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Mary WollstonecraftA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
A Vindication of the Rights of Woman is not a fictional text, and so doesn’t have a cast of characters in any traditional sense. However, Wollstonecraft’s work is written in response to a number of other prominent writers and thinkers from her era. She cites these writers throughout the text in order to argue against their viewpoints, often seeking to show the hypocrisy or immorality of their beliefs. Wollstonecraft herself features prominently in this work, both as the narrative voice and the source of the beliefs and arguments that frame the work.
A Vindication of the Rights of Woman is a personal, emphatic, and often highly-opinionated work. Wollstonecraft employs emotive language throughout, for example using terms like “slavishly” (202) and “disgusting” (202) to describe the behavior of children when pandered to by their mothers, or using exaggerated turns of phrase: “Oh! Virtue, thou art not an empty name! All that life can give—thou givest!” (126). She also directly addresses both the reader and “my sisters” (138)—women—at key moments in the text, calling explicitly for individuals to make the changes she demands.
Furthermore, she writes the majority of this text from the first-person—“I”—which illustrates very clearly that this is a subjective work, and makes no claims of objectivity towards the issues. These techniques make clear that at its heart, A Vindication of the Rights of Woman is Wollstonecraft’s attempt to instigate a “revolution in female manners” (204). She is attempting to persuade both men and women alike to change their treatment of women. Moreover, by writing in a highly subjective manner, Wollstonecraft herself becomes a piece of evidence for the arguments she puts forward: that women can be intelligent, opinionated, and have a right to contribute to worldly and political affairs.
Jean-Jacques Rousseau was a Genevan philosopher and writer most known for his works The Social Contract (1762), Discourse on Inequality (1754) and Emile, or On Education (1762). Wollstonecraft cites Rousseau frequently throughout the text as an example of male hypocrisy and of how men perpetuate female stereotypes. On first discussing Rousseau, Wollstonecraft very explicitly states how much she disagrees with him: “reared on a false hypothesis, his arguments in favour of a state of nature are plausible, but unsound” (13).
In his work Emile, or On Education, Rousseau offers the education and upbringing of Emile as an example of how an ideal citizen should be educated; in it, he also discusses the education of Emile’s fiancée, Sophie:
Rousseau declares that a woman should never, for a moment, feel herself independent, that she should be governed by fear to exercise her natural cunning, and made a coquettish slave in order to render her a more alluring object of desire, a sweeter companion to man, whenever he chooses to relax himself. (25)
Wollstonecraft not only disagrees with Rousseau in regard to female education but also argues that writers like Rousseau are responsible for spreading and perpetuating the so-called feminine “ideals”—such as dependency and flirtation—that keep women subordinate to men. In essence, she blames Rousseau—among others—for making “women more artificial, weak characters, than they would otherwise have been” (21).
Milton is an English writer best known for his epic poem Paradise Lost (1667), which tells the story of the Fall of Man. Wollstonecraft references Milton because of the way he depicts Eve in Paradise Lost. According to Wollstonecraft, Milton describes Eve as “our first frail mother” (19) and thus reinforces the stereotype of women as frail, soft creatures. Wollstonecraft quite forcefully attacks Milton for this representation, stating that in doing so, Milton “meant to deprive us of souls, and insinuate that we were beings only designed by sweet attractive grace, and docile blind obedience, to gratify the sense of man” (19).
James Fordyce was a Scottish Presbyterian Minister and poet, known for a collection of published sermons entitled Sermons for Young Women (1766). Fordyce is one of a collection of writers who Wollstonecraft calls attention to because of their writing on female behavior and education and, in particular, the way that it perpetuates women’s subordinate position in society. Wollstonecraft particularly criticizes Fordyce for the tone and language he adopts in his Sermons, which she describes as “artful flattery and sexual compliments” (98). She interprets his tone—in addition to the content of what he says—as demeaning and condescending towards women, and asks instead that he “speak to [women] in the language of truth and soberness” (98).
Wollstonecraft is less vehement in her criticism of James Gregory’s Letters to His Daughters than other works, as she finds that his tone and viewpoint is more empathetic towards women. Her primary issue with Gregory is that he urges women to act according to “the rules of decorum” (102). Wollstonecraft argues that basing female behavior off a set of rules reduces the need for women to acquire reason and understanding of their own. According to Wollstonecraft, if women did acquire understanding, there would be no need for such rules: “when the mind has been stored with useful knowledge, and strengthened by being employed, the regulation of the behavior may safely be led to its guidance” (102).
Catherine Macaulay is one a group of women Wollstonecraft responds to in one section of Chapter 5. While Wollstonecraft is highly critical of the other women cited, accusing them of helping to reinforce the subordination of women to men, Macaulay is one of few she commends. Macaulay was a historian and writer who authored an eight-volume work on English history and, in addition, the text Letters on Education (1790). Wollstonecraft uses Macaulay as an example of a women who was both capable and intelligent, and proves that women are able to achieve academic and political accomplishments: “Catharine Macaulay was an example of intellectual acquirements supposed to be incompatible with the weakness of her sex” (109).
Philip Stanhope, the 4th Earl of Chesterfield, is criticized by Wollstonecraft for many of the same reasons that she criticizes Gregory. In Letters to His Son (1774), Chesterfield argues that children should be given rules to follow. Wollstonecraft argues that this type of child-rearing will only teach children a “blind obedience” (112) towards their parents, instead of allowing them to learn right and wrong through experience. She also questions what it is that Chesterfield means by “education,” and whether its purpose is to allow individuals to lead easy, happy lives, or, alternately, if its purpose is “immortality of the soul” (114). While Wollstonecraft believes it is the latter, she accuses Chesterfield of only seeing education as a way to secure the former.