Iris makes a dramatic announcement about Claire’s single status to the entire bar. Iris pushes Claire to at least get a phone number before Astrid’s upcoming wedding takes up their remaining free time. Iris and Claire are increasingly concerned that Spencer, Astrid’s fiancé, is controlling and arrogant.

Claire approaches the main bar and catches sight of a person with dark, curly hair and sleeve tattoos placing a drink order. Iris tells her, “You have a type, and that person is it, all broody and mysterious” (24).

Chapter 3 Summary

Delilah enters the same bar in Bright Falls. She struggles with memories of her lonely upbringing. A male bartender begins flirting with her just before a woman comes up next to her. Delilah is immediately struck by her “deep brown eyes, long lashes, high cheekbones, and a fire-engine-red mouth” (27). She recognizes Claire immediately—she has been attracted to her since adolescence and still finds her compelling. She soon realizes that Claire has no idea who she is.

Because of Delilah’s estrangement from Astrid, she avoided Iris and Claire as well. Claire says hello, obviously interested, and Delilah is delighted at the sign that she has the upper hand despite her childhood as “the ghoul of Wisteria House” (31). She gives in to the temptation to continue flirting, in part because she knows Astrid would resent it.

Delilah and Claire banter, and Claire worries that she is wasting her time pursuing a heterosexual woman. However, Delilah tells her, “I’m very, very queer” (33). Before Delilah can resolve when to disclose her identity, she hears Astrid’s voice. Claire, still oblivious, tells Delilah that Astrid is getting married soon to “a total douche” (34). Astrid speaks up again, breaking off a complaint about Delilah when she catches sight of her. Delilah sarcastically greets Astrid.

Chapter 4 Summary

Claire finds herself stunned into silence as Delilah antagonizes Astrid, pretending not to know the start time for tomorrow’s pre-wedding brunch. Delilah leaves, catching Claire’s eye as she goes.

Iris tries to ask Claire if she has Delilah’s number, but Claire quickly changes the subject. Astrid is angry at Delilah and herself for asking her to come. Claire considers internally if she and Astrid couldn’t understand Delilah’s grief or introversion as children. As a parent herself now, Claire wonders if more caregiving would have made a difference for both Delilah and Astrid.

Astrid leaves to meet Spencer. Claire decides that she should check on Ruby. Iris admits that she and her boyfriend, Grant, are in conflict because he refuses to accept her lack of interest in marriage or becoming a parent.

When Claire arrives at his apartment, Josh is clearly unhappy at the intrusion, while she is on edge to realize that her daughter is up past her usual bedtime and the oven is still on. Ruby is instantly angry when Claire suggests going to bed, resentful of any intrusion on her rare time with her father. Claire fights her resentment about being the only parent who enforces boundaries. Claire tries to hurry out of the apartment, worried that she will let her stress and anxiety tempt her into having sex with Josh, as has happened before. Josh tells Claire that he is committing to responsible parenting. That night, her thoughts are of Delilah.

Chapter 5 Summary

Delilah wakes up at the local inn, full of existential dread at seeing her judgmental and frosty stepmother. Delilah opens her email, hoping a focus on her work will improve her mood. Delilah knows that her focus on subjects that are “queer, feminist, angry, and beautiful” are more popular with her Instagram followers than with agents she has queried (54). She receives an e-mail invitation to submit a late entry into a queer photography exhibition at New York’s Whitney Museum of American Art. The woman Delilah slept with before leaving, Lorelei, showed the piece she purchased to a curator there, leading to the offer to replace another artist. Delilah accepts with alacrity, though she will have only days to prepare due to Astrid’s wedding.

Delilah’s thoughts are interrupted as her room door opens—Astrid has procured a key and let herself in. They briefly bond over the room’s absurd decor, but Astrid soon pushes Delilah to get dressed, afraid that they will be late. Delilah complies but chooses a revealing tank top that shows her tattoos and bust.

