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Suleika JaouadA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Suleika’s parents make her see a therapist, who tells Suleika to find a hobby. They settle on a 100-day project in which she, her family, and Will work on a creative project for 100 days in a row. Will decides to send Suleika videos of his life in the city. Anne paints a ceramic tile each morning, which she assembles into a mosaic in Suleika’s room. Hédi drafts 101 childhood memories and makes them into a book that he gives to Suleika for Christmas. Suleika decides she will journal each day.
She writes about her experience with leukemia. She finds other artists like Frida Kahlo who created through illness. The words she writes help her find herself. Through the project, she begins, she says, to “reimagine [her] survival as a creative act” (109).
Her brother, Adam, is studying abroad in Argentina when Suleika receives the diagnosis of leukemia. He undergoes tests to assess if he might be a match for a bone marrow transplant. Adam is a perfect match, and soon everyone in the family begins to depend on him for support. Adam struggles to keep up with school and medical appointments. He begins taking anxiety medication.
Everyone has put some part of their life on hold because of Suleika’s leukemia. Will turns down a promotion. Her mother focuses on caregiving rather than painting, and her father drives her to the emergency room in New York City every time she gets sick. The medical bills pile up, and Suleika feels guilty and responsible (111).
The clinical trial doesn’t eliminate the leukemia, but the treatments lower her blast numbers enough for her to get a bone marrow transplant. Dr. Holland meets with her family to tell her what the transplant will be like: eight weeks in the transplant unit, chemotherapy to wipe out her bone marrow, likely a feeding tube, and a morphine drip (112). After that, they perform the transplant. If it’s successful, the doctors will help her body create a new immune system. The recovery will take several months, and she will need to live close to the hospital to attend daily checkups.
The process can include many complications. Graft-versus-host disease (GVHD) is one of the most serious. GVHD typically occurs within the first 100 days post-transplant. People start treating her differently because of the real possibility of death.
What scares Suleika is that she will be another “sad story of unmet potential” (115). Suleika uses some of her journal entries from the 100-day project and starts a blog. Her first post, “Good Afternoon, You Have Cancer,” is picked up by the Huffington Post, and strangers send her letters and emails. One letter comes from a prisoner, Lil’ GQ, on death row, who relates to her experience of waiting and isolation. A New York Times editor asks if she would like to write an essay. Suleika is ecstatic and proposes a weekly column. On March 29, 2012, she debuts “Life, Interrupted.”
Suleika transfers to Sloan Kettering Hospital for her bone marrow transplant. She misses Dr. Holland, Younique, and the rest of the medical staff at Mount Sinai, and when she leaves, she promises to come to see them. She packs the red suitcase that she used to move to Paris. In the transplant unit, Suleika works on her column despite the chemotherapy’s side effects.
On the morning of the transplant, Adam greets Suleika, “Salut, Suleikemia” (123). His nickname for her since her diagnosis. She hopes it’s the last time that it's applicable. When Suleika receives the bone marrow transplant, the doctors surround her bed. Adam’s cells drip from the IV bag. When everyone leaves, all she can do is wait in her sterile hospital room.
The goal is to reach Day 100, “Examination Day,” with a healthy immune system. On Day 14 she wakes up to a scream. The nurse walks into the room. Suleika realizes she is the one screaming, and in the drug-induced sleep she has pulled out her chest catheter. Notes from readers of “Life, Interrupted,” like Lil’ GQ and a young woman named Unique, and Katherine, a teacher in California, keep her going during these times. The other patients on her floor also sustain her. Johnny has the same diagnosis as she does. Though they can’t meet in person because they are both in their own Bubble, they communicate with each other online.
Suleika begins losing her hair again, and her cells take longer to graft than they expect. She is in pain and stays as still as possible to minimize her discomfort. Will visits. With his full schedule and her tendency to fall asleep from the medication, she feels like they are drifting further apart.
Adam’s cells start engrafting into Suleika’s bone marrow, and she and Will move to the Hope Lodge, a home for cancer patients in Manhattan. She still needs daily treatments. Will and Anne had planned to share the caregiving responsibilities, but due to the rules at Hope Lodge, Suleika must choose between the two. Only one caregiver at a time is allowed to go into the room.
Suleika’s body feels the effects of the treatments, but she continues to accept opportunities for interviews and works on her column. This blind determination builds tension between her and Will. Suleika gives an interview with a bad cough. Her mother and Will had asked her to reschedule, but she refused. At the end of the interview, the interviewer asks, “Are you facing mortality at this point?” (135). She feels unsettled but says that she feels very hopeful for the future. Later she reflects that she should have said she was “cautiously hopeful for the future” (136).