Delilah pointedly declares, “Claire’s looking well” (62). Astrid is angry at the innuendo, telling Delilah that Claire would never reciprocate her interest. Delilah resents the implication that she is noncommittal or a perpetual outsider, reflecting on how Astrid does not know about her last serious relationship, which ended due to her partner’s infidelity. Spurred on by her anger, Delilah says, “I bet I can get Claire to realize I’m exactly her type by the wedding” (65). Astrid asserts that Claire would never betray her. The two leave for the brunch.

At the elegant tearoom, Delilah takes in the opulence and endless crystal and linens. Isabel initially ignores Delilah, critiquing Astrid for almost arriving late. Delilah is deeply anxious as Isabel takes her in, subtly criticizing her outfit and her tattoos. The vines on her arms are wisteria, her father’s favorite flower and the name he gave the family home. Delilah intentionally shows her revealing outfit in Isabel’s view and takes a flute of champagne from a table. As she begins to take pictures, she catches sight of Astrid, Iris, and Claire. Claire is beautifully dressed but obviously upset. Delilah catches Claire looking at her, newly confident that she will win her bet.

Chapter 6 Summary

Claire is furious with Josh for being late and dreading negotiations with Ruby over the dress Astrid chose for her. Josh arrives, unapologetic for his tardiness. Ruby whines about the dress, distressing Claire further. Delilah interrupts and introduces herself as the “wicked stepsister” (76). Ruby shows Delilah the dress, and Delilah validates her dislike and takes her to the bathroom to alter the dress.

Despite Claire’s concern, she admits to herself that Delilah has provided a priceless reprieve from her current stress. Ruby emerges overjoyed, with the dress shorter and its sleeves removed. Astrid is shocked, while Claire praises her daughter’s style. She privately thanks Delilah, who snaps a picture of them in response.

Chapter 7 Summary

Delilah is surveying the photo she has just taken. She feels vindicated, as the photo indicates that “Astrid was dead wrong—Claire [i]s intrigued, at the very least” (82). She identified with Ruby’s plight, suddenly drawn into her own memories of arguing with Isabel over clothing. Astrid takes Delilah’s alterations of the dress as a personal slight.

Delilah tries to focus on her work but is soon flooded with memories of Isabel’s society events, where she was an object of pity at best. She takes another champagne flute and surreptitiously knocks over the entire tower, bringing the brunch to an abrupt end. Delilah flees the scene. She goes for a walk that evening, assuming that she will wind up at the bar, but she stops when she sees Claire inside the bookstore she owns, River Wild. Delilah has fond memories of the space, a frequent escape for her during childhood when it was owned by Claire’s grandmother. Delilah enters.

She compliments Claire’s changes to the store and asks about her mother. Claire says that she will attend the wedding, which brings up Spencer again. Claire reiterates her dislike of him and then pointedly scolds Delilah for acting as if they were strangers at the bar. Delilah responds that she only wanted the conversation to continue. They are both clearly interested in one another.

Claire thanks Delilah again for her kindness to Ruby. Delilah points out that Ruby seemed more in need of someone taking her distress seriously than the alterations. Claire admits that she often wants to remove stress from Ruby’s life at any cost.

Ruby enters, greets Delilah enthusiastically, and surveys her tattoos. Delilah asks which is her favorite, and Ruby points out a literal depiction of the metaphor “storm in a teacup” with a cloud over a china cup and saucer (96). Claire compliments it as well. They part ways on the sidewalk, but Claire seems hesitant to go, asking if she will see Delilah at Wisteria House tomorrow. Delilah acquiesces, pleased at Claire’s continuing attention.

Chapter 8 Summary

The next day, Delilah takes in her imposing childhood home, thinking of her childhood. Her hope that Isabel would care for her never materialized, and she feels a “low simmering panic just under each breath” (100). Claire arrives with Iris and Grant. Delilah’s anxiety is soon replaced by attraction at the sight of Claire in a flattering vintage dress. Delilah compliments Claire and lets Iris and Grant go in ahead of her. Claire notices her ambivalence and offers to go in with her. Delilah accepts, distracted from her dread, as she realizes that this will upset Astrid.

Delilah taunts Astrid by asking about another champagne display but soon focuses on her work. A handsome blond man arrives; Astrid introduces him as Spencer. He rudely points out that he never anticipated that he and Delilah would meet. He demands that Astrid bring him champagne. Delilah notices Spencer surreptitiously eye Claire’s cleavage. Once Delilah and Claire are alone, they discuss how unpleasant he is. Claire hopes that the wedding will not happen, but she struggles to raise the topic with Astrid.

Delilah notices Claire’s deep distress on Astrid’s behalf. Astrid returns with their drinks, asking after Spencer. Delilah says, “Hopefully taking a flying leap off the dock into the river,” but she is startled when Astrid looks genuinely “crestfallen” at her distaste (108). Astrid urges them further into the house, but Delilah hesitates. Claire surprises her by staying with her again in silent support.

Chapter 9 Summary

After holding Delilah’s arm for some time, Claire steps away, admiring to herself, “It was fascinating to see this bold, brash woman look like a deer wandering the woods” (111). Iris scolds Claire for leaving her alone with the wealthy society elites who surround them, and Claire remembers how Astrid grew up in luxury surrounded by Isabel’s demands. Iris points out that soon they will escape on a girls’ trip to a nearby vineyard. She then criticizes Delilah’s attitude, but Claire notices that Delilah still seems uncomfortable. Iris reluctantly admits that she is being overly critical but reminds Claire that Delilah has never cared about Astrid. Claire agrees but still keeps track of Delilah.

The ensuing dinner party soon turns awkward when Spencer tells everyone that he and Astrid will have three children soon after they move to Seattle. Iris and Claire know that Astrid has never wanted to leave Bright Falls and particularly hates the city. Claire finally declares to Iris, “We can’t let her marry him” (116). Iris agrees but is doubtful that an intervention would succeed.

Astrid summons them all to the property’s dock adjacent to the Bright River. Spencer demands that Astrid personally bring him insect repellent, slapping her on the backside as she leaves. Iris and Claire each try to take Astrid aside to talk, but Astrid claims that she is fine with eventually moving to Seattle. Claire begins to suspect that Astrid has deliberately avoided having anyone she truly cares for get to know Spencer.

Delilah interrupts the conversation by handing Claire her phone and camera. She goes out on the dock with Spencer to chat. Mid-conversation, she suddenly loses her balance, pulling Spencer into the water with her. Claire suspects that Delilah’s slip was deliberate but says nothing. Astrid stomps off, and Claire and Iris find themselves admiring Delilah’s daring.

Chapter 10 Summary

Delilah arrives for her overnight stay with Astrid, Iris, and Claire at the Blue Lily Vineyard and Spa. Astrid is upset once again at a customer service agent at the hotel telling her that there is no room reserved for Delilah. Delilah finds herself frustrated because Astrid has once more overlooked her. Claire offers to share her room with Delilah, breaking the tension. Astrid resists this, but Delilah feels triumphant, thinking of her bet. Delilah admits to herself, though, that her motives are more than that, as “Claire [i]s fun, sweet, and sexy as hell” (126). Delilah is still touched by Claire’s kindness at Wisteria House, which contrasts with her life there as a child.

Chapters 1-10 Analysis

The work’s opening chapters introduce the characters and their complex emotional histories. Delilah at first seems like an unlikely candidate for a romantic heroine, cheerfully pursuing casual sex with a stranger and disinterested in lasting attachment. Claire, too, is jaded and cynical, doubtful of her own ability to attract partners as a single parent. Before the two ever meet as adults, Herring Blake establishes that they are each weighed down by their pasts and dreading Astrid’s impending wedding for their own reasons. This introduces the theme of Facing and Reconciling With Family, as Claire’s fraught connection to Josh is a source of insecurity for her just as Isabel and Astrid are for Delilah. Exploring their stories before they meet allows for both Delilah and Claire to emerge as defined individuals with their own anxieties and temperaments.

Some of Herring Blake’s departures from form reflect that the novel’s key themes involve both the value of romantic love and the complex nature of family bonds. Delilah’s fraught history with Astrid is introduced well before Claire appears on the page, underlining that Delilah’s upcoming trip to Oregon will involve more than just a romantic relationship. Ruby and Josh are clearly formative bonds for Claire, if more defined than Delilah’s connections to the Parker-Greens.