By Day 70, Suleika needs Will and Anne to help perform basic tasks, and Suleika is self-conscious of her body’s needs. On Day 80 she begins showing signs of a rash, an indication of GVHD. Her doctors increase her medication.
One night, Will decides to meet friends for drinks, and he asks Suleika if she wants to join, knowing that she can’t. She gets sick waiting for him to come back and help her with her medication, and when he gets to Hope Lodge late that night she’s throwing up. He responds with care and cleans her. She feels hate and love for him.
Day 100 arrives, and Suleika believes that she will know if the transplant succeeded. She gets an email from a young cancer survivor, Ned, who writes about the difficulty of life after cancer, but Suleika is still too mired in her treatments to consider the idea of life post-cancer. At the 100-day appointment, Will, Suleika, and Anne learn that while there are no cancerous cells in her bone marrow, it will take longer to know if the transplant was successful. Suleika finds out that she will need maintenance chemo. She observes that Will looks trapped, and looking back, she can’t blame him.
Suleika’s parents notice how depressed she has become and require her to see a therapist, who suggests a 100-day project. This connects Suleika to Will through the shared videos introducing her to his new world in New York City. She chooses to journal for her 100-day project, and this renews her sense of connection to herself. The journaling, however, is focused on inwardness and illness. Suleika is struck that she isn’t looking to the future, but rather she writes about the present (107).
Writing a blog and then the column becomes a way of engaging with her illness in a new way. Through sharing her writing with an audience, Suleika confronts her fear of death, and she finds the connections that come from the work unexpected and sustaining. Of Lil’ GQ, Jaouad writes, “[H]e related to my predicament. I know that our situations are different, he wrote in flowery cursive, but the threat of death lurks in both of our shadows” (116-17). Jaouad continues to see how connections can be made across distance and difference through the intimacy and risk of writing.
Each family member feels anxiety. As Adam and Suleika prepare to go in for the bone marrow transplant, they fear the transplant won’t take and that Suleika will die from the complications. Adam carries an inordinate amount of responsibility for the outcome and begins taking anti-anxiety medication to cope. Because of their fears, his parents pressure him to eat healthy foods and get rest.
During the bone marrow transplant, Suleika lives with uncertainty. She must wait 100 days to see if the transplant takes, a connection to the 100-day creative projects. She is forced into isolation and feels a kind of madness. To survive, she connects with people from her column, including Johnny, but they can’t see each other. Instant messaging connects their “Bubbles.” Jaouad writes, “Our shared experience was brutal but between us existed a weird sort of beauty: There we were two complete strangers, arms extending from our screens, wrapping each other in an intimate embrace” (127). She faces prolonged uncertainty as she watches for signs of transplant rejection.
Jaouad admits that she should have considered the emotional and physical impact of writing a blog and a column: “I should have been resting my body, preparing for transplant, and spending time with my family. I should have paused to ask myself how sharing the most difficult moments of my life in real time might impact my health, my future, my loved ones” (188). But the clinical trial and the coming transplant made each day feel like a countdown. Suleika pushes her body to deny the mortality she faces every day. People ask Suleika for interviews, and she continues to write. In Chapter 16, the interviewer’s direct question about her mortality points at her blind optimism—the denial of her body’s struggle for survival.
At the 100-day mark, Suleika expects to hear if the transplant worked. The answer is more complex than she wants. Suleika feels deeply discouraged at seemingly never reaching an end to treatment, continuing to live life by the next appointment. Will is caught between exhaustion as a caregiver and love for Suleika as a partner. In Chapter 15, Will’s schedule gets busier with work and other activities, and Suleika succumbs to the drowsiness of medicine. They grow apart. When forced to choose between her mother and Will at the Hope Lodge, Suleika again leans on Will over her mother to “hold him close” (132). She feels their distance in the hospital during the transplant and doesn’t want to lose him. Their relationship shows signs of strain when Will goes out with friends one night and then comes home to clean her vomit up. Jaouad writes, “I felt two competing emotions duking it out in my heart” (137). Will’s care and desire for freedom pair with Suleika’s love and hate. She loves him and hates how much she needs him, but she also resents that she can’t go out with friends for a drink. These binaries build within both Suleika and Will and threaten to tear them apart.