The bar scene is a unique twist in the common romance trope of the “meet-cute.” In many cases, the two protagonists are each strangers to each other, while Delilah recognizes Claire instantly and pretends not to. This shows that at this stage in the narrative, the two are not equally invested. Delilah is drawn to Claire but sees her more as a way to further her desire for control in the face of Astrid’s demands. Claire’s attraction is reassuringly undimmed by the revelation of Delilah’s identity. Their first meeting also demonstrates the role of identity in their romance; Delilah comes out to Claire flirtatiously and faces unwanted attention from a man before Claire approaches her. Herring Blake thus uses her take on the trope to establish how it functions differently outside of a heterosexual framework.

Point of view is also critical at this stage in the narrative, especially in the established romance trend of alternating chapters between romantic leads. Delilah’s point of view reveals the vulnerability under her cutting remarks and outward disdain. Delilah’s bet with Astrid does not reflect well on her as a character, but Herring Blake is careful to establish that her desire to win the bet is based in a misdirected drive to prove herself, not malice. Delilah’s confidence in her artistic vision contrasts with her insecurities around Astrid and Isabel. Despite her difficult history, Delilah is confident in her identity and view of the world, seeing the Whitney show as vindication. Her interest in photographing Claire hints that her art will serve as a connection point between them.

Claire’s perspective establishes that Astrid’s wedding is likely to prove more complicated than Delilah knows, given the doubts she and Iris have about the groom. Claire also helps establish that the tension between Astrid and Delilah was formative for them both and develops new sympathy for Delilah. The wedding brunch and the introduction of Isabel help establish the depths of Delilah’s trauma and make her outrageous behavior more explicable. Claire and Ruby’s bond also provides a key contrast. Their alienation from one another is temporary, as Claire’s concern for Ruby’s happiness and contentment outweighs her desire to please Astrid. Ruby’s admiration for Delilah introduces the theme of Creativity and Self-Discovery. Delilah uses her talents to support Ruby’s view of herself and is kind and supportive of Ruby’s interest in her tattoos. This underlines that the connection between Claire and Delilah is rooted in far more than a vengeance scheme, as Delilah is sincere and open with Ruby and respects Claire as a parent. Astrid cannot see that Delilah is acting out of real care, showing that Delilah is mostly correct that her stepsister does not truly understand or value her personality.

At the Wisteria House dinner, Claire notices Delilah’s vulnerabilities, aware that Delilah’s bravado is partly a disguise for her grief and pain. This introduces the theme of Love as Security and Healing, as it presents Claire’s emotional authenticity as a real respite for Delilah’s anxiety. Delilah recognizes Claire’s sincere devotion to Astrid, suggesting that she envies her emotional security. Iris is equally dismayed by Astrid’s situation with Spencer, and Astrid herself appears more vulnerable and sympathetic as she accepts that her best friends are concerned. Spencer’s chauvinism and patronizing nature contrast Astrid’s bond with her friends, implying that their relationship will be a further source of conflict and character development. Delilah’s dislike of Spencer even leads her to defend Astrid, showing that however sincere her feelings of estrangement may be, she is more invested than she appears.

The change of scenery to the vineyard, away from Isabel and Spencer, suggests that the trip will be a revelatory one less encumbered by Delilah’s trauma. Herring Blake underlines this via the introduction of another classic romance trope: “only one bed.” Many romance novels, historical and contemporary, feature characters fighting attraction or animosity who find themselves forced to share sleeping space due to a mishap. The trope’s use in this section emphasizes Delilah’s vulnerability: She may perform indifference to Astrid’s happiness, but Astrid overlooking her still provokes grief and anger. Delilah admits to herself that Claire is already more than a possible avenue for revenge as she catalogues her numerous admirable qualities and warmth. Delilah is beginning to discover her desire for connection with others, just as she and Claire are placed in forced proximity. This allows Herring Blake to illustrate how the connection between Delilah and Claire will soon deepen and become far more authentic than Delilah’s original plans.

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